Tag Archives: one

Looking In

Looking In - Almost everyone in a group of people looks into a conservatory courtyard while waiting for it to open.
Almost everyone in a group of people looks into a conservatory courtyard while waiting for it to open.

Looking In. San Francisco, California. August 4, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Almost everyone in a group of people looks into a conservatory courtyard while waiting for it to open.

Apologies for this title, but I did not get the name of the building (perhaps today I’ll do that), “A group of people looking into a courtyard with one guy looking the other way” seemed a bit too long, and I ran out of creativity before posting. I suppose there is the potential here for incorporating some quip about San Francisco “summer” weather as well – on this lovely “summer” afternoon there were high clouds and fog and it was trying to rain! :-)

I had another afternoon to kill wandering around San Francisco yesterday afternoon. My general target was something like street photography, though it also incorporated this little project I have to photograph downtown buildings from odd angles and render the images in black and white. I had been working on the latter and was heading back to where I would have dinner (and running a few minutes late) when I saw this little cluster of people crowded around what looked like the entrance to this glassed in courtyard filled with palm trees and some tables. Any sort of odd little scene like this – quite different from the general rush of people in the downtown area – catches my eye and often seems like it might make a photograph. Here I had the group of people crowded together to work with, along with the classical architecture of the building and courtyard. So I did what I often might do with such a scene: I stopped and quickly made one initial photograph so as not to miss it entirely, and then I remained and watched for something interesting or out-of-place to occur. When the fellow at the right separated himself from the larger group, my first reaction was a bit of frustration that he had broken up the group of people facing away, but in the end he makes the photograph more interesting to me than it would have been otherwise.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Bouquet #1

Bouquet #1
Bouquet #1

Bouquet #1. San Francisco, California. March 14, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Abstract photograph.

I think I generally prefer to not offer too much explanation about images like this one, and to let you take it for whatever it is.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Sea Stacks, Rocky Point

Sea Stacks, Rocky Point - Sea stacks dot the rugged Big Sur coastline at Rocky Point in evening light.
Sea Stacks, Rocky Point - Sea stacks dot the rugged Big Sur coastline at Rocky Point in evening light.

Sea Stacks, Rocky Point. Big Sur Coast, California. December 18, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

Sea stacks dot the rugged Big Sur coastline at Rocky Point in evening light.

Continuing with the theme of evening light on the Big Sur coastline, I made this photograph along a favorite section of this portion of the California coast not long before sunset. (I left enough time after photographing this scene to drive back up the coast to more or less the small road-cut just visible in the upper right corner of the frame, from which I made another photograph shooting back into a large cove that is out of the range of this photograph to the right.) At this time, perhaps a half hour or so before sunset, the color of the light was warming and intensifying but had not yet reached that obviously red stage that comes right at and right after actual sunset.

The peninsula in the upper part of the photograph is known as Rocky Point and, among other things, is a spot many may know because of a restaurant perched there above these stunning views of the Pacific coast. (I hear it is pricey!) My camera position was at a pull-out along the Pacific Coast Highway at a spot where the road rises to pass around another bit of land that extends to the west, and this high camera position let me aim the camera down to minimize the sky and fill the frame with the ocean, the rocky sea stacks and cliffs, and the “point” itself. With the main variable being the unpredictable patterns in the surf, I made a series of exposures at what I thought might be likely moments and then selected from among them in post. I like the series of diagonal lines in the foreground surf and the way the low sun picks off the tops of the waves.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Bixby Bridge, Pacific Coast Highway

Bixby Bridge, Pacific Coast Highway
Black and white photograph of the Pacific Coast Highway crossing Bixby Bridge above the rugged Big Sur coastline of California.

Bixby Bridge, Pacific Coast Highway. © Copyright 2022 G Dan Mitchell.

The Pacific Coast Highway crossing Bixby Bridge above the rugged Big Sur coastline of California.

Bixby Bridge is one of the iconic sights along the rugged terrain of California Coast Highway (highway one) in the Big Sur area south of Monterey. Although it is not the only bridge of its type along this route – and, in my opinion, not necessarily the most visually impressive – it is no doubt the best known. Many people drive to this spot and stop to take in the view from high above the ocean and to photograph the bridge and this scenic section of the highway.

I have photographed this bridge before, and I’ve spent a bit of time scoping out alternative points of view. These include some locations visible from “behind” the bridge, up higher in the coastal hills, and from other nearby locations along the highway. While I have photographed the bridge from the backside in the past, the idea of photographing it in black and white from this vantage point was triggered by a photograph by Chris Morrison that I saw in an online photography forum. When I saw it, I almost immediately “saw” a slightly different composition of the bridge and the steep headlands and cliffs running south along the coast.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question. (Click this post’s title first if you are viewing on the home page.)


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.