Tag Archives: canyon

Cascade, Tyndall Creek

Cascade, Tyndall Creek
Cascade, Tyndall Creek

Cascade, Tyndall Creek. Sequoia National Park, California. August 1. 2010. © Copyright G Dan Mitchell – all rights reserved.

High in the Upper Kern River drainage, water dashes over the rocks of Tyndall Creek.

Tyndall Creek is in one of my most favorite areas of the Sierra Nevada. It runs between Shepherd Pass (located on the Sierra Crest a bit north of Mount Whitney) and the upper reaches of the Kern River in Sequoia National Park. It begins, more or less, in a small, barren lake right on the crest at the verge of the drop-off into Shepherd Pass, flows gently westward through alpine rock gardens as it descends towards timberline, and then drops more quickly to join the Kern a few miles later. It crosses the John Muir Trail where one encounters almost the first trees after descending from 13,200′ Forrester Pass to the north. Quite a few JMT travelers camp at this spot – partly because of the shelter of the trees and partly because of the terraced rocks over which the creek passes here.

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Afternoon, Upper Bubbs Creek

Afternoon, Upper Bubbs Creek
Afternoon, Upper Bubbs Creek

Afternoon, Upper Bubbs Creek. Kings Canyon National Park, California. July 31, 2010. © Copyright G Dan Mitchell – all rights reserved.

Late afternoon light on the forest and distant peaks on Upper Bubbs Creek, Kings Canyon National Park.

Since this photograph comes from an entirely different adventure, a bit of background information is probably in order. Among my summer pack trips, each year I join my friends from the talusdancers, a loosely connected group of folks who like to backpack, for at least one “big trip” in the Sierra. I’ve been doing this for nearly 15 years now. This year’s trip revisited some familiar spots (Tyndall Creek in the upper Kern), some that I had not visited for quite a few years (Forrester Pass), and one area that I have never before visited despite thinking about it for over 30 years (Milestone Basin and the Lake South America area). Near the end of July we headed out of Onion Valley to cross Kearsarge Pass, turned south to enter the Upper Kern River drainage via Forrester Pass, explored there for a few day, and then exited by way of brutal Shepherd Pass.

Forrester Pass is the second-highest point on the John Muir Trail (or “the JMT,” as most refer to it) at 13,200′, and we planned to cross it from north to south on the third day of our trip. At the end of day two we dropped down to Vidette Meadow and then headed up canyon to upper Bubbs Creek where the old Center Basin trail splits off from the main JMT where we made camp. This photograph was made in the late afternoon as we lazed about, doing a bit of laundry and thinking about the big climb ahead of us the next day. The view beyond the foreground and the closer trees is back down the canyon of Bubbs Creek, with the lowering sun lighting the canyon walls.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Morning Squall, South Tufa

Thunderhead builds above Mono Lake
“Morning Squall, South Tufa” — The shoreline of Mono Lake as a morning squall drops rain over the Sierra Crest near Lee Vining, California.

This photograph is, in a number of ways, a sort of happy accident. I had been camped in the Tuolumne Meadows area for several days, photographing in that part of the Yosemite National Park Sierra Nevada high country. On the previous day I had been caught out on a hike in a surprise thunderstorm without rain gear, so I was very conscious of the weather. That evening it occurred to me that, given the approach of some monsoonal moisture and the already wet weather, it was possible that interesting clouds might form in the Mono Lake area the next morning.

That night I peered out of my tent from time to time to see if any clouds were interrupting the light of the full moon, thinking that this might be enough to get me to change my plans for morning photography and make the drive to Mono Lake. At one point a few clouds did dim the moon light, and a bit later a few showers came through. At this point I decided to get up earlier and drive to the lake.

I thought I got up early enough. However, as I drove down highway 395 south of Lee Vining I realized that I had miscalculated and that the sun was already hitting the clouds! I experienced a classic photographer’s dilemma – shoot what I see here now, or race on hoping to shoot the planned thing. I decided to stop and photograph the first light on the Sierra crest from 395 before heading on — but now my original plan for a pre-dawn visit to Mono was out the window. After finishing here I made my way to Mono just as the first sun was striking the lake. I quickly made it out to the shoreline and saw (how could anyone miss it!?) this giant cloud cell blowing up over the Sierra crest just north of Lee Vining.

This post was revised in April, 2025.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Half Dome and El Capitan, Morning

Half Dome and El Capitan, Morning
Half Dome and El Capitan, Morning

Half Dome and El Capitan, Morning. Yosemite National Park, California. June 5, 2010. © Copyright G Dan Mitchell – all rights reserved.

Black and white photograph of backlit Half Dome framed by steep Yosemite Valley canyon walls including the face of El Capitan.

Allow me one more photograph in the recent sequence of black and white photographs of “Yosemite icons.” On most drives into and out of the Valley I stop and look at this scene and frequently try to photograph it if the conditions are special. In the morning there is often haze here, and this creates an effect of atmospheric recession from the half dozen or so layers in the scene. It is a tricky thing – a bit too much haze and the details of forest and rock can become almost invisible; too little haze and the contrast between brightly lit highlights (like the patch of snow on Half Dome) and the deep shadows can become quite stark. The image I have in mind includes the effect of atmosphere-highlighted distance, the effect of back-lighting on the trees (most obvious here perhaps at the lower left), and the abstract nature of the different intersecting slopes and faces.

A technical note: I used the Canon 5D2 with the EF 100-400mm zoom at 365mm to make this photograph. Some doubt that a zoom like this can produce enough resolution, but at full size I can just barely make out a couple people on the snow bank atop Half Dome. Sharp enough for me!

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Technical Data:
Canon EOS 5D Mark II
Canon EF 100-400mm f/4.5-5.6 L IS USM at 365mm
ISO 200, f/11, 1/400 second

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