Tag Archives: orange

Pre-Dawn Sky, Amargosa Range

Pre-Dawn Sky, Amargosa Range - Sky above the Amargosa Range in pre-dawn light, Death Valley National Park, photographed from Rhyolite, Nevada.
Sky above the Amargosa Range in pre-dawn light, Death Valley National Park, photographed from Rhyolite, Nevada.

Pre-Dawn Sky, Amargosa Range. Death Valley National Park, California. January 4, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Sky above the Amargosa Range in pre-dawn light, Death Valley National Park.

I usually cannot resist the opportunity to photograph the ghost town of Rhyolite, Nevada when I’m in Death Valley. I especially like shooting there in the morning. I usually arrive before dawn since the pre-dawn light can create some wonderful effects on the ruins of the town’s buildings, especially if a few thin clouds and the right atmospheric conditions create some interesting light colors. So on this year’s early January trip I devoted one early morning to this subject.

As per my plan, I arrived at Rhyolite a few minutes before the good light started – it was very cold and no one else was there. In fact, I had the place to myself for the first half hour or so of my photography. I never know exactly what to expect when it comes to the dawn light. If things work out just right, and especially a bit later in the year, thin pre-dawn clouds will light up and color the light on the old town. That didn’t happen on this morning. First, I discovered that in the heart of winter, when the sun comes up a bit further south, a mountain right next to the town blocks the first light and it doesn’t strike the best ruins (such as the school and Cook Bank) until a bit later. In addition, on this morning clouds above the horizon blocked the light just a bit more than I would have liked. However… to the west and over the Amargosa Range things were rapidly becoming a lot more investing. This range was open to the light from the pre-dawn sky in the east, and high thin clouds began to pick up that colorful light that I had hoped might appear over the town. I put a long lens on the camera, moved to a position where I could get a fairly unobstructed view to the west, and made a series of exposures of this simple composition that allowed me to include a large section of the colorful sky.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

First Light, Southern Death Valley

First Light, Souithern Death Valley - As seen from Aguereberry Point, first dawn light spills across the lower end of Death Valley.
As seen from Aguereberry Point, first dawn light spills across the lower end of Death Valley.

First Light, Southern Death Valley. Death Valley National Park, California. January 5, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

As seen from Aguereberry Point, first dawn light spills across the lower end of Death Valley.

I have previously photographed from this location high in the Panamint Range and overlooking a vast portion of Death Valley National Park and its surroundings. The view stretches east to 11,000+’ peaks in Nevada and west to the crest of the Sierra Nevada, and great distances north and south to places and features that I cannot identify. My previous visits had all been late in the day, and I had often wondered what the location might be like at the start of the day. So, on this visit to Death Valley, a trip to Aguereberry Point before dawn was on my agenda.

As usual, I awoke well before dawn at my camp site back at Stovepipe Wells. (You can often tell if there are other photographers about – in the dark period an hour or more before sunrise you hear people quietly get up, quickly start their engines, and drive away.) I headed up into the Panamints and turned off at the start of the six-mile gravel road that goes to this point, and arrived just before the first colorful light began to light up the sky – and I was pleased to see that there were some interesting clouds. I have been fascinated by this view over the shoulder of a ridge dropping down toward the Valley above Trail Canyon, so I composed a photograph that juxtaposed this diagonal with the end of the Black Mountains across the valley and the light-filled atmosphere beyond where the very first sun was coming across lower Death Valley.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Ridge Above Tucki Wash, Dawn

Ridge Above Tucki Wash, Dawn - First dawn light on a stratified ridge above Tucki Wash along the base of the Panamint Range, Death Valley National Park.
First dawn light on a stratified ridge above Tucki Wash along the base of the Panamint Range, Death Valley National Park.

Ridge Above Tucki Wash, Dawn. Death Valley National Park, California. January 5, 2012. © Copyright 2011 G Dan Mitchell – all rights reserved.

First dawn light on a stratified ridge above Tucki Wash along the base of the Panamint Range, Death Valley National Park.

I spent a good portion of the week following New Year’s Day in Death Valley National Park. My goals were to earlier in the seasons when the days were shorter and more “good light” was available, to perhaps encounter cloudy skies from a passing weather system or two, and to both shoot some new subjects and shoot some familiar ones in somewhat different ways. I think that I succeeded with most of these goals, though those storm front clouds were elusive. (This is a very strange and troubling season for California weather. At a time when the Sierra are usually covered in winter snows… all of the high trans-Sierra passes are still open, and the east side of the range looks pretty much like it might normally look in, say, July.)

On one morning I decided to visit a favorite overlook high in the Panamint Range very early in the morning. I’ve shot here a number of times in the past, but always late in the day during sunset and dusk hours. While getting up an hour and a half before dawn to drive to such a place is always a bit of a challenge, at least the sunrise isn’t quite as early at this time of year. On the other hand, it is colder! (Those unfamiliar with the Death Valley seasons may think of it as an entirely hot and dry place, but it gets quite cold there this time of year.) When I got up the temperature down in the Valley at my camp site at Stovepipe Wells was in the thirties. Surprisingly, the temperature rose into the low fifties as I ascended into the mountains, and when I reached my goal at a bit above 6000′ it was no colder than the Valley at this hour.

I arrived before dawn, but just as the pre-dawn light show was beginning. On this morning I had perhaps the best clouds of the entire trip, and they lit up shortly after I arrived and got my equipment ready. (Photos of that moment will likely come a bit later.) As the sun finally rose above the horizon the interesting light began to work its way down, starting with the higher peaks and then descending past the lower ridges to finally reach the Valley itself. This photograph shows the first light striking an unnamed (as far as I’ve been able to determine) spur ridge the projects eastward into the Valley from the massive bulk of Tucki Mountain. In the far distance are the low mountains and washes along the far side of the Valley, and the are also just beginning to pick up the first light.

Shooting in these rapidly evolving conditions that are not entirely predictable is more of an action sport than a sedate and contemplative experience, at least during the first minutes of light as it works its way across and down the landscape, often surprising me by showing up in places I had not thought to look. At one point I had photographed the cloud-filled sky but lamented a bit that the mountains below that shot were a bit dark and drab. I look away for a moment and when I looked back this intense and saturate light had hit those very mountains… so I turned and quickly began to photograph them.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Strolling Along Asilomar Beach, Sunset

Strolling Along Asilomar Beach, Sunset - Walkers stroll along misty Asilomar Beach at sunset, Pacific Grove.

Strolling Along Asilomar Beach, Sunset. Pacific Grove, California. December 19, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

Walkers stroll along misty Asilomar Beach at sunset, Pacific Grove.

Although this might momentarily evoke thoughts of summers at the beach in sunny California… this was shot in the middle of December, and it was rather cold! (The hardy beach-walkers in shorts and bare feet might make you think otherwise.) During the better part of a week spent in the Carmel Valley area I had a number of opportunities to visit nearby coastal areas, and on this evening I had just enough time to make it over to this area at Asilomar State Beach before the sun set.

The winter surf gives this section of the coast a very different look than it has in the winter. In general, the surf is a lot rougher. Along much of this section of coast in Pacific Grove the edge of the water drops off quickly in rocky terrain, but here there is a beach and the beach becomes wider and less steep as it works its way south from this spot. The winter air was a bit hazy and the surf added some mist, creating this colorful glow right about the time of sunset. There were quite a few people out walking on the beach, many with their dogs, so I found an interesting composition shooting along the edge of the water and its reflected sky and then waited for individual walks to place themselves in interesting parts of the frame.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.