Tag Archives: point

Summit Boulders and Tree, Sunset

Summit Boulders and Tree, Sunset
Sunset light on the summit of a Yosemite granite dome on a hazy late-summer evening.

Summit Boulders and Tree, Sunset. © Copyright 2021 G Dan Mitchell – all rights reserved.

Sunset light on the summit of a Yosemite granite dome on a hazy late-summer evening.

Even back before the recent increase in California wildfires, smoke haze was common during the later summer and early autumn months in the Sierra Nevada and, for that matter, over much of the state. For years I noticed that something was different about the atmosphere in September, and it wasn’t until relatively recently that I realized that the hazy softness in the September sky is, at least in part, due to widespread smoke. To be sure, most of the time it this haze is subtle. And, it can also be beautiful in the right situation. On this evening, it softened and warmed the light just before sunset.

We had been camped in this area for several days, and on this evening I took a long and slow walk with my camera. I headed around the far side of the lake that was next to our camp, gradually working my way toward a high point beyond that overlooks one of the great canyons of the Yosemite backcountry. On this summit I found a few glacial erratics and one small tree hiding in their shadow. I paused to make this photograph, then continued on along the spine of the low peak to descend back towards camp on the other side.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Black Point and Negit Island

Black Point and Negit Island
Tufa formations, Black Point, Negit Island, and distant hills in sunset light at Mono Lake.

Black Point and Negit Island. © Copyright 2021 G Dan Mitchell – all rights reserved.

Tufa formations, Black Point, Negit Island, and distant hills in sunset light at Mono Lake.

Yes, this is yet one more — but probably the last — of the photographs of this lovely autumn evening at Mono Lake a few years ago. Most of the others feature the rising full moon, but I made this one a few minutes before that event, while the last of the day’s sun was still streaming over the Sierra crest and striking the tops of the mountains to the east of Mono Basin.

Besides being a photograph of a beautiful time of day at the lake, the scene includes a number of important little elements that might not be immediately obvious. In the foreground we see a few of the ubiquitous tufa formations that dot the border of the lake, quite a few of which were revealed when Los Angeles’ thirst for Sierra Nevada dropped the lake level. This also reveals sections of the curving lake shore that would have been underwater some decades ago. At the far left is the dark bulk of Black Point, and intriguing formation that few get to actually visit. Just of Black Point’s shoulder is Negit Island, one of two volcanic islands in the lake. to its right you can barely see the low north side of larger Paoho island. And those far mountains where a bit of sun still shines are a very long ways away, and it a location that is pretty close to inaccessible.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Coastal Bluffs and Trail

 Coastal Bluffs and Trail
A trail crosses springtime coastal bluffs to approach the rugged Big Sur coast south of Carmel, California.

Coastal Bluffs and Trail. © Copyright 2021 G Dan Mitchell – all rights reserved.

A trail crosses springtime coastal bluffs to approach the rugged Big Sur coast south of Carmel, California.

This is a fairly “straight ahead” photograph of a popular section of the Big Sur coastline. There are several reasons for is popularity, not the least of which is the impressive number of sea stacks and the rocky junction of sea and land. It is also in the upper section of this area, not that far from locations like Carmel and Monterey. In addition, it provides fairly close access to the coast, including the trail crossing the bluff in the lower section of the photograph.

Most of the time I would hesitate to photograph a scene like this one, instead preferring something a bit more unusual — perhaps some dramatic light or maybe some fog. But it occurred to me that in many ways this scene on this spring day embodies the ideal of “normal” along this coast with the green hills, blue sky, and darker blue water. Oh, and about that trail… should you ever decide to try it or one like it, may I remind you that a lot of poison oak grows here?


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Point Sur, December Sky

Point Sur, December Sky
High clouds, brilliant reflecting light on the water, and fog at Point Sur.

Point Sur, December Sky. © Copyright 2021 G Dan Mitchell – all rights reserved.

High clouds, brilliant reflecting light on the water, and fog at Point Sur.

There is a lot of “accepted wisdom” about photography that turns out to be not quite true when you stop and consider your actual picture-making experience..Yesterday I was having a conversation with a photographer friend (Hi, Charlie!) about various things, including the way that some photographs don’t quite make sense to us until we return to them long after making the original exposure. If one ideal is to pre-visualize the photograph perfectly (and I do believe in the value of pre-visualizing), then it would seem that being surprised months or years later to find that a forgotten image works is hard to explain. But it happens — quite a lot, actually. One of my ideas about this is that at first we are too invested in what we believe the photograph to be that we are unable to look beyond that and see what it actually is.

All of this is a long way of getting to a point about this photograph. When I first viewed it right after the day I visited the Big Sur coast, I had a hard time with certain aspects of the light and the color and, to a lesser extent, the way it was framed. Originally I settled on a black and white interpretation. (Yes, a neat way of copping out about the color issues!) Recently I went back and looked at it again, and this is the result. I ended up with a slightly different crop, some work to lighten portions of the scene, and some new thinking about color of clouds and sky and about how to handle the bright yet low contrast reflections on the water out near the horizon.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.