Tag Archives: park

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Tree and Granite, Pywiack Dome

August 5, 2011 G Dan Mitchell Leave a comment

A weathered juniper tree grows high on the granite face of Pywiack Dome, Yosemite National Park.

This is another “take” on the same juniper tree high up on the slopes of Pywiack Dome that was seen in another photograph of this area that I posted earlier this week. I went through a process of “refining” the photograph that I described in the earlier post, and this was the interpretation that I came up with right before the landscape orientation version that I posted earlier. Unlike that photograph, this one frames the area of the dome containing the tree more tightly.

The color balance is a bit different in this one, also. I thought about that quite a bit, at first feeling that the coloration should be essentially identical since the images were made at about the same time and include some of the same subject matter. But the more I thought about it – and the more I experimented with the results of trying for uniformity – the more I felt that the two photographs are different images and that different interpretations make sense.

These trees never cease to amaze me. I often come across what are evidently very old trees that seem to grow almost straight out of solid rock, and only a closer inspection reveals that roots have grown tightly into small and unlikely cracks and weaknesses in the granite. That this tree should have managed to take root half way up the side of this large dome is even more amazing, much less that it managed to avoid growing into the stunted and twisted sort of shape that is so common among such trees.

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Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Juniper Trees and Granite Slab, Morning

August 4, 2011 G Dan Mitchell 4 Comments

Two juniper trees in morning light at the base of Pywiack Dome, Yosemite National Park.

This strong and straight juniper and the smaller twin hiding behind it grow at the top of the rocky debris field at the base of this dome not far from Tenaya Lake in the Yosemite National Park high country. A bit later than the “golden hour” time, the morning light begins to spill around the side of the dome and illuminate these trees from behind, creating a glow in their branches and the branches of trees and brush around them.

Last night someone asked me if I choose when to go to the Sierra to photograph based on the weather conditions. I wish I had that luxury! To some extent I make general decisions about where and what to shoot based on the season – The Valley around the end the start of November, the east side in early October, etc. – but for the most part I go where I can go when I can go there. However, I do alter the focus of my shooting based on the current conditions. This late-July trip is a good example.

I associate certain types of light with different seasons, and I tend to look for clear and crisp light in late July along, accented by snow fields and lots of new growth. I was a bit surprised by the amount of haze in the atmosphere. In fact, in some ways it almost reminded me of very late summer and early fall when Sierra wildfires often create a smokey haze over the range. With this in mind, I figured out that crystal clear photographs of mountain peaks against sky were not going to be in the cards. Instead I focused more on closer subjects, and when I shot more distant subjects I thought a lot about how to use the haze, embracing its effect rather than regretting that I had to deal with it. This photograph is perhaps an example of both of those approaches. The main subject here, the central pair of trees, cannot be more than a couple hundred feet away, if that. Behind the trees and the slab are more distant granite domes and cliffs and forest winding up the mountainside. Shooting almost straight into the sun accentuated the hazy quality of the more distant elements of the scene and enhanced the sense of front to back distance, and separated the foreground trees from the background it a way that would not have been possible in “better” lighting conditions.

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Commentary, Events, Shows

Night Photography Exhibit: Mare Island Nocturnes

August 3, 2011 G Dan Mitchell Leave a comment

“Mare Island Nocturnes,” an exhibit of night photography done at the iconic Mare Island Naval Ship Yard and featuring the work of San Francisco Bay Area night photographers opened today on Mare Island. The exhibit is sponsored by The Nocturnes and the Mare Island Historic Park Foundation, and is part of the year-long celebration of the 20th year of The Nocturnes, the influential San Francisco Bay Area night photography group.

Yellow Buildings, Shadows, Moving Clouds

The Mare Island Naval Ship Yard is a remarkable historical and visual treasure. The place was the major west coast ship yard for the Navy since early in the 1800s, and was decommissioned in the 1990s. While portions of the island have been and continue to be “redeveloped,” the historic core of historic ship yard buildings remains. This area has been a favorite of night photographers for some years and a lot of wonderful photographic work has emerged from this subject. I have photographed there many times during the past five years or so.

The exhibit runs through September 15 at the Mare Island Historic Park Foundation Museum, 1100 Railroad Avenue, Mare Island – see the flyer below for specific days and times of viewing.

The reception for the artists is on Sunday, August 14 from 2:00-4:00 p.m. Five of my prints are in the show, including “Yellow Buildings, Shadows, Moving Clouds,” the image shown above. I’ll be at the reception – hope to see you there!

Press release follows:

"Mare Island Nocturnes" Night Photography Exhibit Press Release

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Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Trees and Granite, Morning

August 3, 2011 G Dan Mitchell 3 Comments

Morning light shines on the trees clinging to massive granite domes in the high country of Yosemite National Park.

This photograph was the result of an odd little sequence of events. While driving along Tioga Pass Road in the afternoon I looked more closely at an area that I have passed by many times and noticed that it was filled with glacial erratics, “loose” boulders left behind when glaciers retreated. It seemed like these boulders might be an interesting subject and since they were in a position where morning light seemed likely, I made a mental note to return in the morning over the next couple of days and see what I could photograph here.

The next morning, after photographing at dawn nearby, I decided to go to this spot and see what I could come up with. I arrived without a specific idea in mind beyond the plan to look around and see what I could find. My first idea was to photograph the boulders themselves, and I did make a few mediocre exposures of individual boulders and groups of boulders. As I played around with this idea I noticed that the light slanting across granite slabs a bit to the north of me looked interesting, especially since this light was also side- and back-lighting some of the trees. So I turned my attention to this potential subject.

Working with this idea I gradually became less interested in the boulders and more interested in the trees of the lodgepole forest that extended beyond the slabs, so I found a somewhat higher spot to shoot from and made a series of exposures that included layers of backlit trees extending beyond the granite. Beyond the trees was the base of Pywiack Dome, a subject that I have worked with a number of times in the past. Now I looked a bit higher than the forest that led my eye to the dome, and I photographed the boundary between the forest and the base of the dome. (Producing, I might add, a really, really boring photograph!) Looking a bit higher I saw the solitary tree near the lower left of this photograph, and I made a vertical exposure that included mostly just the tree and the expanse of granite above and around it. (This photograph will be here in a few days.) They I thought I would try a landscape orientation photograph, and as I worked with this I got the idea to include the right face of the closer granite dome against the darker shape of a more distant cliff. And, finally, I found this photograph.

(There is also a black and white version of this photograph. The text accompanying that version talks a bit about the black and white versus color issue.)

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Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.