Tag Archives: clouds

Evening Storm, Sierra Crest

Evening Storm, Sierra Crest
An evening thunderstorm dissipates over the Sierra Nevada crest in Northern Yosemite.

Evening Storm, Sierra Crest. © Copyright 2021 G Dan Mitchell – all rights reserved.

An evening thunderstorm dissipates over the Sierra Nevada crest in Northern Yosemite.

The Sierra Nevada crest runs just northwest of this area in northern Yosemite National Park, and the mountains here rise to rugged, rocky heights, in places high enough to be topped by the older geological layers that were lifted up on top of the material that produced the range. This is alpine country — in places it is easy to travel since the landscape is so open, but eventually you’ll run up against these jagged peaks.

On this evening I had ascended some gentler — though still quite rocky — terrain not far from our camp, originally with the idea of photographing a large valley to our west and the peaks beyond it. Just before sunset I started to descend, coming back around the shoulder of “my” ridge and turning toward this line of peaks to the east and the remnants of a huge dissipating thunderhead on the other side of the crest.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Yellow-Headed Blackbird

This bird was a bit of a surprise. Some large cottonwood trees packed full with a flock of tai-colored blackbirds caught my attention. I pulled over and got out the long lens and began to photograph dense groups of those birds. But as I looked through the telephoto I realized that not all of the birds were the same. Two in particular didn’t quite fit — this yellow-headed blackbird and a nearby European starling.

While the tri-colored blackbirds were clumped closely together in a wildly-singing flock, this bird perched just a bit to the side. It was close enough to initially look like part of the boisterous group, but just far enough away to make a case that “I’m not one of those loud birds!”


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Evening Fog, Pacific Ocean

Evening Fog, Pacific Ocean
Fog begins to appear near dusk along the Pacific Coast below San Francisco.

Evening Fog, Pacific Ocean. © Copyright 2013 G Dan Mitchell – all rights reserved.

Fog begins to appear near dusk along the Pacific Coast below San Francisco.

Today’s photograph is… quiet… and peaceful. While the world at large is never completely that way, I suppose that the intensity of the craziness has been dialed back at least a bit during the last week or so, and I’m glad for that.

I’ve long had a fondness for this “big landscape with horizon” photographs that don’t really feature any single, central element. Instead they hope to evoke the experience of being quietly in such a place and slowly taking all of that in. The lack of an identifiable primary visual focus is perhaps even the point. I had headed over the hills to the closest section of the coast on this spring day, and as dusk came on the fog gradually began to appear again above the quiet sea.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Sandstorm Rising

Sandstorm Rising
Clouds from a desert sandstorm rise above Death Valley National Park sand dunes.

Sandstorm Rising. © Copyright 2012 G Dan Mitchell – all rights reserved.

Clouds from a desert sandstorm rise above Death Valley National Park sand dunes.

Today I am sharing yet another of the Death Valley photographs from my spring 2013 visit when, among other things, I had a couple of opportunities to photograph in sandstorm conditions. Like many photographers I tend to photograph this location early in the morning and late in the evening, when the light is softer and subtle colors emerge in the fascinating shapes of the dunes. But the stark midday light can be interesting too, especially when the light is softened and diffused by a dust-filled atmosphere.

My roots are in black and white film photography, and I still find myself leaning back in that direction fairly often. I feel that in many cases monochrome can let us see the subject more in terms of shapes, textures, tones — less as an attempt at literal representation of the subject and more about how we choose to interpret it. With monochrome we explicitly begin by accepting an interpretation that cannot be objectively accurate, since the world is (almost) never monochromatic. In addition, we have more freedom do things during the post-processing stages (as we did in the film era) that we probably could not get away with in color, and the result still register as being “true.”


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.