I found these beautiful little tiles on a wall along a street in the Alfama neighborhood of Lisbon. The truth of the matter is that I made a photograph of the wall, only barely aware of the tiles, and then took a closer look at them while working on the larger image in post. They appear to have been created by the same artist/craftsperson, judging by the signature, and I think they are relatively contemporary.
Continue reading Fado Tiles, Lisbon
This photograph is a result of one of the quick, unexpected encounters that occur when doing street photography. Sometimes they happen so fast that there is hardly time to photograph. This one was brief, but not so quick that I couldn’t make a couple of photographs.
Continue reading Woman With Blue Bags, Alfama
This is another photograph from Lisbon’s Santo Amaro Chapel, a very old structure near the waterfront and almost beneath the April 25 Bridge (“Ponte 25 de Abril“). That is the one that looks very similar to San Francisco’s Golden Gate Bridge. After passing beneath the bridge’s north end, we walked a little further west, then climbed steps to this location. It is one of the better viewpoints of the bridge, with a wide plaza open to that view.
Continue reading Stairway, Santo Amaro ChapelThis is the time of year when people plan their summer travels. Recently I’ve noted people trying to figure out what gear will work for photography while traveling, what kind of camera and what lenses to take. What is the best approach? Take the whole kit? Just use your smartphone? Get something special just for travel photography?
I do a fair amount of travel photography, and I wrote an article sharing some of my ideas: Travel Photography Gear. Click the link and take a look!
A starting assumption: There is no one “right” or “best” approach to photography while traveling, and what works for me may be far from ideal for you. It depends a lot on your goals and the role photography plays in your travels. The article explores some of the options and variables.
I’m hopeful that this article may help you figure out what will work for you.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
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