Wetlands and Evening Sky

Wetlands and Evening Sky
Wetlands and Evening Sky

Wetlands and Evening Sky. San Joaquin Valley, California. December 18, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Evening sky reflected by the surface of San Joaquin Valley wetlands

The late fall, winter, and early spring seasons bring to most interesting skies to California’s Central Valley landscape. In the summer – when, frankly, I most often drive through here on the way to some place else – the sky is mostly just plain blue with the typical amounts of haze. (Contrary to popular opinion, the LA Basin is not necessarily the location of the worst air in California – that “distinction” actually belongs to portions of the Great Valley.) But in winter there seems to be much more variation and conditions can sometimes change quickly – as they did on this photography day in mid-December.

While it can often be very foggy in this part of the Valley, on this day there was only light fog in the early morning and some lingering haze. This actually turns out to be beautiful light for photography as the haze mutes and softens the light in ways that I love. By midday the light was, well, midday light – and we took a break in a nearby town for lunch. When we returned to the field by mid afternoon early clouds from a weak approaching weather system were beginning to appear. When a really big front comes through at this time of day, the light is basically switched off – but this weak front brought alternating bands of blue sky, partial clouds, and thick clouds that blocked the light. For a few minutes before the end of the day everything turned blue – sky, water, and clouds – and I stopped to take of my long birding photography lens and use a wide-angle to make a photograph of this scene that is almost entirely sky.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Island, Marsh, Autumn Sky

Island, Marsh, Autumn Sky
Island, Marsh, Autumn Sky

Island, Marsh, Autumn Sky. San Joaquin Valley, California. December 18, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Late-autumn morning sky above islands and flooded marshland, San Joaquin Valley

We arrived here in predawn darkness for a day of bird photography. I never know exactly what I’ll find when I start a morning out here, especially since I most often start before sunrise and frequently in thick fog. On this day, the air was a bit murky before dawn but there was no thick fog, and as we drove the perimeter of this marshy area we could not only hear the cranes and geese and other birds, but we could even see them a bit. The atmosphere was “interesting,” to use a euphemism for “doesn’t look promising but you never know what might happen!” No thick fog… but clouds overhead that might or might not allow some interesting light at sunrise.

Perhaps 10 minutes before sunrise it was time to pick a subject and be ready for it. At about that point we arrived at this flooded pond with its odd little tule-covered islands. It was still gray, but I figured that if color did arrive at sunrise I might be able to fill the frame with the sky – both the actual sky and its colors reflected in the water – and split the image with the island and the thin horizon line. So I swapped my long bird lens for my widest ultra-wide and set up right along the edge of the water. The sunrise itself was blocked by thicker low clouds to the east, but as the sun rose above them it began to light higher cloud layers above the low-lying atmospheric haze and everything turned to shades of blue.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Geese, Dusk

Geese, Dusk
Geese, Dusk

Geese, Dusk. San Joaquin Valley, California. December 18, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Geese take flight into dusk haze and clouds

A group of us – Patty Mitchell, Michael Frye, Claudia Welsh, David Hoffman, Charlotte Hoffman, and I – spent a day photographing migratory birds and the landscape of California’s San Joaquin Valley recently. I hope that it is obvious that this photograph does not attempt an objectively realistic presentation of geese! The facts include… these are almost certainly Ross’s geese, they are passing quickly as they fly between two close flocks in the early dusk light, the clouds in the distant sky are colored blue and pink and purple by post-sunset light. By the time I made this photograph it was almost too dark to clearly make out much of anything in this scene, and certainly not to see clearly the individual birds rising into the air, flying past, or landing among other birds already on the ground.

From a certain point of view, this photograph does everything “wrong” when it comes to wildlife photography in general and bird photography in particular. The shutter speed was something like 1/8 of a second, and kept that “short” only by underexposing by nearly a full stop and shooting at ISO3200. The shot was hand-held with a 400mm focal length. Geese, barely visible in the twilight gloom, where coming and going in almost unpredictable ways, yet getting an interesting arrangement of birds in the frame required quickly responding to what they did and then panning while shooting. I had positioned myself to the east of the flock in the hope of getting some interesting sky behind them, so I was also trying to remain aware of the background while tracking the birds. Clearly, this is not a recipe for razor-sharp, carefully and thoughtfully composed images! Additional work was done in the post-processing phase – to deal with the inevitable noise and with balancing out the luminosities of various parts of the frame and bringing out details that might otherwise be lost. Yet, with enough shots and some intuition from photographing these birds in these conditions before, it is possible to make something happen. In the end, for me a photograph like this can evoke the mystery of what happens in the deepening twilight – the sudden unpredictable motion, the sounds of the geese, the hazy atmosphere, and the gathering darkness.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Flight of Geese, Twilight

Flight of Geese, Twilight
Flight of Geese, Twilight

Flight of Geese, Twilight. San Joaquin Valley, California. December 18, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A huge flock of Ross’s geese takes to the sky in the twilight

I probably don’t really need to point out that geese to not look like this, at least not in the objective sense, and that this image is about a subjective impression of these birds and their world. When photographing geese, at least the geese I work with in the California’s Central Valley, long periods of sitting around while not much happens are periodically punctuated by moments when the world goes nuts. For reasons that are often not at all clear, a flock of many thousands of geese that has been on the ground feeding will suddenly lift off as one in a maelstrom of sound and flapping wings. They often head off in some direction, and the group turns in this and that direction and spreads out… and after a few minutes returns to the ground, often in the same or nearly the same spot they just left. After this wild flight ends everything returns again to relative calm.

In the evening as the light fails, I often continue shooting as long as I can, gradually raising camera ISO, opening the aperture all the way, and pushing the shutter speed lower and lower… until there is no longer any way to continue to shoot in the normal fashion. On this evening I finally looked down at my camera to note that I was shooting wide open and ISO 3200 and at 1/5 second or longer… with a handheld 400mm lens! By this point one (at least this one) can no longer really even see the geese with clarity, especially on a typical Central Valley evening when the air is thick with haze and incipient fog. While it might seem like a good time to put the camera away and go have some dinner, at this point I look forward to one final and very special photographic opportunity during this marginal dusk time between sunset colors and blue hour light. I go with the slow shutter speeds and the impossibility of clearly seeing the birds, much less stopping their motion with fast shutter speeds and perfect focus, and I instead play with camera motion and soft focus and the motion blur of the birds themselves. And given that this cannot in any way produce objectively accurate and clinically precise depictions of the birds, I instead go for a sort of subjective truth that represents their wild and only have visible flight through twilight sky.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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