Kelp bed and fog off the coast of Point Lobos State Reserve.
I haven’t posted one of my “minimalist seascapes” in a while, so here is a new one. The photograph was made on a quiet day at Point Lobos a few weeks ago – at least it started out quiet with fog and somewhat gentle surf. A certain amount of post-processing was done on this image in order to get the particular misty effect and somewhat leaden quality of light and color.
While the photograph was made at Point Lobos, something similar could have been produced at many places along the California coast on a day like this one – the image is completely devoid of the typical elements of Point Lobos photography.
Three photographs of a ground squirrel along a shoreline trail at Point Lobos State Reserve, California.
Since I don’t quite think these photographs warrant separate posts, consider this to be my first three-for-one offer on the blog – three photographs in one post! I had taken a break from seascape photography on my recent visit to Point Lobos State Reserve south of Carmel and at the upper limit of what we might think of as the Big Sur coast. I was at the top of a bluff overlooking the “point of the sea wolves,” the actual spot that gives this park its name, and was trying to photograph the rather small number of pelicans that were coming past from time to time. (This was an odd day for photographing pelicans – fortunately that wasn’t the main reason I was at Point Lobos. Ten or fifteen minutes would go by with no pelicans at all… and then a giant flock or 30 or more would cruise by and be gone.)
So, I was parked at a spot along this trail on top of the bluff, waiting for interesting birds to come by when a couple stopped to look, too. As they stood there, this squirrel emerged from the brush and came right up to them – obviously not the wildest wild animal around. (Later I had to chase it off the bench that my camera bag was sitting on.) Since there weren’t any bird in photography range and there was a very close squirrel, and since I was standing there with a 100-400mm zoom on my camera, I figured I might as well get some close up shots for my gallery. This seemingly well-trained squirrel (is there a squirrel modeling school somewhere?) went quickly through a delightful sequence of poses: first all fours on the ground and looking quizzically to my right; then up on hind feet to eat a seed; and finally lowering the paws holding the seed to look ever so cutely at something to the right.)
So, now I have squirrel photographs.
California Ground Squirrel #2California Ground Squirrel #3
A rocky peninsula drops into the ocean on a foggy morning at Point Lobos State Reserve.
On this morning it was foggy and drizzling at Point Lobos and there was a surprising amount of surf for a summer morning. When I arrived shortly after the park opened, there were few other people about. With the moving water and the low light conditions, I decided that this was a good time to do some work with long daytime exposures, so I got out my 9-stop neutral density filters and went about looking for compositions.
After shooting down closer to the water in the cove to the left of these rocks, I wandered up a trail along the shoreline that took me to a point that was a bit higher above the water. As I looked back I saw that the rocks that defined the cove that I had been shooting appeared to head straight out into the water towards a distant peninsula and then submerge – a rather different take on this feature.
By using this filter I was able to get an eight-second exposure in this light. Longer would have been better, but the light was beginning to come through the fog a bit and I didn’t have much choice. With an exposure this “short” I had to be a bit careful about timing the shots, trying to get the right amount of water breaking over the rocks.
Alpenglow light on trees growing among granite boulders below glacially carved cliffs at Upper Young Lake.
This is one of my favorite locations in the Yosemite back-country and, in fact, in the entire Sierra Nevada range. This beautiful sub-alpine basis contains three lovely lakes and is surrounded by varied terrain that includes distant views, peaks and ridges towering above, lodgepole pine forests, meadows small and large, and an open view to the west that often provides stunning light late in the day.
As is usually the case, I was camped at the lower Young Lake – this time for several days of photography – and I had headed to the upper lake late in the day to do some evening photography. I have photographed there quite a few times, but I still haven’t come close to exhausting the photographic potential of the place. On this evening I knew that I wanted to be ready to photograph the golden hour light, but I was also interested in the smaller groups of trees that grow among the granite boulders and I wanted to see what might develop as alpenglow struck the glacial slopes above the lake.
There is a small, fun twist to the story of this visit to Upper Young Lake. I took a semi-cross-country route to the upper lake from my camp at the lower lake, and because I knew that I’d be returning alone in deep twilight or even after dark, on the hike up I was concentrating intensely on fixing a series of landmarks in my mind for the return hike. I was so single-minded about this that I made it all the way to the lake and my first intended subject (a small shoreline tree) without looking around much. It was only a moment after arriving that I got out of focus-on-the-route mode and looked around. I had walked right past the campsite of a couple of photographers without even seeing them, much less saying “hi.” Turns out that the photographers were John Sexton and Anne Larsen. After exchanging greetings and conversation, I went about my business of shooting along the edge of the lake. (If I recall correctly, John was shooting nearby as I made this exposure.)
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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