A redwing blackbird pauses atop a fence post in front of central California oak/grassland, Calero County Park.
Photographed on the same morning as another recent shot of this same type of bird, the bright red upper wings of this redwind blackbird provide a striking contrast to its jet black body. This bird was on a fence surrounding an old manmade pond at the Calero County Park south of San Jose, California – a place that I can drive to in little more than 15 minutes, and where I have hiked extensively for a number of years. These birds often flock around this small lake on winter and early spring mornings. Here it was still overcast, though the low fog from earlier in the morning was now dispersing.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
As is often the case, there is a story behind this photograph – an image that I think is fairly atypical of my work, at least as to the subject.
A year ago, almost to the day, I was also in the eastern Sierra to photograph aspens. And on that day I got up very early at my lodging in Mammoth and headed out before sunrise, which it was still dark actually, without a fixed idea of where or what I was going to photograph. I reached highway 395 and headed south, with a vague idea of heading up one of the promising canyons such as that of McGee or perhaps Rock Creek. But very soon I saw fog out in Owens Valley above Crowley Lake and I started thinking of instead heading away from the Sierra and out into that Valley. I ended up at a small pond from which I photographed the light from the rising sun as it hit the eastern slopes of the Sierra.
That show was over fairly quickly, so I decided to explore a bit. I had noticed mist and fog in various places in the surrounding area. Some of it seemed to come from small hot springs while in other places it seemed to extensive for that. I picked, more or less randomly, some gravel roads that headed toward the foggy areas and ended up on Hot Creek, where I made several photographs of and through the fog rising from the water.
Fast forward to this year. The first day of aspen shooting was productive, but the colors were overall not really as spectacular as I had hoped. If the intended subject “isn’t happening,” I’ll often change course and look for something else. So, once again I woke up without an aspen photography plan, but with two other vague ideas in mind. One was to go up to Minaret Summit and photograph the first light on the Minarets and Ritter and Banner Peaks. The other was to drive south again on 395 to see what would happen. When I got in my car to head out I still literally did not know where I would go. I sat in the car a moment and then, for reasons that I can’t recall, picked the 395 option. (Later I realized that the other option could have been productive, too.) I headed south on 395 and was astonished to see – again! – the fog over Crowley and the mist rising out in Owens Valley. So I went to my little lake to shoot there first and then headed out to where I had shot Hot Creek last year, but this time I kept going. At one point I passed this small range while heading out but couldn’t see a shot. Later on my return trip I passed it again, and this time I saw the stock grazing in the frozen meadow next to this small creek, with mist and fog rising everywhere. I stopped.
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A bed of ferns grows at a trail junction under deep redwood forest cover at Muir Woods National Monument.
This photograph was made in the late winter of 2009, during that time of the year when the redwood forest is still very wet and cool, but when flowers are blooming and spring is clearly on the way. The location is along the very popular (and often quite busy) main trail along the creek through the central part of the park. No doubt I had to wait a bit for the combination of these beams of light and no other visitors on the trail!
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A section of brick wall above old roofs is painted bright orange, Chelsea, New York City.
This photograph was made from the High Line Elevated Park in morning light. If you like the textures and colors and machinery and forms of dense and old urban structures, there is a lot to see and photograph from the High Line. I made a photograph of the same under-construction area in the far right of this frame (not completely visible) a year ago, but that was at a very different time of the day. On this morning, the odd patch of bright orange paint on the brick wall (and the smaller bit around the door frame) got my attention, so I leaned as far as I could toward the edge of the walkway and made a photograph unobstructed by the guard rail.
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Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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