Patterns in eroded shoreline sandstone rocks at the Point Lobos State Reserve, California.
The rugged Point Lobos shoreline in places exposes some very interesting rocks, including sections like this one where layers of different colored sand stone are gradually worn away, revealing underlying layers of different colors and textures and sometimes exposing surprising color contrasts. On days when the light is very soft (or very boring!) I may seek out some of these rocks and photograph them since the softer light lets details appear that might easily be washed out in harsher light.
Detail photograph of the patterns of overlapping gullies near Zabriskie Point, Death Valley National Park.
I have been working on a sort of informal project to photograph small details at Zabriskie Point that do not necessarily reveal the larger, familiar, and very iconic landscape of the place. A few years ago I noticed – almost by accident – that certain features of the surrounding landscape can be photographed in conditions quite different from the “standard” dawn and very early morning lighting. In fact, some of the geology can, I think, be photographed in interesting ways even during unusual times of the day when there is full sunlight. A bit later in the morning the light, which tends to glance across the tops of some features earlier in the day, begins to penetrate down into the little valleys and gullies and reflect into them from some of the brighter surfaces. While it can work in full sun, it may work even better when there is a bit of overcast, as there was when I made this photograph and a couple others in the series.
With this specific subject I also tend to work from a bit of a distance using long focal length lenses. This one was shot at 400mm! This poses a problem that we don’t encounter as often when using more (supposedly) typical landscape focal lengths, namely that it is hard to get the whole subject in focus due to depth of field issues that become more apparent with such long lenses.
Also, when photographing these rather pale and pastel formations, it is very easy to succumb to the temptation to jazz things up a bit. To be honest, I have seen some very good and interesting work that relied on amplifying contrast and the subtle colors. However, I’m trying hard to not go too far with this. I certainly do some work in post to balance things out a bit and to get the effect that I think best evokes what I recall of the scene, but I’m avoiding the inclination to, for example, adjust curves to the point that I get a lot of pure blacks and whites in this subject that mostly contains bright mid-tones.
Photographing Horsetail Fall has increasingly become “the thing to do” in Yosemite Valley for quite a few photographers this time of year. Horsetail is a seasonal waterfall that drops from near the eastern end of El Capitan in Yosemite Valley, and for a few weeks each winter may catch the setting sun to produce quite a visual show when the conditions are just right. I’m not going to offer a how-to for photographing Horsetail – good ones are available elsewhere, and as beautiful as the sight can be, I have a sort of “been there, done that” attitude towards it at this point.
Which is not to say that I won’t point my camera that direction if I find myself in the area! I did so for a few minutes last weekend, even though it was well before the time when the sunset show begins, and even though it was the middle of the afternoon. I happened to be photographing something else below the fall and after I finished I looked up and noticed that the flow of water over Horsetail was as strong as I’ve seen it. I had a long lens on the camera, so I pointed it up and made a few photographs.
Here is the odd thing… In the photographs made with this telephoto lens I can clearly see that a long climbing rope ascends from the right to the first ledge that the water hits, crosses the ledge, and continues its ascent to the left of the fall. It appears to be a fixed rope that someone left in place, and I can only wonder about possible explanations. Did someone have to leave it behind earlier in the season? Did someone leave it with the intention of coming back and traversing through the fall?
If it does remain much longer, there may be some disappointed photographers who find a glowing rope draped across their photographs of the fall this season…
Weathered Monterey Cypress roots grow on the face of a cliff at Point Lobos State Reserve.
This tree is getting a lot of exposure this week – it is the second or third photograph of the tree I have posted. To echo what I wrote regarding the earlier posting – though briefer this time – these stark and weathered roots growing on top of rocky ground – a cliff face in this case – remind me in some ways of gnarled timberline trees high in the Sierra Nevada with their old roots weathered to the point that they look almost as much like rock as like living things.
Some might think it odd, but I partially plan my wanderings around Point Lobos to avoid the sun as much as possible! I try to go there on days when it is overcast, and on days like this one where there is sun (though filtered by haze this time) I often search out shaded, north-facing areas so that I can shoot in soft, diffused light that fills in the shadows and does not sun-blast the bright areas of the scene.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
Manage Consent
To provide the best experiences, we use technologies like cookies to store and/or access device information. Consenting to these technologies will allow us to process data such as browsing behavior or unique IDs on this site. Not consenting or withdrawing consent, may adversely affect certain features and functions.
Functional
Always active
The technical storage or access is strictly necessary for the legitimate purpose of enabling the use of a specific service explicitly requested by the subscriber or user, or for the sole purpose of carrying out the transmission of a communication over an electronic communications network.
Preferences
The technical storage or access is necessary for the legitimate purpose of storing preferences that are not requested by the subscriber or user.
Statistics
The technical storage or access that is used exclusively for statistical purposes.The technical storage or access that is used exclusively for anonymous statistical purposes. Without a subpoena, voluntary compliance on the part of your Internet Service Provider, or additional records from a third party, information stored or retrieved for this purpose alone cannot usually be used to identify you.
Marketing
The technical storage or access is required to create user profiles to send advertising, or to track the user on a website or across several websites for similar marketing purposes.
