Tag Archives: crack

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Oak, Laurel, and Granite

May 21, 2011 G Dan Mitchell Leave a comment

An oak tree and a laurel tree grow next to a granite face along the north side of Yosemite Valley, California.

I have visited this small, gnarled oak tree before. It grows right at the base of a granite face along the north side of Yosemite Valley, seems to face a pretty rugged life living beneath the shadow of the cliff and among fallen boulders. When I visited in early May the tree was just starting to get its new growth of leaves, though the laurel tree right next to it was already quite green.

The last time I photographed this tree it was autumn, and the leaves were also colorful then. It seems a bit odd that the leaves of this oak take on similar yellow and red colors at both the start and end of their season. (Though they do go more toward brown than yellow in the fall.)

The light was interesting on this day, which had started out clear. As the day wore on a weak Pacific weather front approached, and by evening things were pretty well socked in. But here, at perhaps 4:00 or 4:30, if I recall correctly, the incoming clouds were thing and broken enough to just soften the light without turning it completely gray.

G Dan Mitchell Photography | Flickr | Twitter (follow me) | Facebook (“Like” my page) | LinkedIn | Email
Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Architecture, Photographs: Northern California, Photographs: San Francisco, Photographs: Structures and Objects, Photographs: Textures, Photographs: Urban/Street

White Door and Wall

May 10, 2011 G Dan Mitchell 4 Comments

White door and stucco on a building in San Francisco, California.

As I photograph the various usual subjects that appear here, I always have a few background subjects that I’m always looking out for. One of my projects might be described as “urban minimalism,” featuring subjects from the urban environment that are very simple. This is probably about as minimalist as I can get with such images. (Though, now that I’ve written that, I’m starting to think of some even “more minimalist” possibilities. Funny.)

This one gets perilously close to the infamous “Polar Bear in Snowstorm” photo that people imagine from time to time. It is a white door in a white door frame against a white wall. Believe it or not, I had to go back and forth for a while to decide whether to print it in color or black and white – and, no, I’m not joking. Much of the image changes little when I switch between the two interpretations. However, there is a slight coloration to the “white” wall (that is almost certainly not displayed accurately on your monitor) and there is some real color on the metal security cover over the lock. But still… it is almost all shades of white in the end.

Photographs: Central California, Photographs: Nature, Photographs: Northern California, Photographs: Ocean & Coast, Photographs: Textures

Eroded Sandstone, Point Lobos

March 29, 2011 G Dan Mitchell 5 Comments

Patterns in eroded shoreline sandstone rocks at the Point Lobos State Reserve, California.

The rugged Point Lobos shoreline in places exposes some very interesting rocks, including sections like this one where layers of different colored sand stone are gradually worn away, revealing underlying layers of different colors and textures and sometimes exposing surprising color contrasts. On days when the light is very soft (or very boring!) I may seek out some of these rocks and photograph them since the softer light lets details appear that might easily be washed out in harsher light.

G Dan Mitchell Photography | Flickr | Twitter | Facebook | Email
Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Detail, Overlapping Gullies – Zabriskie Point

March 23, 2011 G Dan Mitchell 3 Comments

Detail photograph of the patterns of overlapping gullies near Zabriskie Point, Death Valley National Park.

I have been working on a sort of informal project to photograph small details at Zabriskie Point that do not necessarily reveal the larger, familiar, and very iconic landscape of the place. A few years ago I noticed – almost by accident – that certain features of the surrounding landscape can be photographed in conditions quite different from the “standard” dawn and very early morning lighting. In fact, some of the geology can, I think, be photographed in interesting ways even during unusual times of the day when there is full sunlight. A bit later in the morning the light, which tends to glance across the tops of some features earlier in the day, begins to penetrate down into the little valleys and gullies and reflect into them from some of the brighter surfaces. While it can work in full sun, it may work even better when there is a bit of overcast, as there was when I made this photograph and a couple others in the series.

With this specific subject I also tend to work from a bit of a distance using long focal length lenses. This one was shot at 400mm! This poses a problem that we don’t encounter as often when using more (supposedly) typical landscape focal lengths, namely that it is hard to get the whole subject in focus due to depth of field issues that become more apparent with such long lenses.

Also, when photographing these rather pale and pastel formations, it is very easy to succumb to the temptation to jazz things up a bit. To be honest, I have seen some very good and interesting work that relied on amplifying contrast and the subtle colors. However, I’m trying hard to not go too far with this. I certainly do some work in post to balance things out a bit and to get the effect that I think best evokes what I recall of the scene, but I’m avoiding the inclination to, for example, adjust curves to the point that I get a lot of pure blacks and whites in this subject that mostly contains bright mid-tones.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.