Tag Archives: mountains

First Light, Southern Death Valley

First Light, Souithern Death Valley - As seen from Aguereberry Point, first dawn light spills across the lower end of Death Valley.
As seen from Aguereberry Point, first dawn light spills across the lower end of Death Valley.

First Light, Southern Death Valley. Death Valley National Park, California. January 5, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

As seen from Aguereberry Point, first dawn light spills across the lower end of Death Valley.

I have previously photographed from this location high in the Panamint Range and overlooking a vast portion of Death Valley National Park and its surroundings. The view stretches east to 11,000+’ peaks in Nevada and west to the crest of the Sierra Nevada, and great distances north and south to places and features that I cannot identify. My previous visits had all been late in the day, and I had often wondered what the location might be like at the start of the day. So, on this visit to Death Valley, a trip to Aguereberry Point before dawn was on my agenda.

As usual, I awoke well before dawn at my camp site back at Stovepipe Wells. (You can often tell if there are other photographers about – in the dark period an hour or more before sunrise you hear people quietly get up, quickly start their engines, and drive away.) I headed up into the Panamints and turned off at the start of the six-mile gravel road that goes to this point, and arrived just before the first colorful light began to light up the sky – and I was pleased to see that there were some interesting clouds. I have been fascinated by this view over the shoulder of a ridge dropping down toward the Valley above Trail Canyon, so I composed a photograph that juxtaposed this diagonal with the end of the Black Mountains across the valley and the light-filled atmosphere beyond where the very first sun was coming across lower Death Valley.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Dew on Lupine and Grasses

Dew on Lupine and Grasses
Dew on Lupine and Grasses

Dew on Lupine and Grasses. Castle Rock State Park, California. April 24, 2005. © Copyright 2005. G Dan Mitchell – all rights reserved.

Dew from morning fog collects on meadow grasses and lupine flowers, Santa Cruz Mountains.

It is a wonder that I even consider this photograph worth posting. (Hope I’m not wrong about this!) I made this photograph six years ago when I was doing my very first investigation of digital SLR shooting after having been a film photographer (at least apart from some earlier more or less point and shoot stuff) for many years. To “test the waters” I had picked up a very inexpensive and modest Canon “Digital Rebel” XT DSLR and a single zoom lens. The camera actually wasn’t a bad performer at all. While these models were small and lightweight and lacked some features of their more expensive brethren, they had essentially the same sensors and for those who shoot the way I generally did the other features were mostly superfluous. The first DSLR-sourced print I ever sold came from this camera. The lens was another story. For my “test” I simply picked up a reasonably inexpensive wide range 17-85mm variable aperture lens. This lens has its pluses and minuses (read more here), but for me the minuses were eventually deal-breakers. However, this little handheld photograph was made with that very modest lens, and as long as I don’t try to make it too big I think it works fine.

The scene is a typical one in the oak and grassland areas of Central California that surround the area where I live. This particular scene was at Castle Rock State Park, in the Santa Cruz Mountains between Silicon Valley and the coast. At this time of year the weather can evolve in any of several directions, including rain, fog, brilliant sun and heat, and more – but on this day I was shooting in very damp coastal fog along the top of the ridges.

G Dan Mitchell Photography
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Forest, Gazos Creek

“Forest, Gazos Creek” — A dense mixed redwood and maple forest along Gazos Creek, California.

Today I used the excuse of driving my son over the hill to UC-Santa Cruz for his summer school class to get in a short trip up the coast north of Santa Cruz. We are in the midst of the “June gloom” period along the coast of northern California, and the fog doesn’t clear until later in the day, and never does clear completely in some areas. As I left Santa Cruz the fog bank was visible but well off-shore, but as I travelled north I eventually encountered it right around Año Nuevo State Reserve.

I had a vague plan to check out Gazos Creek Road, having heard from some other photographers that there are interesting redwood trees and other subjects in that area. Since I still had some time, I turned up the road and it quickly narrowed as it followed the creek and the bottom of the canyon into the Santa Cruz Mountains. Since this was more or less a scouting trip, I drove all the way to the end of the road without stopping much, but on the way back down I decided to stop and make some photographs of this grove of new-grown coast redwoods mixed with the curving trunks of big leaf maple trees.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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Hill Near Mesquite Flat, Dusk

Hill Near Mesquite Flat, Dusk
Hill Near Mesquite Flat, Dusk

Hill Near Mesquite Flat, Dusk. Death Valley National Park, California. March 29, 2011. © Copyright G Dan Mitchell – all rights reserved.

Dusk light above a hill near Mesquite Flat in Death Valley, backed by a large alluvial fan from Tucki Mountain.

At the end of this day I was shooting from the top of a low hill in the Valley east of Stovepipe Wells, and there were interesting subjects throughout almost the entire 360 degree panorama around this elevated position. With this in mind, I had chosen to use the long 100-400mm zoom so that I could have some flexibility in composing elements of this huge scene.

I was mainly working with things that were in the large arc to my west (dunes and Cottonwood mountains and base of Tucki Mountain), north (the main Valley and transverse dunes), and east (the mountains running along that edge of the Valley) since the further subjects of the lower Valley were more or less out of sight beyond the alluvial fan that appears in the photograph. But I kept being intrigued by the low, dark hill on the flats below the similar hill on which I was standing. There is a row of them stretching from near the Devils Cornfield area up and across this alluvial fan. As the evening light transitioned towards post-sunset light I saw that the glow from clouds (a bit of which is visible in the distance above the Black Mountains) was lighting this hill and the surrounding flats in an interesting and colorful way.

But I had a little problem. I was still working a number of subjects and once and I really needed to keep shooting that 100-400. 100mm was still too long for this scene, but I didn’t have time to remove it and put on a shorter lens. I figured that I could simply change the camera to vertical orientation, very carefully level the tripod, and include the whole scene in four panning vertical frames that I could stitch together later. People often do this so that they can produce extremely high-resolution image, but that wasn’t my goal at all. In any case, it worked, and not only did I manage to get the shot that needed a wider lens, but as a bonus it is a very high-resolution shot.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.