Tag Archives: monochrome

Flooded Meadow Near Greenstone Lake

Flooded Meadow Near Greenstone Lake
Flooded Meadow Near Greenstone Lake

Flooded Meadow Near Greenstone Lake. Sierra Nevada, California. August 11, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

Late-season snow fields are reflected in the pond of a flooded alpine meadow near Greenstone Lake, Sierra Nevada.

During this year of heavy and late winter snowfall, there is still a surprising amount of snow in the Sierra Nevada high country. In the upper portion of this image you can see large snow fields (with much larger ones higher on the slope and out of the frame) at that base of this talus slope at around 10,000+ feet of elevation. During a more typical year, there would still be a few scattered snow fields, but nothing like we see this year. And because there is still so much snow, the plants that would normally be well-developed by now are still just emerging, and the creeks and ponds are overflowing, the meadows are flooded… and the mosquitos are having a field day!

This little pond among the boulder-filled meadows near Greenstone Lake at the far end of Saddlebag Lake was still overflowing with snowmelt water that reflected the extensive snow fields still on the talus field beyond. To get to this spot – in mid-August! – I had to cross a number of still frozen snow fields, follow trails that were flooded in places, and pick my way carefully across waterlogged meadows. It is going to be a short summer season in the high Sierra, but as a compensatory bonus we may still see wildflowers all the way into September.

G Dan Mitchell Photography
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Trees and Granite, Morning

Trees and Granite, Morning
Trees and Granite, Morning

Trees and Granite, Morning. Yosemite National Park, California. July 27, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

Morning light shines on the trees clinging to massive granite domes in the high country of Yosemite National Park.

I’ll write a bit less about this photograph since I posted it already in a color rendition and described some of the background of the image in that earlier post. The basic idea is that I used a very long focal length to isolate the single primary tree against a world of granite that recedes toward the rising sun that is above and out of the frame to the right.

When I made the photograph I had a pretty good idea that it might work as black and white. In fact, though I don’t recall for certain, I think I was leaning towards thinking of the scene in black and white when I made the exposure. (Those last two sentences must seem strange if not almost perverse to people whose primary background is in film!) Sometimes, as with this scene, I end up liking both versions, at least at first. While I may end up leaning toward one or the other more after I live with the prints a while, right now I go back and forth. Of course, when two things are different it is not necessarily the case that one must be better than the other; sometimes they are just different.

Oddly, one thing that inclined me towards black and white ends up also suggesting color. Because so much of the content of the frame is nearly monochromatic I think I originally felt that with so little color to work with that it might make sense to just let it be monochromatic. But then, “with so little color to work with,” the subtle effect of color begins, in some ways, to be even more important.

G Dan Mitchell Photography
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Stairs, Person Walking

Stairs, Person Walking
Stairs, Person Walking

Stairs, Person Walking. San Francisco, California. July 15, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

A person walks past the bottom of a stairway along Stockton Street, San Francisco.

When I posted a color version of this photograph a week or so ago I mentioned that there was also a black and white version – and that I was up in the air about which I prefer. I’m still not certain, though I’m leaning more towards this monochrome version. While there are some aspects of the subtle colorations in the other version that I am hesitant to give up, I think that the angles and forms and masses of dark and light may be more the focus in this version.

Since I told the story on the original post I’ll keep it short here. I was in the Stockton Street area of Chinatown in the morning and had crossed the “bridge” at the termination of a dead end alley that sits above Stockton. There were two stairways down to the street level where Stockton emerges from a short tunnel. As I went down the stairs I thought that the angles and the light in the stairwell looked interesting as forms and was working out a composition or two when the figure walked through the frame and I reacted quickly to make a photo that is quite a bit different from what I was thinking of when I started.

G Dan Mitchell Photography
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Rocks and Fog, Point Lobos

Rocks and Fog, Point Lobos
Rocks and Fog, Point Lobos

Rocks and Fog, Point Lobos. Point Lobos State Reserve, California. July 21, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

A rocky peninsula drops into the ocean on a foggy morning at Point Lobos State Reserve.

On this morning it was foggy and drizzling at Point Lobos and there was a surprising amount of surf for a summer morning. When I arrived shortly after the park opened, there were few other people about. With the moving water and the low light conditions, I decided that this was a good time to do some work with long daytime exposures, so I got out my 9-stop neutral density filters and went about looking for compositions.

After shooting down closer to the water in the cove to the left of these rocks, I wandered up a trail along the shoreline that took me to a point that was a bit higher above the water. As I looked back I saw that the rocks that defined the cove that I had been shooting appeared to head straight out into the water towards a distant peninsula and then submerge – a rather different take on this feature.

By using this filter I was able to get an eight-second exposure in this light. Longer would have been better, but the light was beginning to come through the fog a bit and I didn’t have much choice. With an exposure this “short” I had to be a bit careful about timing the shots, trying to get the right amount of water breaking over the rocks.

G Dan Mitchell Photography
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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