Black and white photograph of a man sitting on a bench and talking on his cell phone in front of the shaded wall of an urban building in San Francisco.
I was wandering through this part of San Francisco, mostly but not only looking for architecture like that of this building, especially with the combination of dark shadows and the fire escape contrasting with the white trim and the bright areas lit by the slanting sunlight. When I saw this fellow happily engaged in his cell phone call, completely oblivious to everything going on in the place where he sits I had to make a photograph.
Dawn light illuminates the Jeffrey pine covered ridge of a volcanic dome in the Mono Craters complex, California.
I have a favorite personal spot where I often stop on my way to photograph at South Tufa at Mono Lake. It is spot that you would likely pass right by since, save for a bit of a panoramic view, there is nothing immediately impressive about it, and because you would probably be on your way to someplace else, namely the formations at South Tufa.
On this late June morning I took a break from photographing in the Tuolumne/Tioga Pass area to shoot a bit around Mono Lake, where I had it in mind to shoot certain high desert subjects that I’ve worked on in the past. As I shot those other subjects I’ve often looked up at this particular ridge, been impressed by it, and wondered how to make a photograph of it. When I pulled up at this spot I first intended to shoot a scene that appears to the west, but it turned out to not be quite what I imagined it might be on this morning. Ah, well – that happens! So I turned my camera in a different direction and photographed a somewhat different subject as dawn approached with some very interesting clouds in the sky to the east. As I worked on this I kept glancing up at this volcanic ridge, thinking that the clouds behind it might silhouette the trees along the skyline… but still finding the light too flat and boring. I actually made a photo or two, but wasn’t enthusiastic about it. I turned back to the other subject. A few minutes later I looked back up at this ridge and saw that the first light of early morning sun was glancing across the ridge and lighting up the Jeffrey pines that grow on its slopes. I quickly pivoted around and made a few exposures of the scene in the “good light.”
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Fog rolls in on a summer evening at Scott Creek Beach, on the Pacific Ocean coastline near Davenport, California.
I’m fortunate to live close enough to the California coastline that I can occasionally just decide on the spur of the moment to “drive over the hill” and step out of the world of work to watch the sunset over the Pacific. This is what I decided to do yesterday. I drove over that hill with only a vague plan to see what conditions looked like and then most likely head north from Santa Cruz toward and perhaps beyond Davenport.
I almost never know exactly what I’ll find on the coast until I get there. Yesterday I had suspicions about the possibility of fog, but I also thought that clear sky might linger a while before the fog rolled in. For the most part it turned out that there was fog but that in most places it was a good distance offshore though starting to form in closer. However, it also turned out that there was a good amount of high cloudiness blocking the sunlight. In other words, the prospects were mixed – might be interesting light at the last minute, fog might roll in and cover everything, the clouds might thicken instead of thin. So I continued with no specific images in mind, driving past various familiar locations. As I descended toward Scott Creek Beach I caught a quick glimpse of a panorama across the beach that seemed like it might work as a wide angle shot, so I quickly turned around and returned to the spot. Once I got set up I realized that while it was a beautiful scene it wasn’t going to work as a photograph. But this scene, which required a longer focal length, caught my attention instead.
Slightly overcast afternoon light on erosion patterns in the Gower Gulch area of Zabriskie Point, Death Valley National Park, California.
After posting such a long string of close views of the hills at Zabriskie Point… it is starting to become difficult to say much original and new about the photographs in this series! This one was made rather late in the afternoon – about 4:00 p.m. – when the light is usually still too harsh and bright for most photography here. Fortunately, some high and thin clouds diffused the light a bit – but still didn’t take the light too far in the soft direction.
It perhaps goes without saying that this another in my series of long-lens studies of small elements of the large and iconic scene at this location. I’ve photographed this particular bit of folded geology before, and I’m still interested in the combination of soft, almost organic shapes and the crazy patterns of lines and shapes heading every which way. From lower left to upper right the lines shift almost completely.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Technical Data:
Canon EOS 5D Mark II
Canon EF 100-400mm f/4.5-5.6 L IS USM at 200mm
ISO 100, f/16, 1/60 second
keywords: gower, gulch, zabriskie, point, erosion, gully, ridge, hill, crack, dirt, curve, fold, geology, shadow, light, afternoon, overcast, diffuse, death valley, national, park, california, usa, north america, landscape, nature, scenic, travel, detail, stock
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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