Tag Archives: stock

Stairs, Person Walking

Stairs, Person Walking
Stairs, Person Walking

Stairs, Person Walking. San Francisco, California. July 15, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

A person walks past the bottom of a stairway along Stockton Street, San Francisco.

On this mid-July morning I was walking through sections of downtown San Francisco, on my way from Market Street up through parts of Chinatown and heading toward North Beach. It was early enough that the bulk of the tourist crowd was still sleeping in or having breakfast, though people were out and about. My plan was to walk up the first block of the main tourist section of Chinatown to grab some storefront photographs, and then to head a bit west to Stockton Street or thereabouts, where things are oriented (much) less towards the tourist trade.

There is a place where there are essentially two layers of streets. Busy Stockton ducks into a tunnel and the street that is right above it ends on a short spur that is mostly parking. I walked to the middle of the sidewalk at the end of this little street, from which I could photograph straight up Stockton. Finishing that I looked for the stairs down to Stockton and happened to pick the one to my left. As I entered the stair well I looked for photographs since I like the angles and the lighting in some of these areas. One landing up I could look down to where the sidewalk coming up through the tunnel met up with the stairs and then emerged into the light beyond. I made an exposure or two of this “urban landscape,” and then as a person walked across the scene I had a moment to channel my “inner HCB” and photograph her blurred form.

Speaking of channeling HCB, there is also a BW version of this image that probably has more of the classic “street” look. At the moment, thinking that I’m in danger of trying to look old school if I go the other way and also enjoying the brown and tan and similar tones in the color version, I’m going with this one.

G Dan Mitchell Photography
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Boulders and Trees, Lower Young Lake

Boulders and Trees, Lower Young Lake
Boulders and Trees, Lower Young Lake

Boulders and Trees, Lower Young Lake. Yosemite National Park. September 14, 2010. © Copyright 2010 G Dan Mitchell – all rights reserved.

Subalpine forest strewn with granite boulders in morning light, Lower Young Lake.

This photograph comes from late in last year’s backpacking season, on a mid-September trip to the Young Lakes Basin. As I have previously written, this area is a beautiful one to explore and is doubly beautiful for photographers since it is open to the western evening light. I made this photograph in the morning and not far from my campsite at the lower of the three Young Lakes. This sort of scene is no doubt familiar to anyone who has spent much time in the Sierra Nevada high country and has come to know these areas of mixed trees and meadows among fields of large granite boulders. I found this particular scene by leaving the trail behind and exploring more widely around the shoreline of the lake.

G Dan Mitchell Photography
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Loading Dock Doors, Townsend Street

Loading Dock Doors, Townsend Street
Loading Dock Doors, Townsend Street

Loading Dock Doors, Townsend Street. San Francisco, California. July 8, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

Early morning light on the wall of an industrial building with black loading dock doors along Townsend Street, San Francisco.

This photograph was made very near to where I made another I posted recently, one of a pair of freeway overpasses near the San Francisco Caltrain station. After making that photo, I headed back on Townsend toward the station and as I walked along a row of industrial buildings these loading dock doors and the bright light from the morning sun caught my attention. So, in a suitable old-school approach, I pulled out the camera with the 50mm prime and found a way to frame the scene.

If you are into this sort of thing, you might relate to a few small details in the scene that I like. One is the faint shadow of the two overhead electric lines that cuts a diagonal from upper right to lower left, which also happens to be along the same dimension over which the sunlit diminishes. Aside from the predominant shades of tan on the wall and shades of gray elsewhere, there are a couple of bits of yellow-orange on the curb and the sign near the far right.

If you can read the signs – hard to do at this small size – you will understand that it would be a very bad idea to park here. :-)

G Dan Mitchell Photography
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Gull, Sky, and Fog

Gull, Sky, and Fog
Gull, Sky, and Fog

Gull, Sky, and Fog. Pacific Coast Near Santa Cruz, California. July 12, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

A solitary gull flies above California’s Pacific Ocean coastline with a fog bank and blue sky beyond.

With some free time earlier this week, and the excuse of driving my son to a summer-session class at UC-Santa Cruz, I headed north from Santa Cruz looking for things to photograph. Because there was a lot of fog, even in the middle of the day, fog was one of my general subject ideas. And I almost always make at least a quick stop at a couple of bluff-top locations that I know of where shore birds often glide by very close as they ride the updrafts from the ocean winds. It turned out that my first stop was precisely one of these locations. With nothing else specific in mind at this midday hour, I figured I would at least spend a bit of time honing my skills and tracking and photographing birds in flight.

Although sea gulls are not necessarily my favorite subjects, there sure were plenty of them to practice on! At the spot I picked, they first become visible perhaps 10-15 seconds away as they come around the edge of a bluff to the south. As they approach they tend to vary their altitudes, with some dropping low enough that they disappear behind the cliff and others going so high that only their shaded undersides are visible. But a few come very close at almost eye level.

I almost always learn something new when I photograph birds in flight and this session was no exception. While in retrospect it seems like one of those “Well, duh!” realizations, I figured out that really strong winds tend to upset the birds ability to remain level, and for this reason they are constantly adjusting to remain level. From moment to moment the wings move into interesting positions or they find themselves tilting wildly to get back on course. This is much more interesting than what they do in benign conditions, where they often seem to just… coast.

So, add one more thing to watch for as they fly past. This isn’t an easy thing, and I have the greatest admiration for those who are really great at photographing birds in flight – or “BIF,” as some call them. The first challenge is simply to keep the moving birds in the viewfinder when using a long focal length lens. (I advise practicing the process of simply following the birds without even firing the shutter at first.) But that’s not enough. You must also attempt to keep the bird(s) in a position within the frame that is aesthetically interesting and which will position the target under the active AF points on the camera. Easier said than done! Then there is the matter of trying also be aware of what the bird is doing – watching wing and head position and so forth. On top of that, you ideally also want to be aware of the what else is in the frame – sky, clouds, water, other birds – and factor that into the decision about when to press the shutter. There are exposure challenges, too, especially with birds like this gull that have white on their backs… and this portion of the bird is in direct sun.

Let’s just say that – for me at least – it takes a lot of exposures to get a few shots that I like.

G Dan Mitchell Photography
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

(Basic EXIF data may be available by “mousing over” large images in posts. Leave a comment if you want to know more.)