Tag Archives: monochrome

Abandoned Mining Cabin Ruins, Panamint Range

Abandoned Mining Cabin Ruins, Panamint Range
Abandoned Mining Cabin Ruins, Panamint Range

Abandoned Mining Cabin Ruins, Panamint Range. Death Valley National Park, California. March 29, 2011. © Copyright G Dan Mitchell – all rights reserved.

Black and white photograph of the ruins of an abandoned mining cabin high in the Panamint Mountain Range of Death Valley National Park.

There are a number of things that make Death Valley National Park, to the best of my knowledge, rather unique. One is the extensive history of human habitation inside the park boundaries, quite a bit of which is visible –  though some takes a bit more effort and attention to spot. The history of mining in the park is well-known, and many of the icons of the park have connections to this history. If you visit Furnace Creek, for example, you cannot miss the displays of old wagons and so forth used to move ore out of the Valley. It doesn’t take a lot of careful study to figure out that many park roads originated in an era of prospecting and mining. There are several well-known examples of structures left over from that era in and around the park, too.

It is largely because of this history that many areas of this national park are (or have been – some are now reverting to wilderness status) accessible by gravel road or four-wheel-drive routes. I would argue that you can’t really get to know this park if you just stick to the paved roads and the points of interest that they access. If you drive any of these other routes and keep your eyes open you will often be surprised by the left overs from relatively recent mining and prospecting, much of which isn’t really written about or described in the usual guides to the park. (And I’m not going to offer specific details about where to find such places here, since I don’t want to be even a little bit responsible for damage to them. If you do visit, treat them with care and respect.)

As I drove along a gravel road in one of the many mountain ranges of the park, returning from a site that is somewhat well-known, I began to notice evidence of fairly recent mining and prospecting. Faint tracks depart from the main “road” and cross valleys and hills, here and there tailing piles and mine entrances are visible, and sometimes you come across old structures such as cabins, storage bunkers, or wooden towers above mine entrances. I spotted the ruins of this old cabin above the road at one point and decided to walk up and investigate.

I’m almost always surprised at how “modern” many of the traces found at these places seem to be. I guess I am expecting something from the 1800s, but quite a few of these places look like they were build and occupied much later than that. I find modern things like linoleum flooring or modern-looking nails or electrical wire in many of them. There obviously isn’t much left of this cabin now, but from the detritus lying around near it and the form and materials found here, it must have been a reasonably comfortable place to live. As I walk around such places I often try to imagine what it must have been like to wake up every morning in this silent desert and head out for another day of physical labor.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Devils Cornfield, Morning

Devils Cornfield, Morning
Devils Cornfield, Morning

Devils Cornfield, Morning. Death Valley National Park, California. March 31, 2011. © Copyright G Dan Mitchell – all rights reserved.

Low angle morning light silhouettes receding hills and plants near Devils Cornfield, Death Valley National Park.

Taking advantage of the low angle light from the sun as it rose above the Funeral Mountains, I shot almost directly into the light with a long lens to photograph these backlit plants (“arrowweed” I believe) growing along the fringes of the Devils Cornfield area not far from Stovepipe Wells. Although the compressed perspective from the relatively long focal length disguises the fact, I was shooting from a hill that gave me some elevation above the flat surface of the Valley here, and provided a bit better view of the tops of the hills receding into the haze.

I made a variation on this photograph at the same time that I posted earlier – it is in color and used an even longer focal length to get a bit more detail of the mesquite tree that is barely visible in the upper right area of this shot. The color image has a much less start appearance than the black and white rendition with its contrast between the light on the tops of the plants and the surrounding dark soil.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

From the Panamints to the Sierra, Evening

From the Panamints to the Sierra, Evening
From the Panamints to the Sierra, Evening

From the Panamints to the Sierra, Evening. Death Valley National Park, California. March 30, 2011. © Copyright G Dan Mitchell – all rights reserved.

The Sierra Nevada in evening light as seen from Aguereberry Point in Death Valley National Park’s Panamint Range.

I made this photograph from Aguereberry Point shortly before sunset. Aguereberry Point is a lonely prominence over 6000′ above Death Valley, high in the Panamint Mountain range, a place of astonishing panoramic views – and often some significant winds. As I drove the gravel road to the point late in the afternoon I saw three or four other vehicles heading the other direction, but when I arrived at the point a bit more than an hour before sunset no one else was there.

Having photographed here a few times previously, I am becoming more familiar with the challenges and the opportunities of shooting here. One of the challenges – as is the case in many spots in Death Valley – is that certain subjects seem to be “photographable” at very specific times and only for short intervals. One of the most interesting views from Aguereberry is southeast down into Trail Canyon and on to the lower slopes of Wildrose Peak beyond. This is wild, rugged, austere terrain. However, because it lies on the east side of this range the light changes quickly from a washed out blast of daytime sun to sudden deep shadows as the sun drops behind the higher ridges of the Panamints. (Trail Canyon is not seen in this photograph.)

Another challenge is that, impressive and overwhelming as the scale of this grand scene is, it can be difficult to pull interesting compositions out of it. I tend to work with longer lenses here, both to isolate smaller areas out of the huge landscape and to compress distance. In this photograph, the silhouetted crest of the highest part of the Sierra Nevada range is on the horizon, with the intervening ridges of the Panamint Range and others probably including the Inyo Mountains and the ridge just west of Panamint Valley.

And, since I tend towards those large and long lenses… wind is an issue! And on top of Aguereberry Point there is nothing to stop the often strong winds of Death Valley. On this evening the winds were howling, so I found a spot below some rocks where it was a bit less windy and then spent a lot time waiting for momentary lulls in the wind when I could make photographs.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Monterey Pines, Fog

Monterey Pines, Fog
Monterey Pines, Fog

Monterey Pines, Fog. Point Lobos State Reserve, California. July 10, 2010. © Copyright G Dan Mitchell – all rights reserved.

Monterey Pines growing along cliff tops on the north shore of Point Lobos State Reserve with Carmel coastline visible in the distance.

These beautiful and tough Monterey Cypress trees grow at the edges of cliffs above the Pacific Ocean along the north shore of Point Lobos, and on this foggy morning the outline of the Carmel shoreline was just barely visible beyond them. The light was difficult, but I think it ended up helping produce a very moody image that, for me, evokes that feeling of walking though this area on such a morning.

I’m one of those strange people who is usually a bit disappointed when the weather here is clear! In fact, I’ll change my mind and decide not to go photograph at Point Lobos if I hear it is going to be a beautiful blue sky day. My ideal is a day with fog or clouds or rain, and especially so if there is a chance that a bit of light might try to break through clearing (or arriving) clouds.

G Dan Mitchell Photography | Flickr | Twitter | Facebook | Email
Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.