Category Archives: Photographs: Northern California

Photographs from Northern California

Monterey Cypress Forest, Point Lobos

Monterey Cypress Forest, Point Lobos
Monterey Cypress Forest, Point Lobos

Monterey Cypress Forest, Point Lobos. Point Lobos State Reserve, California. January 8, 2011. © Copyright G Dan Mitchell – all rights reserved.

Winter light on the Monterey Pine forest growing on a hillside at Point Lobos State Reserve.

The photograph is the color version of the same scene that I recently posted in a black and white rendition. My initial reaction to the image, and the idea I had in the back of my mind when I photographed it, was that it would be black and white. I wanted to “abstract” the dense shapes and textures of the trees and ground plants and rocks, and I sometimes think that the intrinsically unreal quality of black and white can work for that. However, when I worked up the photograph in color I started to like it, too, though in a different way. At least in the small versions that I looked at on the screen, the color version creates a bit more separation among objects in the scene and seems to have a bit more depth. I guess I won’t know until I make prints!

I have often looked at the straight and upright trees on this rocky prominence as I walked past on a trail that passes by just beyond the left side of the frame. This formation sits between two coves at Point Lobos and rises to a high point (to the right of the photograph) before dropping abruptly to steep rocks and then the sea. From the trail you look up the slope toward the high point and through these trees. But I could never quite see a composition. On this winter day the light was a bit unusual. There was a bit of haze and mist in the air, though not a lot – if I stood with the sun at my back I could not really see it, but if I faced into the sun it was apparent. In any case, even though this was photographed during the harsh light midday time period, the light was softened at least a bit, but still a bit stark from side lighting, the shadows among the trees, and the bright and cloudy sky beyond. It is difficult to find a clear line of sight to this grove that isn’t either very, very far away or else right inside of it. I looked around for a bit and finally found a place not far away along the trail from which I could shoot between tree branches.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.


Twilight Surf

Twilight Surf
“Twilight Surf” — Long exposure of shoreline surf in twilight, Pacific Grove

Many times the most interesting late-day light comes after the sun set, and I have learned to stick around as long as I can in these situations. The colors can become more intense as the details become softer, especially when the low light allows me to use longer exposure times with moving subjects in the very low light. By the time I made this photograph my exposure time was up to four seconds. (Shortly after this it was too dark to continue shooting – I could hardly see my camera any more!)

This image falls into my “minimalist seascape” category, without any particular central subject – though there are some points in the scene that do, I think, draw a bit more attention. There is a certain element of chance in these photographs since, obviously, I cannot control the waves. However, by watching their patterns and thinking about how their sharply defined shapes might form more diffused shapes over the longer exposures, I can make some reasonable guesses about when to trip the shutter release. Besides the sky, there are three things in the water portion of this scene that “worked” for me: the single darker wave just below the horizon, the row of three parallel waves in the middle of the frame, and the blurred and reflective area closest to the shore.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Pelican Above Water

Pelican Above Water
Pelican Above Water

Pelican Above Water. California coast. May 15, 2010. © Copyright G Dan Mitchell – all rights reserved.

A solo pelican coasts above the surface of the Pacific Ocean near the central California coast.

There is not too much to say about this one – since I posted a companion pelican photograph yesterday! This one is also “from the archives” – a photograph from last May that I found as I looked through last year’s raw files one last time.

(For those who are reading this in the archives, a bit more information. I frequently photograph pelicans along the California Pacific Ocean shoreline. This photograph was made from a location where I can access the top of a coastal bluff that drops almost immediately straight down to the water. The pelicans seem to make a habit of cruising up and down the tops of these bluffs on the updrafts that are created by the onshore breeze, and they fly very close to the bluff edges where I can photograph them close up.)

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Pelican in Flight

Pelican in Flight
Pelican in Flight

Pelican in Flight. California coastline. May, 15, 2010.© Copyright G Dan Mitchell – all rights reserved.

A solo pelican in flight about the Pacific Ocean coast of California.

Last May I made one of my spontaneous drives over to the Pacific coast – a 30-45 minute drive from my location in Silicon Valley – and ended up engaging in my idea of sport, “hunting” pelicans with my camera and a long lens. I know a few places where the “pelican highway” passes along a high coastal bluff where I presume that the birds can coast on updrafts caused by onshore winds rising from the water. In one or two spots I can consistently find the birds passing very close to the edge of the bluffs, and it is often just a matter of waiting a while to see them fly past at very close distances. This bird came by a bit lower than some and instead of presenting itself against the more typical backdrop of the horizon and sky, this one gave me an overhead view with the surface of the Pacific as the background.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

G Dan Mitchell Photography
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