Tag Archives: orange

Turnstile Shadows

Turnstile Shadows
Turnstile Shadows

Turnstile Shadows. Mare Island Naval Ship Yard, California. February 12, 2011. © Copyright G Dan Mitchell – all rights reserved.

Shadows cast by sodium vapor lamps shining on old turnstiles at Mare Island Naval Ship Yard.

This old row of abandoned turnstiles stands at the entrance to an alley through which we almost always walk as we begin shooting in the core area of the historic Mare Island Naval Ship Yard near Vallejo, California. It seems odd to see the structure here since now one can just walk around them, but I suspect that this area must have been somewhat secure at times since military ships were built here.

This isn’t an easy subject to photograph. Several of us were talking about how we have struggled to find a composition built around the turnstiles. I have one other photograph that I made a few years ago that I think works pretty well. In that one I aimed a bit higher and let the metal structure pretty much fill the frame, and I also ended up making it a black and white image. (It was used as a cover for a book at one point.) But on this evening a few of us were staring at the turnstiles again and remarking that there must be more photographs in there… somewhere… but that we are still trying to find them.

I thought it might be interesting to make the long and complex patterns of the shadows fill most of the frame, so I moved back just a little and pointed the camera down so that just a portion of the turnstile structure appears at the top of the frame. This also helps with a couple of technical challenges: the bright lights beyond the structure create a tremendously large dynamic range in the scene, and it can be difficult to keep some distracting background elements (like a stop sign!) out of the image. The garish yellow/orange light is from a large sodium vapor lamp that sits above the intersection on the road in the background. That coloration is part of what made me choose to make the previous photograph of this subject black and white, but on this night I decided to go with the color.

The final image is a blend of two exposures. The shorter one was selected to avoid blowing out the brightest areas in the upper part of the frame, and the longer one let me keep a bit more detail in the shadowed asphalt foreground.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Twilight Surf

Twilight Surf
Twilight Surf - Long exposure photograph of shoreline surf in twilight, Pacific Grove

Twilight Surf. Pacific Grove, California. December 19, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

Long exposure photograph of shoreline surf in twilight, Pacific Grove.

Many times the most interesting late-day light comes after the sun set, and I have learned to stick around as long as I can in these situations. The colors can become more intense as the details become softer, especially when the low light allows me to use longer exposure times with moving subjects in the very low light. By the time I made this photograph my exposure time was up to four seconds. (Shortly after this it was too dark to continue shooting – I could hardly see my camera any more!)

This image falls into my “minimalist seascape” category, without any particular central subject – though there are some points in the scene that do, I think, draw a bit more attention. There is a certain element of chance in these photographs since, obviously, I cannot control the waves. However, by watching their patterns and thinking about how their sharply defined shapes might form more diffused shapes over the longer exposures, I can make some reasonable guesses about when to trip the shutter release. Besides the sky, there are three things in the water portion of this scene that “worked” for me: the single darker wave just below the horizon, the row of three parallel waves in the middle of the frame, and the blurred and reflective area closest to the shore.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Red Tile and Door

Red Tile and Door
Red Tile and Door

Red Tile and Door. Mission District, San Francisco, California. February 20, 2010. © Copyright G Dan Mitchell – all rights reserved.

A stripe of bright red tiles and dilapidated doors in San Franciso’s Mission District.

This photograph was made early in 2010, and is one that I dredged up from the “archives” during the year-end process of reviewing all of my thousands of 2010 raw files. I had been in San Francisco with some spare time and I found myself in the Mission. This area is a great resource for photography, so I set out on foot to look for subjects along the crowded streets of this neighborhood. A small girl behind the heavy screen door on the left (barely visible in this photograph) first caught my attention, but I also found the juxtaposition of horizontal and vertical lines interesting along with the very weathered and distressed doors and walls. The thin line of brilliant red tiles was striking against the dark and dingy background.

G Dan Mitchell Photography
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Aspen Color – Wall of Leaves

Aspen Color - Wall of Leaves
Aspen Color - Wall of Leaves

Aspen Color – Wall of Leaves. Eastern Sierra Nevada, California. October 2, 2010. © Copyright G Dan Mitchell – all rights reserved.

A nearly solid wall of brilliant fall aspen leaf color in the eastern Sierra Nevada.

This is going to be the first in a short series of “frame filled with foliage” photographs that I’ll post. Although I think they work best as prints – and fairly large ones at that – I’d like to share these since they are something a bit different that I’ve been working on.

Sometimes I’m just so impressed by the sheer density and complexity of the foliage that I’m tempted to just point that camera at them and click. It might look like that is what is going on here, but I am also trying (remember, “trying!”) to find some sort of pattern and form in these very complex textures. This photograph was made in a small aspen grove that was essentially at the color peak – only a very small number of partly green leaves remained, yet most of the transformed leaves were still on the tree. If you have chased aspen color, you know how difficult it can be to find the leaves at just this point!

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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