Tag Archives: bay

Monterey Cypress and Coastal Cliffs at Bluefish Cove

Monterey Cypress and Coastal Cliffs at Bluefish Cove
Monterey Cypress and Coastal Cliffs at Bluefish Cove

Monterey Cypress and Coastal Cliffs at Bluefish Cove. Point Lobos State Reserve, California. January 8, 2010. © Copyright G Dan Mitchell – all rights reserved.

Monterey Cypress trees grow atop cliffs above Bluefish Cove at Point Lobos State Reserve.

One fun thing about photographing places that I have visited for nearly my full life is that it sometimes encourages me to learn things about places that I had taken for granted – like names of features and places. Although I’ve been to Point Lobos since I was a child and I have seen this area of the reserve many times, I had no idea there was a place called Bluefish Cove, much less that this was it. More accurately, the small patch of water at the foot of this wonderful bit of rocky cliff and cypress forest is Bluefish Cove. I am surprised to note that the point itself seems to be unnamed, at least according to several maps I checked, each of which names many lesser places. The ridge rises from the water to form a peninsula between Bluefish Cove and the larger Whalers Cove. Beyond and above are some of the first coastal hills at what I think of as the north end of the Big Sur coastline.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

G Dan Mitchell Photography
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.



Twilight Surf

Twilight Surf
“Twilight Surf” — Long exposure of shoreline surf in twilight, Pacific Grove

Many times the most interesting late-day light comes after the sun set, and I have learned to stick around as long as I can in these situations. The colors can become more intense as the details become softer, especially when the low light allows me to use longer exposure times with moving subjects in the very low light. By the time I made this photograph my exposure time was up to four seconds. (Shortly after this it was too dark to continue shooting – I could hardly see my camera any more!)

This image falls into my “minimalist seascape” category, without any particular central subject – though there are some points in the scene that do, I think, draw a bit more attention. There is a certain element of chance in these photographs since, obviously, I cannot control the waves. However, by watching their patterns and thinking about how their sharply defined shapes might form more diffused shapes over the longer exposures, I can make some reasonable guesses about when to trip the shutter release. Besides the sky, there are three things in the water portion of this scene that “worked” for me: the single darker wave just below the horizon, the row of three parallel waves in the middle of the frame, and the blurred and reflective area closest to the shore.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Alcatraz Island, San Francisco Bay Fog

Alcatraz Island, San Francisco Bay Fog
Alcatraz Island, San Francisco Bay Fog

Alcatraz Island, San Francisco Bay Fog. San Francisco, California. December 16, 2010. © Copyright G Dan Mitchell – all rights reserved.

Alcatraz Island is almost completely obscured by San Francisco Bay fog drifting beneath blue sky.

This is another of what I sort of think of as my “barely there” photographs, in which I work with subjects that are almost completely obscured by fog, mist, rain, or clouds. Some of my Yosemite Valley photographs from a rainy weekend near the end of this past October are in the same category.

 

You can experience an astonishing range of atmospheric conditions in and around San Francisco Bay. The patterns at this time of year (the very end of fall, and more like winter conditions) are quite different from summer. As often as not, the fog in the winter comes from inland rather than drifting in through the Golden Gate, and it is more related to the tule fog that can sit in the Central Valley during the winter, sometimes for weeks. On the other hand, after the passage of a winter storm (which brings its own impressive conditions) the winter air over the Bay can be crystal clear. And frequently the conditions can change rapidly, as was the case on this morning. When I arrived in the Marin Headlands above the north end of the Golden Gate Bridge before dawn, I was initially a bit disappointed that the conditions were too clear! Except for a bank of clouds right above San Francisco (the subject of some other recently posted photographs) the rest of the Bay was almost completely clear. But then, at first imperceptibly and then very quickly, fog began to condense out of the air above the bay. In a short period of time subjects that had been clearly visible were completely obscured. Within moments after making this photograph, Alcatraz was not longer visible.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Coit Tower, Fog


“Coit Tower, Fog” — Swirling fog and mist engulf San Francisco’s Coit Tower and Telegraph Hill,.

Here is one more in this series of photographs of the San Francisco waterfront and downtown areas in brightly back-lit, early morning conditions with the City nearly obscured by drifting fog. All of the photographs in the series were made from a location near the north end of the Golden Gate Bridge, just a bit up the road into the Marin Headlands. Like several of the others, this one was shot with a 400mm focal length lens, pointing almost directly toward the rising sun. For some of the exposures I had to stand a couple feet in front of the camera, at the maximum extension of my remote release cable, and carefully position my hand to shade the front element of the lens.

Here the fog has almost completely obscured Coit Tower at the top of Telegraph Hill. If you look very carefully to the left of Coit Tower you can barely make out the ghostly image of the top of one of the towers of the San Francisco Oakland Bay Bridge. It was my good fortune that a slightly less opaque section of the drifting fog momentarily framed the summit of Telegraph Hill.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.