Clouds in blue sky are reflected in the surface of Gaylor Lake next to melting winter ice.
This photograph is very similar to another I made on this late June evening in 2010 when a small group of us hiked over a ridge near Tioga Pass to find a snow covered valley and this lake that was still almost completely covered with ice. The deep blue water near the edge of the melting ice along the shoreline reflected evening clouds passing overhead, and there were quite a few possible compositions combining the clouds, blue sky, curving edge of the ice and the interesting formations where the ice surface was melting. I made quite a few photographs – some up close like this one and others taking in the larger landscape. As I was recently reviewing raw files from 2010, I ended up spending quite a bit of time with this set of images!
Pools of water between sections of melting ice reflect evening clouds above Gaylor Lake, Yosemite National Park.
I continue to mine the vein of photographs from this early summer afternoon and evening visit to a lake not far from the Sierra crest at Tioga pass. In my defense I’ll point out that the conditions were variable and that I shot this subject in a number of different ways – close up views of ice and water, images that focus on the clouds, some that take in the more distant landscape of the surrounding ridges and peaks, others that focus on just the patterns of water and ice, and all shot as the light transitioned toward evening and was occasionally interrupted by clouds.
It is very unusual for me to get to visit a large lake with quite this combination of conditions. Sometimes in the early season I might encounter a lake that is still covered with ice, and later I often pass by lakes that are mostly clear but have snow banks and ice coming down to the shoreline. But in this case the lake was still covered completely in ice, but the ice was melting and creating pools of blue water on top of the remaining ice, and this water reflected the sky and passing clouds. I think the first things that might catch your attention in this photograph are the white areas of ice and the blue areas in between. But if you look a bit closer you see that the blue areas are anything but uniform. The shades of blue vary tremendously, sometimes approaching black in the shadows along the edges of the ice, spanning a range of shades in the open water, and then heading towards white in areas that reflect the clouds floating above the lake.
A Sierra Nevada creek, swollen from spring runoff, flows across granite slabs – Yosemite National Park.
The image and sound of spring runoff water rushing over granite slabs are common in the high Sierra. Though the scene is almost a generic one, for me it also brings to mind many very specific places and experiences throughout the range. (Some of my backpacking friends might think of a spot along Tyndall Creek on the John Muir Trail where we have camped more than once.)
The exact location of this little bit of cascading and rushing water is probably not very important – you are never far from a little scene like this if you are near almost any little creek high in the Sierra! Here the water flows mostly across very smooth rock – so smooth that you can see right through the rushing water to the rocks in many places. In this precise spot there is a weakness in the rock and a small ledge has formed, and the result is a bit of white water.
I’ll share a few technical observations about this photograph, too. First, there isn’t a sharp thing in the image! While sharp focus can be important, I don’t think it is here. (Though if you look closely, the patterns of the blurred, fast-moving water are sharp in a fuzzy sort of way. ;-) The rocks beneath the water cannot be sharp because they are blurred by the water; the water cannot be sharp since I intentionally chose a shutter speed that allowed motion blur. Second, I have to admit that I did not originally have a black and white photograph in mind when I made this exposure. I worked on it for a while in color and though I liked the motion of the water I just wasn’t happy with the coloration of the scene. I finally realized that this image wasn’t about the “reality” of the rocks and water but about creating an impression of the rushing water – and that perhaps monochrome might work. Third, this is yet another “landscape” photograph made with a lens that the “common wisdom” (which often turns out to be not so wise) would say is not a landscape lens – a 70-200mm zoom.
A salt spring pool on the salt flats in Death Valley reflects winter dawn light on the east face of the Panamint Range.
Sometimes I hear people describe how they think or imagine that landscape photography is done, and I wonder where they get their ideas. I will acknowledge that there are many ways to shoot landscape, ranging from working very slowly and carefully to produce a single image, to shooting like crazy and seeing what you end up with. But often people dismiss approaches closer to the latter and assume that the former is the “right way” to shoot landscape.
In my experience it isn’t quite that simple. Sometimes the experience is like certain others in which long stretches of time during which one seemingly accomplishes nothing or perhaps just looks and thinks are suddenly followed by quick and intense spurts of work that come almost as a surprise and may be over as quickly as they begin. This little morning shoot in Death Valley along the edge of a the salt/mud flats where the water from a small salt spring spreads across the flats and forms shallow pools was one of these. Very early in the morning, well before dawn, it was difficult to know what the best shooting option might be. There were clouds in the sky that promised to block the dawn light and everything seemed gray and flat. I wandered a bit, not sure where or what to shoot, and finally, more or less by chance, ended up at this spot that I had visited earlier on this trip. It occurred to me that even if the light wasn’t great I could possibly find a photograph that included this water. So I stopped and began to unpack in no particular hurry.
As I walked across the wash toward the area of the spring, much to my surprise it began to appear that there might be some interesting dawn light after all. I quickened my pace and headed toward the area of the shallow pools, and when I arrived there a moment later I could see some color on the top of the Panamint range. I quickly found a decent foreground pool and as the surprising light worked its way down the front of the range I began photographing. I first made several exposures at much shorter focal lengths, including a larger portion of the sky and the foreground. Then I quickly moved the tripod to place this pool in the center of the frame and hold the reflection of the range. I had little time to contemplate as the light was changing very quickly. I had just enough time to find my composition and make a few exposures, and within moments the light was gone.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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