Tag Archives: america

Photographs: Architecture, Photographs: Northern California, Photographs: San Francisco, Photographs: Urban/Street

Juxtaposed Buildings With Shadows and Reflections

July 11, 2011 G Dan Mitchell Leave a comment

The overlapping structures of downtown buildings covered with reflections and shadows, San Francisco.

I made this photograph while walking up Market Street in San Francisco on this early July morning, dodging fast-walking pedestrians and bunches of tourists. I wasn’t certain of what I would shoot here on this day, and I was actually equipped more for shooting street level scenes than this sort of thing, in that I was traveling light with only a few basic prime lenses. But when I visit here, I’m almost always fascinated by the juxtapositions of different types of architecture, patterns of shadows and reflected light, the effect of perspective when looking up from the street, and the odd similarities to some of the rugged landscapes that I also like to photograph.

I’m not good about paying attention to the identity of the buildings, so while I could certainly locate them again quickly I’m afraid I can’t name them! I’ve photographed both before, and I was already very aware of the reflection patterns that appear in the windows of the darker building on the left, creating a criss-cross pattern against the lines of its own windows. There are more subtle effects of light on the lighter surface of the building on the right. Reflections from windows above and to the right cast diagonal lines of faint light down and across this part of the building, and below that there is a faint pattern of darker lines which are shadows from the light reflecting through the horizontal structure at the far right margin. (Being a fan of such things, I also like the fact that this open structure creates dark shadow patterns beyond and to its right and lighter shadow patterns across the whole face of the building. Yet other buildings are reflected, slightly distorted, in the large windows set in the bright wall.

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Textures

Zabriskie Point Gully, Morning Light

April 1, 2011 G Dan Mitchell 1 Comment

Morning sun back-lights the dense pattern of folds in a small gully at Zabriskie Point, Death Valley National Park, California.

In some ways I think this is one of the more subtle and complex of the various photographs I have made that isolate small sections of the Zabriskie Point landscape, especially the eroded patterns of the small gullies below the main viewing area. This photograph, like many in this series, was made after the normal “dawn light” time period, and at this time the sun is higher in the sky. It begins to back-light the tops of the furrows and gullies and the brighter light reflects down into the lower portions of the gully. There are a tremendous number of overlapping ridges and the color variations are quite large, though subtle at the same time. Some areas have a very blue cast, being in shadow and lit almost completely by the open blue sky. Others take on warmer tones, especially if they are illuminated by light reflected from the warm-tones earth. An area of thin clouds was floating above the scene and its shadow slightly softened and muted the light that otherwise might have been quite stark.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Detail, Overlapping Gullies – Zabriskie Point

March 23, 2011 G Dan Mitchell 3 Comments

Detail photograph of the patterns of overlapping gullies near Zabriskie Point, Death Valley National Park.

I have been working on a sort of informal project to photograph small details at Zabriskie Point that do not necessarily reveal the larger, familiar, and very iconic landscape of the place. A few years ago I noticed – almost by accident – that certain features of the surrounding landscape can be photographed in conditions quite different from the “standard” dawn and very early morning lighting. In fact, some of the geology can, I think, be photographed in interesting ways even during unusual times of the day when there is full sunlight. A bit later in the morning the light, which tends to glance across the tops of some features earlier in the day, begins to penetrate down into the little valleys and gullies and reflect into them from some of the brighter surfaces. While it can work in full sun, it may work even better when there is a bit of overcast, as there was when I made this photograph and a couple others in the series.

With this specific subject I also tend to work from a bit of a distance using long focal length lenses. This one was shot at 400mm! This poses a problem that we don’t encounter as often when using more (supposedly) typical landscape focal lengths, namely that it is hard to get the whole subject in focus due to depth of field issues that become more apparent with such long lenses.

Also, when photographing these rather pale and pastel formations, it is very easy to succumb to the temptation to jazz things up a bit. To be honest, I have seen some very good and interesting work that relied on amplifying contrast and the subtle colors. However, I’m trying hard to not go too far with this. I certainly do some work in post to balance things out a bit and to get the effect that I think best evokes what I recall of the scene, but I’m avoiding the inclination to, for example, adjust curves to the point that I get a lot of pure blacks and whites in this subject that mostly contains bright mid-tones.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Zabriskie Point Badlands, Morning Snow on the Panamint Range

March 10, 2011 G Dan Mitchell 2 Comments

Morning light on fresh snow on the summit of the Panamint Range with Zabriskie Point Badlands in the foreground, Death Valley National Park.

After getting being frustrated by falling snow earlier in the morning when I tried to photograph dawn at Dantes View I headed back down to lower terrain. (Although I was not successful in photographing at Dantes View and, in fact, turned back before the summit in dense clouds and falling snow, it was quite an interesting visit!) I stopped along the way and made some photographs before arriving at Zabriskie Point.

At this point I no longer reflexively photograph at Zabriskie, though I will if something special or unusual is happening with the conditions. Having been frustrated in my original plans, I figured I might as well take a look around since I was there. I left the camera gear in my car and walked up the hill to the famous overlook to see what I could see. The dawn light – if there had even been any on this cloudy morning – was long gone, though a few photographers were still hanging out. As I looked about I noticed two things. First, the clouds were just beginning to thin over the Panamint range. While the summit of Telescope Peak was still socked in – it appeared to be snowing there – light was beginning to break through gaps in the clouds above the east side of the range and interesting shadows were appearing below the snow line. Second, the partially cloudy conditions were softening the light right in the Zabriskie/Gower Gulch area and the light in some of my favorite small gullies to the right of the observation area was looking somewhat interesting. (I have made a project of photographing them with a long lens.)

With no other specific plan, and two potential subjects right here, I followed one of those “laws of photography” that says shoot the thing you see now rather than continuing to wander around hoping that some other miracle crops up. (Sometimes this is great advice. Other times it is dead wrong!) I walked back down the hill to my car, grabbed my gear, and walked back up. I first spent some time photographing the nearby gullies. (I think I have a couple of interesting images of them that will appear here eventually.) But I quickly turned my attention to the interesting weather and light across the Valley, thinking about how I might photograph this wild and rugged scene without making it look like another Zabriskie Point image. I decided to use a relatively long focal length lens – which was already on the camera for shooting the gullies anyway – and try to fill the entire frame with a combination of close and far mountains and snow and clouds in the morning light.

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