Tag Archives: sun

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Trees and Meadow, Morning

September 19, 2012 G Dan Mitchell Leave a comment

Late season golden morning light on trees at the edge of Tuolumne Meadows, Yosemite National Park.

It is probably no secret that there are certain kinds of light that especially appeal to me. Among my favorite is early morning sunlight, shining through a bit of atmospheric haze, and illuminating trees. On top of that, I’m a big fan of the warm golden-brown tones of September and autumn in the Sierra. With all of that in mind, how could I resist this subject?

I was in Tuolumne Meadows for a couple of nights in mid-September, with two main goals in mind. First, I wanted to spend a few days at altitude before heading over to the east side to meet friends for a short pack trip up into McGee Canyon. Second – or perhaps this should be first – I wanted to do some photography in the area along Tioga Pass Road between roughly Olmsted Point and the pass itself. I arrived late the first day, with just enough time to set up camp, grab something to eat, and head out to shoot the evening light. I was up reasonably early the next morning and out and about looking for subjects before the sun came up. I decided to stick fairly close to the meadows this time, and after heading to the west end and looking back I saw this beautiful warm light coming across the meadow as the sun topped the crest near Mount Dana, and silhouetting a small group of tall trees at the meadow’s edge.

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Photographs: Central California, Photographs: Nature, Photographs: Northern California, Photographs: Ocean & Coast

Evening Fog and Rocks, Big Sur

August 14, 2012 G Dan Mitchell Leave a comment

Muted light on the surface of the Pacific Ocean and rocks along the Big Sur coastline as evening fog moves in.

Having a couple of free hours late in the day, we ended up driving down the upper section of the Big Sur coastline below Monterey, to the area around the Rocky Creek and Bixby Bridges. (Though we stopped a bit short of the latter.) The light was alternately gray and murky, soft and misty, and sharp and bright – the fog was lurking near the coast, and depending upon which bend we drove around it covered the coast highway and the inland hills or it ended just off the coast.

This kind of coastal light creates some of the most transitory and ephemeral effects of all the subjects I shoot, similar perhaps to shooting the clouds of a dissipating winter storm among the aretes and spires of Sierra peaks. The variables in play are numerous: the point of the fog line off the shore or inland, whether or not the fog is thin enough to allow a bit of light so shine directly through, the appearing and disappearing pools of offshore light where the clouds thin, and the motion of the sea itself. Often I’ll spot what looks like absolutely gorgeous light, stop, grab gear and set up… and then look up to see that it is gone. Or that it is appearing in some other location where there was nothing a moment ago.

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Sandstone Tower and Cliff, Morning

April 30, 2012 G Dan Mitchell Leave a comment

A nearby sandstone tower backed by a more distant cliff face in morning light, Zion National Park.

If you look at the photograph that I posted yesterday, you can probably locate almost the entire composition of this photograph contained within the earlier one. This perhaps illustrates one or more things about how I sometimes think when making photographs. One approach that I think I use quite a bit is to try to isolate small sections within much larger landscapes. If you look at yesterday’s image, you’ll see that it uses a fairly familiar sort of approach, namely to include a fairly large swath of “stuff” from close to far away within the frame. Today’s image, though, eliminates out all of that other stuff that might provide a wider context and instead just “shows” one small, interesting bit of the larger scene. And, obviously, I used a longer lens – something else that I often do when shooting landscape. I’m most certainly not one of those photographers who buys into the notion that “landscape photography is done with wide-angle lenses!” I also like juxtapositions. In this scene there are perhaps quite a few – and you might even see some that I’m unaware of. There are color juxtapositions the bright green at the bottom against the very different tones of the rocks; the brighter reddish rocks in the foreground against the darker and more blue or even purple tones of the more distant rocks; the clarity of the close and sunlit red rocks against the lower contrast and somewhat haze-obstructed character of the distant cliff.

The location is in the Virgin River drainage of Zion Canyon. One person described it as “Yosemite in red,” and now that I have been there I can certainly see why! While the overall scale of this valley is smaller than that of Yosemite, the verticality of the place is just as stunning. In fact, in some ways, because the walls are closer and because of the wild colors, it may be more stunning. (Of course, Yosemite does have those waterfalls… and some crazy dome formations… and the massive scale of features like El Capitan. I digress… ;-) The smaller scale makes some kinds of photography perhaps a bit easier. For example, those “juxtapositions” I mentioned above can be fine tune a bit more readily by moving the camera position a few feet. (I did that here as I moved the camera a bit to get three trees way up on the far cliff to line up to the left of the upper section of the closer formation on the right side of the frame. Ironically, you probably didn’t even see them until I mentioned that… ;-)

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

White Rim, Evening

April 18, 2012 G Dan Mitchell 2 Comments

This was an evening of very special light in the Canyonlands, or so it seemed to me. I love soft, hazy conditions and perhaps prefer them to super clear and sharp conditions in many cases. So I had not been at all disappointed earlier in the day to see that the rugged canyons below the “island in the sky” section of Canyonlands were obscured by dust that had been stirred up by very windy conditions. We visited this spot earlier in the day and I identified it as one of several places I thought I might want to photograph at the end of the day, even though the atmosphere looked almost “murky” during the earlier visit. I knew that the edges of the upper cliffs of canyons, for example along the White Rim, could well be nicely lit in the evening light. So as we wandered around other nearby areas, looking for other shooting prospects, I became more and more certain that this is where I wanted to end up.

When we came back here a bit before actual sunset, it was cold and rather windy. The wind had been an issue though out my photography here and at Arches, and I was getting used to timing my shots for the lulls between gusts. I put on warm clothes and wandered out to the edge of the cliffs, where I found a small number of other photographers as well. Earlier I had not only decided on shooting here, but I had also scoped out a couple of likely compositions. One (which I posted earlier) was a horizontal composition that included the bottom of the canyon that would be out of this picture and to the right – a deep canyon that was carved by the Green River and its tributaries. The other was this vertical composition, that angled across the tops of a row of flat areas along the White Rim where canyons alternated with the flat surfaces above with more distant mesas and more mountains beyond. The atmosphere did something that it can often do when the air is hazy – it gradually changed from having a low contrast and filmy appearance with lots of golden tones and began to become more transparent as the light lowered and came in at a lower and lower angle. Here, very close to when the sun dipped below the horizon, the very low angle light strikes the west-facing cliffs and skims across the tops of the low hills in the foreground and on top of the mesa-like formations beyond.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell Photography

Tag Archives: sun

Trees and Meadow, Morning

Evening Fog and Rocks, Big Sur

Sandstone Tower and Cliff, Morning

White Rim, Evening

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.