Tag Archives: purple

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Mesquite Dunes and Cottonwood Mountains, Morning

April 9, 2011 G Dan Mitchell 2 Comments

Early morning light on Mesquite Dunes and the Cottonwood Mountains, Death Valley National Park.

This is one of the images I had in mind on the most recent late-March trip to Death Valley. When I visited earlier this year in February I started thinking about photographing the dawn light on the lower slopes of the Cottonwood Mountains along the west side of upper Death Valley. I had (and still have!) in mind several locations from which to explore this interesting terrain and light, but among them were a few that placed the Mesquite Dunes (a.k.a. “Death Valley Dunes”) in the foreground. (Why didn’t I shoot this subject back in February, you ask? The weather did not cooperate! There was rarely good light in the morning and, in fact, I had to deal with rain and snow on that visit!)

Besides finding a location from which to line up the elements of the shot, the other keys are having a long enough lens and, well, being there at the right time! And, as I was reminded in February, a bit of luck with the weather doesn’t hurt either. Although it had snowed and rained right before my arrival on this visit, this time the weather ended up being clear for the most part and was even turning downright hot by the time I left later on the day that this photograph was made.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Desert, Photographs: Mono Lake Basin, Photographs: Nature, Photographs: Northern California

Purple Dawn, Mono Lake

March 15, 2011 G Dan Mitchell Leave a comment

Pastel shades of purple and blue just before dawn at Mono Lake.

Back at the end of 2010 I wrote that I was going through all of my 2010 raw files to look for images that I had passed over, as I do near the end of every year. Things got busy, I got distracted, and I only got about half way through the year’s files. Recently I have returned to the 2010 photographs to try to complete the task, and this is one of the photographs that I rediscovered as I resumed the search with images taken near the end of June.

This was my first real photographic trip to the Sierra during the summer season of 2010. I had made a brief trip up there, visiting Yosemite Valley and then crossing Tioga Pass, back in early June right about the time that the pass opened. However, on this trip I was able to spend several days in the high country and kicking around near Mono Lake. This can be a great time of the year up there since conditions range from what seems like late winter in the high country to real summer in places like Owens Valley and around Mono Lake.

On this morning I decided that I’d head down to Mono Lake well before dawn and see what I could turn up. I did not go to the iconic South Tufa area on this morning, thinking instead that I’d try for some different and longer views of the lake. (Later in the morning I traveled a good distance south of the lake on the less-used section of highway 120.) There were, obviously, clouds in the morning and they blocked the sunrise. However, the light glowed through and over and under and around them, and even though there was not direct light in very early morning image, the colors were quite something. The group of tufa towers at the lower left are offshore not far from the South Tufa area.

Photographs: Central California, Photographs: Nature, Photographs: Northern California, Photographs: Ocean & Coast

Twilight Surf

January 12, 2011 G Dan Mitchell Leave a comment

Many times the most interesting late-day light comes after the sun set, and I have learned to stick around as long as I can in these situations. The colors can become more intense as the details become softer, especially when the low light allows me to use longer exposure times with moving subjects in the very low light. By the time I made this photograph my exposure time was up to four seconds. (Shortly after this it was too dark to continue shooting – I could hardly see my camera any more!)

This image falls into my “minimalist seascape” category, without any particular central subject – though there are some points in the scene that do, I think, draw a bit more attention. There is a certain element of chance in these photographs since, obviously, I cannot control the waves. However, by watching their patterns and thinking about how their sharply defined shapes might form more diffused shapes over the longer exposures, I can make some reasonable guesses about when to trip the shutter release. Besides the sky, there are three things in the water portion of this scene that “worked” for me: the single darker wave just below the horizon, the row of three parallel waves in the middle of the frame, and the blurred and reflective area closest to the shore.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Two Hikers at the Summit of Death Valley Dunes

December 28, 2010 G Dan Mitchell 6 Comments

Two hikers take in the evening landscape of Death Valley National Park from the Summit of the dunes.

Many times I might have been disappointed to have two hikers enter “my” scene in such beautiful dusk light, but here I feel like they crystalize the scene. In a larger version of the photograph the two of them seem to stand silently facing the rugged vastness of Death Valley – and I think their presence invites us to think of ourselves in the scene and to imagine our own reaction to it.

My favorite time to photograph these iconic dunes near Stovepipe Wells is in the evening during a brief interval right around sunset and lasting a while after the sun drops behind the peaks to the west. The light softens, especially if there is a bit of haze in the sky, and the dunes that are so bright and harsh at other times of day take on a smoother and softer quality and their subtle colors become visible.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.