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Dawn Light, Panamint Range and Salt Flats

Dawn Light, Panamint Range and Salt Flats
Dawn Light, Panamint Range and Salt Flats

Dawn Light, Panamint Range and Salt Flats. Death Valley National Park, California. February 21, 2011. © Copyright G Dan Mitchell – all rights reserved.

The first dawn light on the snow-dusted Panamint Range is reflected in shallow winter pools on the salt flats of Death Valley National Park.

This is yet another story of serendipity, I think, though it also does involve some advance work – which should please those who become uncomfortable with the idea that not every landscape photograph results from a slow and deliberate and well-planned process! ;-)

The general location of this scene is along a section of salt flat just below the Salt Creek turnoff from the main highway – it is the first area of obvious salt flats that you come to as you head south towards the Furnace Creek area. One one of my first photographic visits to Death Valley I recall stopping near this location along the road and trying to make a photograph pointing down the length of the Valley. It was not successful, but I’ve always been a bit intrigued by this location where the road has to curve around to the east to avoid this salt flat. A day or two earlier on this trip I had stopped along the road at almost this exact location during the “boring light” part of the day after shooting somewhere else. I had wandered – without any camera gear – down across the wash to a patch of brown salt grass and beyond to the edge of the salt flat. I had noticed a lot of things: the very alien nature of this landscape consisting of mud and caked salt and not much else, the surprising presence of some worms and larvae in this tremendously salty water, the fact that the water seemed to seep from beneath the wash, and the interesting shapes that the water created as it slowly spread along the edge of the salt flat.

Move ahead to this morning, the final one of this trip to Death Valley, and I was up well before first light. I had several ideas about what I might photograph, but had not made a firm decision yet since the weather was something of an unknown. I had a vague idea about heading north up the valley and photographing the first light on the hills along its western edge. I was keeping open the possibility that spectacular light might make it worth while to photograph Zabriskie. But I really didn’t know.

I drove to the Furnace Creek/Scotty’s Castle junction and pulled over to watch the light begin to grow. There were lots of clouds! It looked like a lighter area might evolve straight to my east, but I couldn’t quite see photographic potential in it. To the north things looked pretty bleak. There was some possibility that light could happen way to the south, but I wasn’t convinced. I decided to drive a bit south and see what might happen, and very soon I came back to this place where I had stopped earlier. The light wasn’t very promising – clouds to the east seemed likely to block the sunrise light even though there were some interesting cloud patterns overhead that were starting to become more transparent as the sky began to lighten.

Then I caught just a bit of light on some of the higher clouds above the middle level clouds and I started to wonder if the light just might make it through. I went to the back of the car and grabbed my camera with one lens already attached and mounted it on the tripod. I wasn’t sure if I’d want wide or tele for some of the possible subjects, so I grabbed two additional lenses and stuck them in a shoulder bag and headed down the wash, not really looking up too much, just heading straight towards these little areas of water that I remembered from earlier. As I got close to the edge of the flats I saw that, indeed, a band of sunrise light was coming in below the cloud deck to the east (something I have learned to watch for) and starting to light up the highest peaks of the Panamints. I knew that if this light survived long enough to make it down across the range that it was going to happen fast, so I quickly headed out onto the edge of the flats, more or less ignoring the larger scene and simply looking for an interesting reflecting pool. As I set up – working very quickly now – the first sun lit up the face of the panamints and revealed radiating cloud shapes above. I had perhaps two minutes of this light… and then the small gap along the eastern horizon must have closed up as the light disappeared and went back to gray.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Colorful Pebbles, Weston Cove

Colorful Pebbles, Weston Cove
Colorful Pebbles, Weston Cove

Colorful Pebbles, Weston Cove. Point Lobos State Reserve, California. October 23, 2010. © Copyright G Dan Mitchell – all rights reserved.

Colorful pebbles washed up near the water line at Weston Cove, Point Lobos.

This is another “wandering around on the beach with my eyes open” photograph, made at Weston Cove at Point Lobos. This little circular cove has a pebble beach so there are lots of small pebbles of all colors and shapes along the edge of the water. As I wander about this spot I find the pebbles fascinating, both visually and for the sound they make as they are dragged back toward the sea by the retreating waves. While there are pebbles everywhere – in every small hollow or crack, at the surf’s edge, even further up the “beach” where they were left by higher tides and storms – interesting juxtapositions of the pebbles are a bit harder to find. I was fascinated by this little collection, both because of the linear and curving relationships between their positions and because of the very different and colorful types of rock against the background of sandstone.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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McGee Mountain and Little Alkali Lake, Dawn

McGee Mountain and Little Alkali Lake, Dawn
McGee Mountain and Little Alkali Lake, Dawn

McGee Mountain and Little Alkali Lake, Dawn. Owens Valley, California. October 10, 2010. © Copyright G Dan Mitchell – all rights reserved.

Dawn light in the eastern Sierra on McGee Mountain, reflected in Little Alkali Lake, Owens Valley, California.

There are higher peaks along the eastern escarpment of the Sierra Nevada – much higher! – but I can think of few that catch the dawn light more beautifully than McGee Mountain just north of McGee Creek in the area around Mammoth Lakes and Crowley Lake. The slopes of the mountain are open without obstruction to the dawn light as it works its way down from the peaks, and the light passes across the face and accents the relief of alternating valleys and aretes. On this early October morning an early season storm had left the upper slopes covered with snow, and beyond the slopes of McGee Creek Canyon leading up toward Mount Morgan are still in shade.

I photographed this scene from well out into Owens Valley, where I was almost alone apart from an occasional car passing by on the distant road – and apart from the bellowing beasts in a nearby herd of cattle! Steam rises from some of the many hot springs in this geothermally-active area of the eastern Sierra, and a bit of mist floats above the reflective surface of this alkali lake.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Dusk Clouds, Mount Shuksan

Dusk Clouds, Mount Shuksan
Dusk Clouds, Mount Shuksan

Dusk Clouds, Mount Shuksan. Mt. Baker-Snoqualmie National Forest, Washington. August 28, 2010. © Copyright G Dan Mitchell – all rights reserved.

Evening fog clouds shroud the summit of Mt. Shuksan above Picture Lake – Mt. Baker-Snoqualmie National Forest, Washington.

Since we were in the neighborhood – we passed right past it on our way down from Artist Point – my brother suggested that we stop and photograph the iconic view of Mt. Shuksan from Picture Lake. Actually, as I understand it, the really iconic image is usually made about a month later when the slope along the far shore of the lake turns golden with fall foliage. I only knew the location from photographs, so I was surprised to find that it is a roadside lake with a boardwalk/trail to the typical shooting location! I understand that if I were to return in a month I would be shoulder to shoulder with scores of photographers – but on this evening we were initially the only ones there, though a couple others photographers eventually showed up.

When we arrived things did not look too promising in photographic terms. The peak of Shuksan was entirely socked in by clouds and fog, but my brother said that, in his experience, it was not uncommon for the fog to dissipate and rise as the day ends. (This was in line with my knowledge that the best light can often happen after the sun sets – and I’m always surprised at the number of photographers who pack up and leave before this happens.) As we watched, the saturated colors of the last moments of the day came on and, as if on cue, the clouds began to thin. This was perhaps the very last photograph I made. It was shot some time after the actual sunset and the conditions were quite dark. I thought that a very long post-sunset exposure might capture the diffused quality of the clouds as they moved across the face of the peak and that it might be possible to capture some of the very subtle post-sunset coloration. In the end this exposure was a bit longer than two minutes.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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