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Raccoons and Brick Wall, Mare Island

Raccoons and Brick Wall, Mare Island

Raccoons and Brick Wall, Mare Island. Mare Island Naval Ship Yard, Vallejo, California. August 30, 2009. © Copyright G Dan Mitchell – all rights reserved.

A group of nocturnal raccoons emerges from beneath a brick wall with boarded up windows and doors at Mare Island Naval Shipyard, Vallejo, California.

I’ll have to admit that wildlife photography was more or less the furthest thing from my mind when I was shooting this scene of an artificially lit weathered brick wall in the core of the historic Mare Island Naval Ship Yard near the end of August. The thing that interested me in this shot was the shape of the pipe attached to the outer wall of this building against the bricks, along with the way it snaked between various windows and doors. So I set up the tripod and made a couple exposures. While making the second one I suddenly thought I saw something move – which seemed completely unexpected. Although it was much darker that it appears in this shot, I eventually saw a furry shape emerging from a gap between the sidewalk and the building… and then another…and another. Eventually there may have been as many as a half dozen raccoons in this little cluster of critters.

It may be hard to see them in this reduced size version of the photograph, but they are the small fuzzy area near the lower right below the valve on the wall. On the full size image it is possible to make out a few paws and the vague outline of their faces.

This photograph is not in the public domain. It may not be used on websites, blogs, or in any other media without explicit advance permission from G Dan Mitchell.

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keywords: raccoon, animal, nocturnal, pack, group, emerge, hole, under, building, brick, wall, boarded up, pipe, sidewalk, concrete, panels, window, door, reflection, night, photography, pattern, structure, historic, mare, island, naval, ship, yard, vallejo, california, usa, abandoned, dilapidated, run, down, valve, industrial, wildlife, wood, stock

Shipbuilding Yard Towers, Night

Shipbuilding Yard Towers, Night

Shipbuilding Yard Towers, Night. Mare Island Naval Shipyard, Vallejo, California. August 31, 2009. © Copyright G Dan Mitchell – all rights reserved.

High fog across the night sky above towers at the Mare Island Naval Shipyard, Vallejo, California.

I’ve had the good fortune to be able to do night photography at the historic Mare Island Naval Shipyard in Vallejo, California on a number of occasions over the past few years – largely because I discovered The Nocturnes, the SF Bay Area night photography group run by Tim Baskerville. (If you are looking for night photography events, workshops, and general information – you would do well to visit their web site.) The Nocturnes photograph regularly at Mare Island (also known as “MINSY”) and I got my first, ahem, exposure to night photography via one of their events.

This visit, on the final night of August, was the first time I’ve shot there when it wasn’t an event sponsored by The Nocturnes, and it seemed a bit odd to be the person most experienced at shooting here. This event was more or less organized by SF Bay Area photographer Ivan Makarov who contacted me ahead of time for some information about shooting at MINSY and invited me to join his group if I could. I could, so I did.

After shooting there a half dozen times or so, it starts to seem a bit too easy to keep shooting the same Mare Island icons in the same way, so this time I decided to try to shoot a few things that I had not shot before and to shoot some of the familiar subjects in somewhat different ways. One decision I made was to – for the most part – avoid the usual super-wide-angle shots that seem so obvious in this environment. I started out using a 70-200mm zoom instead and later moved to shooting with normal to slightly long primes. (I did fall back on the UWA approach for a few shots – heck, if it works I’m going to do it!) Another factor was that we did not have the totally clear full-moon skies that I’m more familiar with from previous MINSY shoots. We had a softer but earlier 3/4 moon, and at times there was quite dense high fog. The fog obviously obscures the sky and reduces/eliminates the star trail photographs, but it also picks up and then spreads a wonderful diffuse light from the many natural and artificial light sources found at MINSY.

The photograph shown here was made with the long zoom and includes nearly complete fog coverage of the sky. The lighting is a crazy combination of light from nearby Vallejo reflected in the clouds, garish sodium vapor lighting coming from beyond the scaffolding, and some “natural” light from the moon on the front of the metal building. (One of the things I enjoy about night photography in a location like this is that with so many wildly different light sources there is no correct color balance – so I get to pick!

This photograph is not in the public domain. It may not be used on websites, blogs, or in any other media without explicit advance permission from G Dan Mitchell.

Web: G Dan Mitchell Photography
Twitter: http://twitter.com/gdanmitchell
Friendfeed: http://friendfeed.com/gdanmitchell
Facebook: http://www.facebook.com/gdanmitchell

keywords: minsy, mare, island, naval, ship, yard, historic, vallejo, california, tower, steel, truss, equipment, industrial, bridge, star, trail, fog, light, building, shack, loading, dock, door, window, stairs, steps, asphalt, wire, rust, worn, abandoned, stock, tall, shadow, night, photography, nocturnal, metal, concrete, cement, glow, yellow

Morning at the Rhyolite School

Morning at the Rhyolite School

Morning at the Rhyolite School. Rhyolite, Nevada. April 1, 2009. © Copyright G Dan Mitchell – all rights reserved.

Morning light slants through the windows and across the floor of the old schoolhouse in the ghost town of Rhyolite Nevada.

Although it is not the most iconic structure at the ghost town of Rhyolite, Nevada (very close to Death Valley National Park), I’m intrigued by the ruins of the old Rhyolite School. It is one of the more intact structures – while the roof is gone, many of the walls are still standing, as is the main floor seen in the photo. I like to photograph both the exterior and interior of this structure. There is something compelling about the school with its missing roof and windows leaving the interior open to the sky, and this building makes me think about the lives of the people who lived here more than other buildings like the bank and railroad station.

I made this photograph in the early morning after photographing dawn light on the bank building and the distance Amargosa Valley and Mountains and, beyond that, Telescope Peak in Death Valley’s Panamint Range. The sun was still fairly low, providing the slanting light though the windows. If you look closely at the far windows you can make out some of the other buildings of Rhyolite.

This photograph is not in the public domain. It may not be used on websites, blogs, or in any other media without explicit advance permission from G Dan Mitchell.

keywords: school, house, building, ruins, dilapidated, weathered, window, wall, brick, stucco, concrete, light, slant, floor, old, historic, ghost, town, abandoned, sky, blue, cloud, morning, sunrise, dawn, nevada, usa, mine, interior, rhyolite, crack, gravel, travel, scenic, stock, death valley, national park

Ruins, Dawn, Rhyolite

Ruins, Dawn, Rhyolite

Ruins, Dawn, Rhyolite. Rhyolite, Nevada. April 1, 2009. © Copyright G Dan Mitchell – all rights reserved.

Cloud-filtered dawn light washes over crumbling ruins in the ghost town of Rhyolite, Nevada with Death Valley National Park, California and snow-capped Telescope Peak in the distance.

(More of my Death Valley photographs)

Looking back through my photos from Rhyolite in early April of this year, I found this image of several ruined and crumbling buildings against the backdrop of Amargosa Valley, Death Valley National Park and Telescope Peak, and an cloudy interesting dawn sky. One reason I thought I’d share this one is that it is a somewhat different image of the Rhyolite ghost town in that it doesn’t really include any of the iconic structures – just a more typical scene of buildings in a state of ongoing desert decay.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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