Tag Archives: big

Photographs: Architecture, Photographs: Central California, Photographs: Nature, Photographs: Northern California, Photographs: Ocean & Coast, Photographs: Structures and Objects

Bixby Bridge, Pacific Coast Highway

December 27, 2011 G Dan Mitchell 4 Comments

The Pacific Coast Highway crossing Bixby Bridge above the rugged Big Sur coastline of California.

Bixby Bridge is one of the iconic sights along the rugged terrain of California Coast Highway (highway one) in the Big Sur area south of Monterey. Although it is not the only bridge of its type along this route – and, in my opinion, not necessarily the most visually impressive – it is no doubt the best known. Many people drive to this spot and stop to take in the view from high above the ocean and to photograph the bridge and this scenic section of the highway.

I have photographed this bridge before, and I’ve spent a bit of time scoping out alternative points of view. These include some locations visible from “behind” the bridge, up higher in the coastal hills, and from other nearby locations along the highway. While I have photographed the bridge from the backside in the past, the idea of photographing it in black and white from this vantage point was triggered by a photograph by Chris Morrison that I saw in an online photography forum. When I saw it, I almost immediately “saw” a slightly different composition of the bridge and the steep headlands and cliffs running south along the coast.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Central California, Photographs: Nature, Photographs: Ocean & Coast

Rocky Creek Bridge, Sunset

December 26, 2011 G Dan Mitchell 1 Comment

Sunset light illuminates the Rocky Creek Bridge, winter surf, a natural arch, and a rugged section of the Big Sur coastline.

This is, for me, essentially the prototypical Big Sur coastline photograph. The Rocky Creek bridge spans, not surprisingly, the canyon holding Rocky Creek, located in a bay not far from the well-known Rocky Point south of Carmel, California along the coast highway. This little scene holds most of the elements that we identify with this area: the old coast highway bridge with its curving support structures, turbulent surf, headlands and bluffs, a small beach, steep cliffs dropping into the ocean, and sea stacks, rocky islands, and natural arches.

I have photographed almost this exact same scene many times, but with the variables of season, weather, light, and surf I keep coming back. I have several black and white photographs of the scene that are among my favorites, but I have been trying to get a color photograph for some time. It turns out to be a bit trickier than it might seem. I wanted sun, but not too much sun. In the wrong light, the colors in the scene can be difficult with a lot of neutral gray, brown and dark greens. In the morning the light comes from behind the bridge, in the midday hours the light (when it isn’t foggy!) can be overly harsh, and in the evening fog and offshore clouds can interrupt the light.

On this visit to the Monterey Peninsula area I had several opportunities to photograph this spot in mostly clear weather and near sunset when the light comes from the right side and takes on the warmer, saturated “golden hour” quality. I shot it on two evenings. On one the light went flat too quickly when the sun dropped behind clouds parked well off shore. The same thing almost happened on this evening and, in fact, shortly after I made this exposure the light went flat. But before that happened I got a few moments of this beautiful, warm, low angle light coming from the sun as it dropped toward the horizon and lit up the bridge and portions of the rocky terrain.

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Photographs: Nature, Photographs: Night, Photographs: Northern California, Photographs: San Francisco

Seagulls, Night Sky

October 14, 2011 G Dan Mitchell 5 Comments

Seagulls fly through artificial lighting at night, San Francisco, California.

I wouldn’t mind if you speculated about how in the world I managed to get this king of lighting on a photograph of birds in flight. Let’s see, it couldn’t be on-camera flash since the light is coming from the side. Perhaps I concocted some elaborate multiple flash setup and then waited for the birds?

I’m afraid that the explanation is much more prosaic. To be honest, we were at a San Francisco Giants game on this evening. We go to Giants games for several reasons: the hope that the Giants might actually play well (not at the moment!), the great views from AT&T park, garlic fries (!)… and for me, photography. I always bring a camera and a lens, and partway through the game I usually take advantage of the upper areas of the stadium to photograph San Francisco and the Bay, often at sunset and dusk.

One more fact. Giants fans who attend games have discovered something astonishing about wildlife, namely that the sea gulls seem to be able to tell when it is the seventh inning or so. At about this point in the game, flocks of them begin to assemble over the park, circling above the field and the stands… and waiting for their chance to feast on the discarded food that is left all over the stadium. (My working theory is that they have somehow learned to associate a full stadium with the appearance of good stuff to eat about two or three hours later. They are apparently as fond of garlic fries as we are.)

So, on this evening when the gulls showed up they began to fly in and out of the stadium lighting, creating a somewhat stark and dramatic effect against the dark sky.

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Photographs: Coastal Redwoods, Photographs: Nature, Photographs: Northern California

Forest, Gazos Creek

July 14, 2011 G Dan Mitchell Leave a comment

Today I used the excuse of driving my son over the hill to UC-Santa Cruz for his summer school class to get in a short trip up the coast north of Santa Cruz. We are in the midst of the “June gloom” period along the coast of northern California, and the fog doesn’t clear until later in the day, and never does clear completely in some areas. As I left Santa Cruz the fog bank was visible but well off-shore, but as I travelled north I eventually encountered it right around Año Nuevo State Reserve.

I had a vague plan to check out Gazos Creek Road, having heard from some other photographers that there are interesting redwood trees and other subjects in that area. Since I still had some time, I turned up the road and it quickly narrowed as it followed the creek and the bottom of the canyon into the Santa Cruz Mountains. Since this was more or less a scouting trip, I drove all the way to the end of the road without stopping much, but on the way back down I decided to stop and make some photographs of this grove of new-grown coast redwoods mixed with the curving trunks of big leaf maple trees.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.