Clouds in blue sky are reflected in the surface of Gaylor Lake next to melting winter ice.
This photograph is very similar to another I made on this late June evening in 2010 when a small group of us hiked over a ridge near Tioga Pass to find a snow covered valley and this lake that was still almost completely covered with ice. The deep blue water near the edge of the melting ice along the shoreline reflected evening clouds passing overhead, and there were quite a few possible compositions combining the clouds, blue sky, curving edge of the ice and the interesting formations where the ice surface was melting. I made quite a few photographs – some up close like this one and others taking in the larger landscape. As I was recently reviewing raw files from 2010, I ended up spending quite a bit of time with this set of images!
The last light of a winter day lights the plants at the edge of a wash in Death Valley National Park, California.
On this afternoon I drove a bit up the east side of the Valley past the turnoff to Beatty looking for subjects to shoot along the hills that parallel the valley. I did not initially have a specific shot in mind, since this isn’t an area that I know very well – I’ve mostly driven past it on my way to some other place. I was generally thinking of a couple of possibilities. One was an early evening photograph looking up into one of the very large canyons, probably include the massive washes that spill out of them and aiming for a very rugged looking image. I looked for a few such places and played around a bit with the idea of shooting one or two, but it wasn’t quite working for me.
I have included some low hills along this area called, I believe, the Kit Fox Hills, in some photographs that I have made of this area from way over near Mesquite Dunes. These hills which sit just above the road toward Scotty’s Castle have intrigued me, so I had also looked at them. As I passed them earlier in the afternoon I made a mental note to come back and check out one particular spot in better light, and when the canyon idea didn’t seem to work out I decided to head back there. I was probably a bit late in settling on this subject, but I arrived while the sun was still (just barely) above the tops of the ridges on the opposite side of the Valley. I grabbed equipment and went to a spot where I thought I could use a particular mesquite plant as foreground to a shot of these low hills, but then this backlit expanse of the floor of the Valley filled with these small, rugged plants caught my attention. I decide to photograph them before turning my attention back to the mesquite and hills. As I shot a few frames the sun began to drop behind the far hills much sooner than I expected, and this was close to the last photograph I made before I was in shadow.
All seriousness aside, someone just suggested that an alternate title for this photograph might be “Sea of Tribbles!” ;-)
An avalanche breaks loose from the edge of Half Dome as sunset light falls over Yosemite Valley.
Sometimes timing is everything. But, to be honest, luck often plays a bigger part! :-)
On my way out of The Valley on a mid-January weekend, I made this spot my last stop, thinking that I wanted a photograph from this angle at sunset with snow on Half Dome. (I have a number of photographs of this location, but mostly from the warmer months of the year. ) I know this spot well enough at this point that I know pretty much exactly where to be and when to be there, and this was no exception. On the way up here I first stopped to photograph some trees on a ridge across the Valley, something I worked on more than once during this trip. When the last light left those trees I headed on up the road to this overlook and arrived perhaps a full half hour before the start of the real light show. I hung out a bit, ate a snack, and eventually set up.
I never know exactly what will happen here, believe it or not, even though I understand the process pretty well. The foreground right ridge first falls into shadow, then the shadow line begins to creep up toward the face of Half Dome and rise up the rocky slope in front of El Capitan at the left. But what the sky will do during this transition is quite variable. Sometimes the sunset simply dies out with a whimper. On other evenings the light goes through a remarkable sequence of transitions. That is what finally happened on this evening. Eventually I’ll share some of the other photographs from this evening, but for now I’ll just share a hint or two. The color of the sky behind Half Dome transitioned from blue to pink and purple and finally to a deep blue that verged on purple.
But the real surprise – and one I did not realize I had captured it until I got home and looked closely at my raw files – was that one of the images contained a sort of “Yosemite Fall” that I had never seen before, namely the “snow fall” created as a large piece of the snow field near the edge of Half Dome let loose after a day of warm sun and cascaded down the right face of the mountain… just as sunset light split the dome! I suppose this provides yet another opportunity to quote Ansel, who apparently once said, “Sometimes I do get to places just when God’s ready to have somebody click the shutter.”
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Brilliantly colorful aspens ascend a hillside valley above the reflecting surface of a Sierra Nevada lake.
This absurdly colorful hillside above a small lake is a well-known autumn sight in the eastern Sierra above Bishop, California. If you hit it at just the right time and in just the right light, the colors can be almost hallucinogenic. (I’ve heard it called the “Cheetos forest,” for reasons that are probably pretty obvious.)
I’ve been there plenty of times, but have never quite hit the right combination of conditions to get a good shot of the color. I came very close a few years ago, arriving in the pre-dawn hours when there was just enough light to make out the river of color snaking up the small valley above the aspen forest near the lakeshore – but before the sun came up a snow squall swept through. I cowered in my car for half hour to escape the wind, and when I was able to get out and start shooting…. half the leaves that had been there 30 minutes earlier were gone!
The good fortune this time was not just that I was there when the color was strong, but it was also a matter of light and weather conditions. The day started out overcast, and things were looking a bit dull. But soon the clouds began to break up to the east (to the right in the photo) and bright but soft light began to filter though and between the clouds as if someone had set up a giant light panel to the east. Instead of photographing the entire hillside, I decided to photograph the horizontal layers rising from the reflections in the surface of the water, through the shoreline grasses and bushes, past the yellow/orange/gold aspens, and up the slope to the brilliant orange colors above.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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