Kelp bed and fog off the coast of Point Lobos State Reserve.
I haven’t posted one of my “minimalist seascapes” in a while, so here is a new one. The photograph was made on a quiet day at Point Lobos a few weeks ago – at least it started out quiet with fog and somewhat gentle surf. A certain amount of post-processing was done on this image in order to get the particular misty effect and somewhat leaden quality of light and color.
While the photograph was made at Point Lobos, something similar could have been produced at many places along the California coast on a day like this one – the image is completely devoid of the typical elements of Point Lobos photography.
Three photographs of a ground squirrel along a shoreline trail at Point Lobos State Reserve, California.
Since I don’t quite think these photographs warrant separate posts, consider this to be my first three-for-one offer on the blog – three photographs in one post! I had taken a break from seascape photography on my recent visit to Point Lobos State Reserve south of Carmel and at the upper limit of what we might think of as the Big Sur coast. I was at the top of a bluff overlooking the “point of the sea wolves,” the actual spot that gives this park its name, and was trying to photograph the rather small number of pelicans that were coming past from time to time. (This was an odd day for photographing pelicans – fortunately that wasn’t the main reason I was at Point Lobos. Ten or fifteen minutes would go by with no pelicans at all… and then a giant flock or 30 or more would cruise by and be gone.)
So, I was parked at a spot along this trail on top of the bluff, waiting for interesting birds to come by when a couple stopped to look, too. As they stood there, this squirrel emerged from the brush and came right up to them – obviously not the wildest wild animal around. (Later I had to chase it off the bench that my camera bag was sitting on.) Since there weren’t any bird in photography range and there was a very close squirrel, and since I was standing there with a 100-400mm zoom on my camera, I figured I might as well get some close up shots for my gallery. This seemingly well-trained squirrel (is there a squirrel modeling school somewhere?) went quickly through a delightful sequence of poses: first all fours on the ground and looking quizzically to my right; then up on hind feet to eat a seed; and finally lowering the paws holding the seed to look ever so cutely at something to the right.)
So, now I have squirrel photographs.
California Ground Squirrel #2California Ground Squirrel #3
A rocky peninsula drops into the ocean on a foggy morning at Point Lobos State Reserve.
On this morning it was foggy and drizzling at Point Lobos and there was a surprising amount of surf for a summer morning. When I arrived shortly after the park opened, there were few other people about. With the moving water and the low light conditions, I decided that this was a good time to do some work with long daytime exposures, so I got out my 9-stop neutral density filters and went about looking for compositions.
After shooting down closer to the water in the cove to the left of these rocks, I wandered up a trail along the shoreline that took me to a point that was a bit higher above the water. As I looked back I saw that the rocks that defined the cove that I had been shooting appeared to head straight out into the water towards a distant peninsula and then submerge – a rather different take on this feature.
By using this filter I was able to get an eight-second exposure in this light. Longer would have been better, but the light was beginning to come through the fog a bit and I didn’t have much choice. With an exposure this “short” I had to be a bit careful about timing the shots, trying to get the right amount of water breaking over the rocks.
Sea stacks line the rugged California Big Sur coastline below the Pacific Coast Highway.
I had some free time on Friday morning, so I decided to head over to the coast below Monterey. I had some discussions with someone earlier this week about photographs featuring coastal fog and hills, and I think that may be what planted the idea in my mind, though it turned out that conditions were not quite ideal for that particular sort of thing. However, it was a beautiful spring morning along the Big Sur coast, with the bright sun somewhat modulated by some atmospheric haze and a bit of fog here and there along ridge tops.
For those who may not have heard, driving this section of the Coast Highway is a bit tricky right now due to washouts and closures. I had to wait for a pilot vehicle to lead scores of us through one large section, and in another spot the road was reduced to a single lane by a large landslide. I understand that further south the road is actually closed completely, necessitating an inland detour.
The unusual traffic situation did create one advantage for me, however. Usually there is enough traffic on this famous route that driving along at very slow speeds annoys other drivers – so I sometimes have to keep going right past places I might otherwise want to stop and investigate. However, yesterday I quickly figured out that with 20-30 minutes between waves of traffic as the road opened and closed, all I had to do was pull over after passing one of the blockages, wait for the other cars to pass, and then drive in a more leisurely way with plenty of opportunities to stop.
So as I drove past this area that I had not really looked at closely in the past – it is between a couple of other spots that I know well – I was able to drive slowly, pull over to look more carefully, backtrack, and generally get to see it more than in the past. I first pulled off near this spot simply to turn around to go back and check a spot I had just passed. As I did so I noticed a painter packing up his gear. I did my “turn around,” looked at the spot I had passed, decided it wasn’t promising after all… and came right back to the spot where I had seen the painter. A short trail led down to the edge of the bluff and provided this view along the coast to the south.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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