Panoramic photograph of winter surf and rough winter seas along the Big Sur coastline at sunset, California.
This is actually a photograph that I posted previously, but this time presented in a panoramic orientation. The last bit of sunset light is shining through a gap in the otherwise cloudy sky. (I didn’t realize it when I posted the original version, but I managed to get a good case of poison oak by clambering out onto the edge of this bluff to make this photograph…)
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Black and white photograph of winter surf and rugged cliffs and rocks along California’s Big Sur coastline at the Rocky Creek Bridge.
I have photographed this scene before, so it was on my list of places to check out as I drove down the Big Sur coast on the second day of the new year. When I arrived I found very different lighting from that in the linked photograph – that one was shot in the morning with back-light and heavier mist. On this afternoon the surf was big (but not huge) and some mist was being thrown up by the waves, but the late afternoon light more clearly illuminated the rocks and the bridge. I also found a slightly better spot for seeing the natural arch in the foreground rocks. The only difficulty was that a herd of cattle was grazing on the top of the bluff right in front of this scene, and I had to wait for them to move before I could shoot – they were obstructing the arch!
I first thought this would be a color photograph, but the more I worked on it the more I liked the monochrome rendition. To me it seems to take the focus away from the colors and force it more towards the abstract and overlapping forms of the rocks, surf, bridge, and hill beyond.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
The last sunlight of the day gently lights the winter surf and coastal bluffs along highway one on the Big Sur coast of California.
This photograph is the result of a bit of good luck and a bit of planning. On this morning I heard a weather report that included a high surf warning for the northern and central California coast. I’m always alert to this in the winter since this can create some amazing photographic opportunities. With that in mind I decided somewhat spontaneously to finish up a few other tasks and then try to get to Point Lobos for some late afternoon and early evening photography there.
As I approached Point Lobos in the mid-afternoon it became apparent that I wasn’t the only person out and about on this last weekend of the holiday season! The entrance to Point Lobos itself was closed because all the parking lots were full, and scores of cars were filling the roadside pullouts near the park. Since I can go there when it isn’t so crowded I decided to change my plans and head south down the coast, ultimately going almost to Granite Creek.
At one point where the road made a broad curve to the right I was able to look back and see this panorama. I stopped only long enough to take a quick look and spot a use trail heading down toward the edge of the bluff. I made a mental note that this might be an interesting scene to shoot in the last light of the day, and then I got back in the car and continued south.
After finishing up a final shot shortly after 4:00 I decided to head back to this location. On one hand the light didn’t look too promising, as some high clouds were thickening and moving down the coast. However, it looked to me like it might remain clearer right above the horizon – I thought there was a chance of some “surprise light” just before sunset, and it seemed like this spot might catch a bit of it. With that in mind I drove back here, loaded up my gear, and wandered out to the edge of the bluff where I found this panorama.
With or without photography, it was a spectacular spot. The large Pacific swell was coming straight in to the beach below me to the right, and bluffs and sea stacks and surf stretched back up the coastline toward the Carmel Highlands and the Point Lobos area and interesting clouds were forming above. Now all I needed was a bit of luck with that sun peeking under the clouds at last light – and for about a minute or two I got the soft, warm light I had hoped for.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
The view from the Marin Headlands across the Golden Gate and San Francisco to the East Bay and the hills beyond.
This is probably another familiar scene – the panoramic view of the Golden Gate and its famous bridge with San Francisco and its famous bay beyond. This vantage point high in the Marin Headlands provides a spectacular perspective on San Francisco and a good portion of the Bay. Treasure Island and Yerba Buena Island are visible above the north (left) tower of the Golden Gate bridge and the inland hills of the Diablo Range (a.k.a. as the “east bay hills”) are seen in the far distance.
This scene is often presented in a more panoramic perspective – in other words a wider and shorter composition. I played around with that idea here, but I ended up liking the sense of depth provided by the bit of Marin Headlands bluff at the bottom and I like this late autumn sky – though it felt more like early winter!
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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