A new trillium plant emerges and begins to blossom beneath the redwood forest canopy.
With enough time to observe these plants – and a few return visits to fill in observational gaps – it is possible to see the full process of their unfolding. Though I still haven’t spotted the very earliest sprouts – probably because I didn’t look quite closely enough – I can spot the newly emerging plants that are about to open up and blossom. The leaves wrap around the incipient flower, and when they begin to open the appearance of the flower itself isn’t far behind.
On this visit to Muir Woods National Monument I found trillium plants in all stages from tiny plants with small leaves to those that had already blossomed and even lost the flowers. A few were at this wonderful stage when the cradling outside leaves are just opening to reveal the new flower. Soon the leaves will drop and flatten to produce the familiar three-part shape and the flower will stand (or droop!) above the leaves.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Snow geese fly low past a Skagit Valley farm, Washington.
Back in February I was fortunate to be able to spend a day photographing migratory (and other) birds in the lower Skagit Valley area in the state of Washington. For me the primary draw was the snow geese, since I had just spent several days photographing Ross’s geese in California’s Central Valley, along with the beautiful trumpeter swans that hang out in the fields in this part of Washington. I had also been alerted to the presence of bald eagles in the area.
I drove up very early in the day from the Seattle area, arriving at just about the time that would have been sunrise… if it had not been a typical gray Washington day. I passed through a small town by the highway and then headed out into this farm country, immediately spotting scattered groups of trumpeter swans, whose large white bodies stand out clearly against the intense green of the new growth in the fields. However, all of these birds were too far from the roads, so I moved on, soon passing what looked like a country produce stand in front of a fallow field that where there were some geese. I stopped – and immediately heard that striking sound of the huge flocks of geese – and got out my camera gear to see what I could do. At this point I looked around a bit more and saw flock after flock of birds high in the sky to the west and heading this direction. Very soon all of these flocks began land on this very field where I had fortuitously stopped and in minutes there were tens of thousands of geese on the ground and many more flying routes above and around the field.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Two trillium blossoms in the redwood forests of the Golden Gate National Recreation Area, California.
It is probably obvious by now that I’m a trillium fanatic. Early March is “trillium season” in the redwood forests around the San Francisco Bay Area, so I have been out photographing these flowers during the past couple of weeks. I was originally concerned that this might be a very poor year for them since we are in the midst of a serious drought in California, but some early March rain seems to have provided enough water to get them to sprout. In fact, this past weekend I saw lots of new plants just starting to emerge, so it seems to me that there may be some life left in the this year’s bloom. (And now we are looking hopefully at an upcoming week of much-needed rain.)
I photographed this pair along a trail that traverses a hillside above a valley filled with coast redwoods. I arrived in this spot just as morning light was beginning to filter down through the tall canopy of this forest and, in spots, hit the ground and the new plants. The trick is is to get some of the brighter color of this sunlight but to avoid the direct sun – the latter is far too harsh for photographing these flowers. So I worked in the shaded areas or, at times, in those spots that were right on the sun/shade boundary. I probably most often photograph single flowers, but when I can find a group I like to see how I can make a composition out of them. It is a bit trickier than it might seem, as there are a bunch of elements that must work together. First, the two flowers need to be fairly close together, and they both need to be at roughly the same point in their development – it isn’t so wonderful to get one beautiful flower and one half-dead, dried hulk. Then they must both be illuminated in roughly the same way – it won’t work so well if one is in brighter light than the other. The background is a tricky thing, too. If it is too bright or too busy (or too well focused) it can easily distract from the flowers themselves, so I usually look for something in shadow and without any very bright objects. While I may be able to find a camera position that accomplishes this, sometimes I need to move a small, bright leaf or twig. And once all of this is worked out, the flowers must be roughly in a plane parallel to the camera’s sensor so that both will be in focus – and this must happen while shooting at the large apertures necessary to throw the background out of focus. And last, but not least, exposure can be slightly tricky – it is very easy to over-expose the bright but delicate form of the flower’s petals, and end up losing detail.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
“Tree Farm and Hills” — The bare winter trunks of a tree farm against a backdrop of low hills, Skagit Valley, Washington
This is perhaps a bit of a subtle photograph. While shooting in the Skagit Valley of Washington, my brother Richard and I took a break from photographing trumpeter swans and snow geese and went looking for bald eagles, which hang out nearby in large numbers. We eventually found several of them in various trees in the area, including in the upper branches of these large groves of trees that I think may be poplars that are part of a tree farm. (Our first attempt with the eagles was a classic. We saw a beautiful bird in a tree at the edge of the grove right alongside the road. We stopped. We carefully fitted the right long lenses. We got out. We aimed… and the eagle flew away.)
While standing around looking for the birds I was fascinated by the regular patters of these very slender and closely spaced trees in the tree farms that were along the road. The light was very muted due to overcast, and the trees themselves don’t provide a whole lot of light/dark contrast. I found a section of the grove that I liked and then worked my position so that I could get the diagonal of the more distant and out of focus ridge to cut across the background and angle down to the right.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.
