A small tree growing on rocks near the shoreline of Lower Young Lake, Yosemite National Park, California.
I first saw this small tree growing in the cracks of rocks near the shore of the lake the morning before I made this photograph. At that time the tree looked interesting but the light was not so great. So visiting this tree again was on my agenda for the following morning and I got there a bit earlier. I made a number of exposures of this scene, and I’m still not certain which one(s) I think work the best – so there is a chance that one or more additional photographs of this subject may appear before too long.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Sunset light illuminates trees on a rocky peninsula, reflected in the surface of alpine Upper Young Lake, Yosemite National Park, California.
This is one more and perhaps the last in the sequence of photographs made on a mid-September evening at Upper Young Lake. I mentioned in a previous post that I had walked up here from my campsite to photograph in the beautiful evening light, and after wandering about and making a few other photographs I finally decided to focus my efforts on this scene featuring tree-covered rocks at the end of a small, curving peninsula. I began shooting just as the “golden hour” time began, and continued until the light was quite dim… and I had to start heading back down what passes for a trail to my camp at a lower lake. This photograph was made at a point at which the light had really begun to warm up as the sun dropped toward the horizon, but before the very last (and very red) light.
A comment on why I have posted several photographs (four by now?) of more or less this same scene rather than selecting “the best” one… I’ve previously written about my reasons for posting daily photographs at the blog, which include practice and encouraging me to regularly take photographs all the way through at least an initial post-processing workflow. The latter gives me a better opportunity to get to know the different images, both as I work on them and I I consider them after posting. So, frankly, I don’t necessarily have a clear favorite at this point.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
The last sunset light strikes trees growing on a boulders at the end of a peninsula at Upper Young Lake, Yosemite National Park, California.
After arriving at Upper Young Lake with the intention of photographing a small, lone shoreline tree… I promptly wandered off and photographed a number of other subjects instead. (I mentioned elsewhere that I ran into John Sexton and Anne Larsen also photographing here, and John pointed out correctly that the tree would end up shaded at the time of best light. Need to go back in August for that one…) First I did a bit of reconnoitering around the west side of the lake, wandering down to and beyond the outlet stream, and thinking about how to photograph this rocky prominence at the end of a small curving peninsula. Then I photographed a bit near the drop-off from the upper lake towards the middle lake. After that I walked back toward the outlet stream again, noted the predicted shadow on the tree, and decided to focus my attention on this peninsula/rocky/tree subject, which I stuck with until the light faded.
When I began photographing this subject the low angle evening sun was casting its warm light on the rocks, trees, water, and even parts of the distance rocky slopes. As the sun dropped various areas began to fall into shadow and the light became warmer and warmer. I made this photograph just before the very last direct light left these trees.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Morning light on the shoreline forest at Lower Young Lake.
After finally managing to convince myself to get out of my warm sleeping bag and bivy sack oh-so -early on this cold, late-summer morning, I grabbed my tripod, camera, and lenses and headed down to the shoreline of this lake. (That’s right – no breakfast. My routine is generally to simply get up and start shooting. I might work for as long as a few hours before the light is no longer what I want, at which point I make my way back to my camp to fix coffee and breakfast.) Although I know this lake pretty well at this point, there are always new things to discover when I look closely, and the conditions are never the same twice. Although I’ve walked past this little bit of shoreline forest many times – the trail goes right through here – this is probably the first time I’ve photographed this spot. I’m often intrigued by backlit trees – for the long shadows, the color of light coming through leaves and branches, and the darker and mysterious quality of the trunks – and several other things also caught my attention here. There was still a bit of late-season green in the small plants down close to the ground, and I liked the obstructed view of the lake surface, the far shore, and the rocky slopes above.
This type of scene and lighting poses some challenges, the most obvious being the wide dynamic range. There are very bright specular highlights reflecting from the needles of the trees and the bright areas of the tree trunks can also be very bright. In this scene there was an additional source of “bright” where the rocks above the far shoreline were directly lit by sunlight. The trick is to not blow out all of those highlights – though a bit of “blow out” on tiny specular highlights can be OK – while still retaining some detail on the shaded side of the trees. Often I resort to exposure bracketing (making two or three different exposures to be blended in post) and, in fact, I did approach this scene that way. However, by shooting RAW and working carefully in post I was able to control the highlights and bring back some of the subtle shadow details.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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