Tag Archives: time

Il Trovatore

Il Trovatore
Il Trovatore

Il Trovatore. San Francisco, California. July 12, 2010. © Copyright G Dan Mitchell – all rights reserved.

Two women near Il Trovatore, corner of Kearny and Broadway, San Francisco.

This is a simple (or maybe not so simple) street scene at the corner of Kearny and Broadway in San Francisco. I had wandered into this area on one of my street photography shoots in The City, on which I generally walk somewhat randomly through various parts of the town and shoot whatever catches my fancy.

I had just finished shooting the “Macchiarini Steps,” which are visible at the lower right. These very steep steps constitute the “sidewalk” on this short street, which is too steep for a normal sidewalk. I had first shot from Broadway, aiming up this hill, then decided to walk up the hill itself and shoot the steeps against the background of some rather dilapidated buildings. I managed to incorporate people into some of those shots using a technique that I often employ when shooting in the city: I treat the scene like a landscape and find a composition that seems to work, and then I wait for the right people to wander into the scene.

Eventually I walked back down this street and saw this juxtaposition of brick walls, red and green poles, the green and white colors of the upper-story “Il Trovatore” (which I assume is an Italian restaurant) and the more distant buildings with their faded colors against an overcast sky. I also liked the fact the very steep stairs ended up being parallel to the bottom of the frame. In addition to all that, this is also about colors: the red jacket on the woman crossing the street, the very red lamp post on the sidewalk, the red of the brick buildings; green colors of the chalk board, the restaurant, and the street sign; and then the odd bits of yellow on the sidewalk and the street.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Confluence of Cascade and Tamarack Creeks

Confluence of Cascade and Tamarack Creeks
Confluence of Cascade and Tamarack Creeks

Confluence of Cascade and Tamarack Creeks. Yosemite National Park, California. January 16, 2011. © Copyright G Dan Mitchell – all rights reserved.

Long exposure in evening light of the boulder-strewn confluence of Cascade and Tamarack Creeks, Yosemite National Park.

Right below the bridge along the Crane Flat Road (often described as highway 120) route into Yosemite Valley, two wildly cascading creeks join together before their final descent to the bottom of the canyon where they join with the Merced River. Cascade Creek is probably the better known of the two since some spectacular sections of its descent are clearly visible right above the roadway. Tamarack Creek is easier to miss since you have to look carefully into the trees if you try to spot it from your car, or else get out of the car and look more closely. In the photograph, Cascade Creek flows away from the bottom of the frame, and Tamarack joins from the right in the upper portion of the frame.

I’ve always paid more attention to the section of Cascade Creek that is above the bridge. However, after recently having several opportunities to carefully (and admiringly) view Charlie Cramer’s stunning print of his “Cascade Creek, Spring, Yosemite”, I decided that I really needed to look off the other side of this bridge! (Charlie, I found your rocks. First, I’m even more impressed now that I realize how obscure and out of the way the subject of your photograph is. Second, how the heck did you position the camera over the side of the bridge to make that photograph!?) With that in mind, I visited this spot several times on this weekend trip to Yosemite and tried photographing it in different types of light.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

G Dan Mitchell Photography
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.


Abandoned Pier, Davenport

Abandoned Pier, Davenport
Abandoned Pier, Davenport

Abandoned Pier, Davenport. Pacific Coast, California. November 28, 2010. © Copyright G Dan Mitchell – all rights reserved.

The pilings of a long-abandoned pier on the Pacific coast near Davenport, California.

(Since the time when I wrote this message I have also posted another photograph of this scene made a bit earlier the same evening.)

Besides being a matter of hours from the Sierra Nevada and less than a day’s drive from places like Death Valley, I can be at the Pacific coast between San Francisco and Santa Cruz in barely more than a half hour. Yesterday it looked like evening conditions might be interesting so I headed over there in the late afternoon. As I crossed the mountains on my way there I was pleasantly surprised to see low clouds over the ridges and some higher clouds over towards the ocean, which got my hopes up for some sort of spectacular evening light. However, when I actually got the the coast the conditions were not as interesting – mostly clear with just a bit of cloudiness on the horizon, and no interesting haze or mist over the water. Either that or I just wasn’t “seeing it” this time. So, after stopping for a cup of coffee, I headed up the coast from Santa Cruz and stopped at several of the usual locations, but didn’t make a single exposure. At the northernmost point on my drive I stopped right by the water and it looked like interesting light might be five or ten minutes away… and then the sun dropped below some low clouds near the horizon and the light died!

I think I’ve learned to go with the flow when this happens. I react in several ways. One is to look around for subjects other than those that I thought I was there for. With that in mind I thought about photographing shore birds… but there was only one forlorn seagull down near the water. I saw an interesting pool of water on the beach and thought it might play into a seascape photograph, but the flat light and cloudless sky was not working. I remembered a spot a bit further south where I had once shot some shoreline shoals from the top of a steep cliff at sunset, so I quickly drove up that way… and couldn’t find them!

I had one final thought. On the way north I had seen a group of photographers on the bluff near the northern edge of Davenport. I had stopped, leaving my camera equipment in the car, and quickly dashed out to where they were set up to see what was so interesting. Below their position were the four remaining supports from an old pier that washed away many years ago. It looked interesting and I recognized the structure from photographs that others have made from down on the beach – but I hadn’t been up for the steep descent to the beach so I had driven on after making a mental note about a position from which I thought a photograph might be made. Now I realized that if I went straight there that I might be able to make some long exposures in the dying light and perhaps frame them so that they only contained the structures and the open sea. So, off I went.

I arrived just before the moment of sunset and, sure enough, the group of photographers I had seen earlier was still there. I grabbed my gear and quickly walked out to the point I had scoped out earlier, which was some distance from where they were set up. I framed up this composition and then photographed right though sunset until there wasn’t really enough light to keep shooting. (The group at one point looked like they thought the show was over and they were going to leave, but I think they saw me continuing to shoot and decided to stick around almost as long as I did.) The light just kept getting more interesting as it faded. Although it was too dark to really see the image as it appears here, I knew that this three minute exposure (intentionally lengthened by choosing a small aperture and low ISO) would smooth out the surface of the water but still show the shadows and reflections of the old pilings.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Rocky Inlet and Surf

Rocky Inlet and Surf

Rocky Inlet and Surf. Point Lobos State Reserve, California. April 26, 2009. © Copyright G Dan Mitchell – all rights reserved.

Surf washes through a rocky inlet at Point Lobos State Reserve, California.

Yes, yet another photograph from the Day of No Tourists at Point Lobos in late April – when almost no one was there due to the closure of Highway One for the Big Sur Marathon. This little inlet/cove is not far from where I photographed the harbor seal family. I’m pretty certain I’ve visited this exact feature before, but this is the first time I’ve tried to photograph it. (I have photographed some very nearby features – they are actually visible from the same camera position.) The light was very flat – it was overcast and gray from fog – and the colors of these particular rocks did not look like they would work well in a color image, so I decided to go with black and white here. The use of a rather dark neutral density filter – that’s what allowed the long exposure – also alters to color balance in some odd ways. I made several exposures of this spot since it is virtually impossible to predict just how a long exposure of water will turn out.

This photograph is not in the public domain. It may not be used on websites, blogs, or in any other media without explicit advance permission from G Dan Mitchell.

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