Tag Archives: bank

Gull, Sky, and Fog

Gull, Sky, and Fog
Gull, Sky, and Fog

Gull, Sky, and Fog. Pacific Coast Near Santa Cruz, California. July 12, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

A solitary gull flies above California’s Pacific Ocean coastline with a fog bank and blue sky beyond.

With some free time earlier this week, and the excuse of driving my son to a summer-session class at UC-Santa Cruz, I headed north from Santa Cruz looking for things to photograph. Because there was a lot of fog, even in the middle of the day, fog was one of my general subject ideas. And I almost always make at least a quick stop at a couple of bluff-top locations that I know of where shore birds often glide by very close as they ride the updrafts from the ocean winds. It turned out that my first stop was precisely one of these locations. With nothing else specific in mind at this midday hour, I figured I would at least spend a bit of time honing my skills and tracking and photographing birds in flight.

Although sea gulls are not necessarily my favorite subjects, there sure were plenty of them to practice on! At the spot I picked, they first become visible perhaps 10-15 seconds away as they come around the edge of a bluff to the south. As they approach they tend to vary their altitudes, with some dropping low enough that they disappear behind the cliff and others going so high that only their shaded undersides are visible. But a few come very close at almost eye level.

I almost always learn something new when I photograph birds in flight and this session was no exception. While in retrospect it seems like one of those “Well, duh!” realizations, I figured out that really strong winds tend to upset the birds ability to remain level, and for this reason they are constantly adjusting to remain level. From moment to moment the wings move into interesting positions or they find themselves tilting wildly to get back on course. This is much more interesting than what they do in benign conditions, where they often seem to just… coast.

So, add one more thing to watch for as they fly past. This isn’t an easy thing, and I have the greatest admiration for those who are really great at photographing birds in flight – or “BIF,” as some call them. The first challenge is simply to keep the moving birds in the viewfinder when using a long focal length lens. (I advise practicing the process of simply following the birds without even firing the shutter at first.) But that’s not enough. You must also attempt to keep the bird(s) in a position within the frame that is aesthetically interesting and which will position the target under the active AF points on the camera. Easier said than done! Then there is the matter of trying also be aware of what the bird is doing – watching wing and head position and so forth. On top of that, you ideally also want to be aware of the what else is in the frame – sky, clouds, water, other birds – and factor that into the decision about when to press the shutter. There are exposure challenges, too, especially with birds like this gull that have white on their backs… and this portion of the bird is in direct sun.

Let’s just say that – for me at least – it takes a lot of exposures to get a few shots that I like.

G Dan Mitchell Photography
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Spring Flooding, Merced River

Spring Flooding, Merced River
Spring Flooding, Merced River

Spring Flooding, Merced River. Yosemite Valley, California. May 7, 2011. © Copyright G Dan Mitchell – all rights reserved.

The Merced River overflows its banks during the spring runoff and floods surrounding meadows and lowlands in Yosemite Valley.

I’m tempted to go on about how the spring runoff is my favorite time of year in Yosemite Valley – but I’ve probably already written about how autumn is my favorite time, or how much I love winter in the Valley, and… :-)

In any case, there is a lot to like about spring in Yosemite Valley. For example, seasonal waterfalls that many visitors never see come to life. I believe that the thin fall across the Valley in this photograph is Sentinel Fall. There is another small one to its right in the v-shaped gully, but I do not know its name. The meadows come back to life and the trees begin to get their leaves, and there is green everywhere. Especially in a heavy snowfall year like this one, the Merced River rises as the snow begins to melt, and riverbanks overflow and meadows flood – as is happening in this photograph of a section of the river near Leidig Meadow along the north side of the Valley.

I’m surprised that there are not more photographs produced in this part of the Valley. I suppose the explanation may include the fact that few of the main iconic sights are directly visible from here, the current prohibition against parking along the road in this area, and the fact that parts of the river trail were underwater. But in the right light – which here can occur at times other than the typical early/late hours – Leidig Meadow and this curving section of the river with its shoreline trees can be very appealing, especially when the far canyon wall is muted by shadows.

I shot this a bit later in the day, not during the typical “golden hour” times at all. To get here I drove past this section of the road and walked back, alternately walking along the roadway (and occasionally leaving the narrow road as cars approached) and following the trail where it was not submerged. To make this photograph I walked down to the very edge of the rising Merced River and managed to find one spot that wasn’t too muddy.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Forest and Pond, Winter

Forest and Pond, Winter
Forest and Pond, Winter

Forest and Pond, Winter. Yosemite Valley, California. January 16, 2010. © Copyright G Dan Mitchell – all rights reserved.

Trees grow out of a small winter melt-water pool in Yosemite Valley, California.

As I drove down the Valley I spotted this very quiet seasonal pool that was reflecting the forms of the forest trees in the soft late-afternoon light. As the temperature dropped there was just the slightest hint of shallow fog starting to form above the surface of the water.

If you are the type who reads the “technical data” accompanying the photos you perhaps notice the unusual choice of lens for this photograph. You might also be surprised at just how often I use a long lens, even this 100-400 zoom, for landscape subjects. Besides getting me “closer” to subjects that would otherwise be out of reach – that was the case here where there was water between me and the trees – the longer lenses also compress the contents of the scene and can also help eliminate elements that would otherwise distract from the main scene.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

G Dan Mitchell Photography
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.


Coit Tower, Fog


“Coit Tower, Fog” — Swirling fog and mist engulf San Francisco’s Coit Tower and Telegraph Hill,.

Here is one more in this series of photographs of the San Francisco waterfront and downtown areas in brightly back-lit, early morning conditions with the City nearly obscured by drifting fog. All of the photographs in the series were made from a location near the north end of the Golden Gate Bridge, just a bit up the road into the Marin Headlands. Like several of the others, this one was shot with a 400mm focal length lens, pointing almost directly toward the rising sun. For some of the exposures I had to stand a couple feet in front of the camera, at the maximum extension of my remote release cable, and carefully position my hand to shade the front element of the lens.

Here the fog has almost completely obscured Coit Tower at the top of Telegraph Hill. If you look very carefully to the left of Coit Tower you can barely make out the ghostly image of the top of one of the towers of the San Francisco Oakland Bay Bridge. It was my good fortune that a slightly less opaque section of the drifting fog momentarily framed the summit of Telegraph Hill.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.