Tag Archives: the

Photographs: Northern California, Photographs: San Francisco, Photographs: Structures and Objects, Photographs: Urban/Street

Blow Horn and Pipes

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San Francisco - Hand painted sign and various pipes and valves on a concrete wall in San Francisco, California.
Hand painted sign and various pipes and valves on a concrete wall in San Francisco, California.

Blow Horn and Pipes. San Francisco, California. April 20, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Hand painted sign and various pipes and valves on a concrete wall in San Francisco, California.

This is one of those odd little photographic vignettes you can find if you poke your nose into the right (or wrong) little alleys while wandering around in a city. I have passed this general area many times before, and had often notice fenced-off or gated small alleys extending along the sides of some of the buildings. I had even attempted to photograph through the fences, but without much success. However, for some reason – or else a fortunate coincidence – on this morning most or even all of the gates were open and I could wander down along the sides of these old buildings with their interesting and weathered textures and subjects.

This collection of “stuff” was next to a door that looked like it might have been used as a loading area, so I imagine that the old “BLOW HORN” sign, hand-painted directly on the concrete wall, must have once supplied instructions to those coming to make pick-ups or deliveries. I still wonder though about the fact that the sign was squeezed in behind this has of pipes, given that there were large areas of clear wall just a foot or two away from this assemblage of pipes and valves.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Commentary, Tongue in Cheek

New Nikon Cameras – Should Canon Shooters Switch?

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I’ve been hearing a lot of buzz recently around the announcement of some very fine new cameras from Nikon. Among those who shoot Canon, there has been some angst about “jumping ship” and switching to Nikon. People are wondering – “Is it time to switch?”

Should you do it?

Actually, if you switch from Canon to Nikon, your photography will instantly achieve astonishing levels of beauty and effectiveness, and you will be able to print your photographs at least twice as large and with more 3D-effect, accurate rendering, and enhanced micro contrast. Viewers will marvel aloud at the lack of shadow noise banding and the remarkable freedom from distortion and aberrations in your work.

Golden hour light will become twice as golden. Pretty girls (or guys, depending) will gaze in compelling ways into your lens as soon as you lift your camera to your face. Your electronic flash will illuminate objects 2.7 times further from your camera position. Bald eagles will make at least three passes above the sunlit mountain when they see you at work, and the herd of moose will hold still in the beautiful meadow until the eagle has passed. Touchdown receptions will always occur at your end of the field and on your side of the field, with nice light from the side to highlight the handsome features of the receiver. Your children will be five times as photogenic and they will always be willing to recreate that wonderful expression that you missed the first time around – not that you’ll ever miss it if you switch! You will never miss an exposure or produce an out-of-focus shot again. The Ansel Adams gallery will be renamed: The [Insert Your Name] Gallery of Light. There will be a 3 pound 14-500mm f/2.8 IS zoom, and it will sell for well under $1000. (But it won’t come from Canon – you have my word!)

Just by asking the question, you have already set in motion a series of important events – National Geographic representatives are on their way to your door bearing contracts and generous travel expense vouchers. They aren’t worried that you’ll move pyramids in post – they know that the pyramids will move for you! At this very moment, thousands of people with expensive new gear and lots of free time are searching for your workshops on the web – you do have a web site, right? Photography companies are sending you free samples of everything they make. (Have room to store 18 tripods? Time to clean out that closet!) News of your upcoming solo exhibit at MOMA was just announced on their web site!

I’d switch if I were you. ;-)

Note: The coolest thing is that this works both ways!  Nikon shooters who think that a jump to Canon will improve their photography in wonderful and glorious ways can switch that direction and achieve exactly the same effects achieved by those Canon folks who switch to Nikon with the same goal! Except for that 14-500mm f/2.8 zoom, maybe… ;-)

(And… Thank you to 1001 Noise Cameras for sharing the link and the laughter over this one! ;-)

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

The Organ and The Tower of Babel

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The Organ and the Tower of Babel - The Organ and Courthouse Towers in early morning light, Arches National Park, Utah.
The Organ and The Tower of Babel in early morning light, Arches National Park, Utah.

The Organ and the Tower of Babel. Arches National Park, Utah. April 6, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

The Organ and The Tower of Babel in early morning light, Arches National Park, Utah.

We had arrived in Moab, Utah the previous afternoon, and a quick reconnaissance into the Arches National Park in the early evening had impressed me quite a bit, to say the least! This was my first visit to Arches, and I had only a very general idea of what I might see, so coming upon the fantastic sandstone formations – towers, walls, fins, arches, and more – for the first time was a powerful experience. That evening I had a short time to photograph in conditions that were mixed – very nice light but tremendously strong winds that challenged my ability to use a long lens to pick out small sections of the landscape… and my ability to stay warm! In any case, the brief initial visit was enough to give me some ideas of what I might want to photograph early the next morning.

I was up early and into the park before sunrise the next day. Once again, it was cold – colder, actually – and very windy. I’m often fond of photographing big landscapes with long lenses that let me isolate elements from the larger scene and compress the distances, and I wanted to use that approach with some of the formations close to the “Park Avenue” and Courthouse Towers area of the park. With this in mind I stopped a an exposed spot that gave me a view of a number of these features, put on the long lens, set up the tripod… and then struggled with the tremendously windy conditions as the very beautiful light appeared. It was do-able, but not easy. This photograph includes the very early morning light on the faces of The Organ and the Tower of Babel, two huge sandstone fin-like sandstone towers, with high desert, a thin row of cottonwood trees, and more gigantic sandstone cliffs beyond.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

The Watchman and the Virgin River, Morning

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The Watchman and the Virgin River, Morning - The virgin River curves towards the Watchman in early morning light, Zion National Park, Utah.
The virgin River curves towards the Watchman in early morning light, Zion National Park, Utah.

The Watchman and the Virgin River, Morning. Zion National Park, Utah. April 4, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

The virgin River curves towards the Watchman in early morning light, Zion National Park, Utah.

The peak in the upper portion of this photograph, The Watchman, with the curve of the Virgin River in the foreground is, as I understand it, one of the iconic photographic subjects of Zion National Park – perhaps being roughly equivalent to a photograph of Yosemite’s Half Dome from the Sentinel Bridge in The Valley. The funny thing, though, is that while I had seen this view of this subject many times in the photographs of others, I actually had no idea where it was or that I would see it when I visited Zion National Park earlier this month. I had somewhat intentionally avoided doing any real research about the places I would photograph, preferring instead to just confront them for what they are, unaffected as much as possible by previous notions about what I “should” photograph.

So, as we rode the shuttle bus into the park from the town of Springdale in the afternoon and crossed a bridge over the Virgin River before heading up into the canyon, I looked to my right and thought, “Oh, it is that view!” I have heard the stories and have seen the pictures of hordes of photographers lined up on this bridge, specifically to shoot this scene with fall colors and at sunset. (You can see a couple of examples by photographer and friend Gary Crabbe here.) I generally don’t seek out the icons, though I most certainly will photograph them if a) I haven’t photographed them before and/or b) there is something unusual or different about the conditions when I’m there. Although I did not stop and get off the bus to photograph the scene on that first evening, in the back of my mind I considered stopping if it looked interesting the next morning. And, in fact, as we took the shuttle back into the park very early the next morning – starting before sunrise, actually – it seemed like it might be worth hopping off after the bridge and taking a look. I was more encourage when we got there, both by the interesting soft dawn light and the lack of any other photographers on the bridge. So, there you go – I now have a photograph of the Watchman and the Virgin River, too! :-)

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.