Tag Archives: gold

Corn Lily Leaves, Autumn

Corn Lily Leaves, Autumn
Corn Lily Leaves, Autumn

Corn Lily Leaves, Autumn. Yosemite National Park, California. September 18, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

Corn lily plants take on autumn colors in the Sierra Nevada, Yosemite National Park.

The corn lily plants are among my favorite markers of the passage of the short high Sierra summer season. When the high country first opens and water is everywhere, the first shoots look almost like unhusked ears of corn as they come up in wet areas. (I don’t think this is where the plant gets its name – more on that in a moment.) They quickly grow to several feet tall, clustered in thick bunches, as the mosquito season arrives – and at this time they are incredibly lush and green. At this time they are also a favorite subject for photographers. A few seem to sprout much taller than others and produce clusters of white flowers. Then as August wears on and the soil begins to dry the plants also begin to lose their lush quality and brown areas appear and perhaps some spots and holes appear in the leaves. Often by the end of the month I can find some that are starting to turn one of several shades: golden-yellow, tan, or very dark brown verging on black. By mid September few healthy looking plants remain and the stalks (which look very much like corn stalks) begin to fall over to the ground.

It hardly matters where this particular group of corn lily plants was growing, so I’ll just say that they were within a few minutes of our camp site. I can hardly ever pass up the opportunity to try to photograph this plant, no matter which stage of its life it is currently going through. These had fallen over and were rapidly losing what remained of their green color.

G Dan Mitchell Photography
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Detail, EMP Museum, Seattle

Detail, EMP Museum, Seattle
Detail, EMP Museum, Seattle

Detail, EMP Museum. Seattle, Washington. July 30, 2006. © Copyright 2006 G Dan Mitchell – all rights reserved.

Distorted and colorful reflections on the metal surface of the Frank Gehry-designed EMP Museum in Seattle, Washington.

I made this photograph, and a series of them of this subject, during a visit to Seattle back in 2006. After seeing the exhibits at the EMP Museum, I spent some time wandering around the Frank Gehry designed building and looking for photographs.

Seattle seems like a great place to photograph architecture – you are almost guaranteed soft light! Here I had a mostly cloudy sky with a few spots of blue sky, so the basic light was very nice. In addition, the building itself is, in places, one giant fun house mirror. In this shot the reflective panels are picking up their own coloration, some clouds and blue sky, and some extremely distorted reflections of nearby carnival rides – and all of that stuff is set off against the sky blue curving shapes projecting from the building at the upper right. Some of the colors reflected in the wall panels are so colorful as to almost be over-saturated, and with the strange distortions they create the effect seems almost hallucinogenic! Is there any color that cannot be found somewhere on that wall?

G Dan Mitchell Photography
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Ferry Building and Embarcadero Center Building

Ferry Building and Embarcadero Center Building
Ferry Building and Embarcadero Center Building

Ferry Building and Embarcadero Center Building. San Francisco, California. July 12, 2010. © Copyright G Dan Mitchell – all rights reserved.

Embarcadero Center and Ferry Building near the San Francisco waterfront on a foggy morning.

This is another photograph that I’ve been sitting on for a while – first while it languished as a raw file between last July and early this year when I did my annual review of the previous year’s images, and then after post-processing as I posted photographs from Death Valley, the Sierra, and the coast. It has been sitting on my desktop long enough.

The photograph was made from the dock side of the San Francisco Ferry Building, looking back over the building past its iconic tower towards some of the modern buildings in the Financial District. The light was very interesting – there was still, obviously, the usual summer morning overcast where I was. However, behind me and out over the Bay the clouds were breaking up and the light was starting to come in at a low angle from off the bay, providing a glow to features like the windows of the tall background building.

This photo was made while walking streets in San Francisco and shooting mostly “old school” with just a 50mm prime.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Twilight Surf

Twilight Surf
“Twilight Surf” — Long exposure of shoreline surf in twilight, Pacific Grove

Many times the most interesting late-day light comes after the sun set, and I have learned to stick around as long as I can in these situations. The colors can become more intense as the details become softer, especially when the low light allows me to use longer exposure times with moving subjects in the very low light. By the time I made this photograph my exposure time was up to four seconds. (Shortly after this it was too dark to continue shooting – I could hardly see my camera any more!)

This image falls into my “minimalist seascape” category, without any particular central subject – though there are some points in the scene that do, I think, draw a bit more attention. There is a certain element of chance in these photographs since, obviously, I cannot control the waves. However, by watching their patterns and thinking about how their sharply defined shapes might form more diffused shapes over the longer exposures, I can make some reasonable guesses about when to trip the shutter release. Besides the sky, there are three things in the water portion of this scene that “worked” for me: the single darker wave just below the horizon, the row of three parallel waves in the middle of the frame, and the blurred and reflective area closest to the shore.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.