Tag Archives: rugged

From the Panamints to the Sierra

From the Panamints to the Sierra
From the Panamints to the Sierra

From the Panamints to the Sierra. Death Valley National Park, California. April 1, 2009. © Copyright 2009 G Dan Mitchell – all rights reserved.

A landscape of high desert ridges and mountain ranges extends from Death Valley’s Panamint Range to the peaks of the southern Sierra Nevada in late afternoon light.

This lookout, high in the Panamint Range at the end of a gravel road, is one of my favorite places to be at the end of the day in Death Valley National Park. Perhaps because it is a bit less well-known, because it has a name that is harder to pronounce and remember than “Dantes View,” due to its location at the end of this gravel road which at one point passes along a very exposed section of the ridge, and because it is farther from some of the popular places to stay in the park the number of visitors here remains small. I frequently have the place completely to myself or perhaps share it with one or two others.

Behind the camera position is a stupendous view down into Death Valley itself, many thousands of feet below. But in the other direction, looking back towards the west, a series of rugged high desert valleys and mountain ranges extends all the way to the highest peaks of the southern Sierra Nevada range. In the morning, the front light can show the details of snow and rock on the summit of the Sierra, but in the evening the light crossing the intermediate ridges picks up late-afternoon haze and mutes the details of the scene.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Badwater Salt Flats, Evening

Badwater Salt Flats, Evening
Badwater Salt Flats, Evening

Badwater Salt Flats, Evening. Death Valley National Park, California. March 31, 2009. © Copyright 2009 G Dan Mitchell – all rights reserved.

Black and white photograph of rough patterns in the dried salt desert floor at Badwater Salt Flats, Death Valley National Park.

This is another of the “rediscovered photographs” that I uncovered while reviewing many years of raw files recently. Periodically I go through all of the old archived raw files, partly to cull out a few that I know that I’ll never use, but also because I know that whenever I revisit the old files I discover some photographs that I had forgotten or had never understood at the time I made them. Revisiting the old file archives, I’m sometimes shocked that I passed over certain images.

This one is from the salt flats at Badwater in Death Valley National Park. Technically, this was not shot at precisely “Badwater,” but it is close enough. I was out on the flats in the late afternoon, shooting as the sun dropped behind the Panamint Range. In my view, the best light – with the exception of days when clouds might tower above the Panamints – comes starting right about at the time that the sun passes the line of the ridge as it descends at the end of the day. This takes the incredibly bright and harsh sun off of the playa and provides softer light in the shadow of the range. However, this also presents a problem that almost everyone who has shot here must understand, namely that the illumination by the bright blue sky turns the “white” salt a surprisingly intense blue color. I’ve seen people handle this in a variety of ways: keep the intense, almost gaudy, blue color; do a lot of color correction to get colors that more closely correspond to what we recall seeing; mostly include the sky with its more intense colors; or let the colors go and do a black and white rendition.

Although I’ve “done” this subject in color a number of times, somehow this one seemed to call out for black and white. For one thing, it allowed me to use the interesting shapes of the evening clouds as a dramatic backdrop to the rough and broken shapes of the playa salt polygons. It also allowed me to try an interpretation that focuses on the dramatic potential of the scene.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Lone Tree, Autumn Snow

Lone Tree, Autumn Snow
Lone Tree, Autumn Snow

Lone Tree, Autumn Snow. Bishop Creek Area, California. October 8, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

Morning sun shines on a lone tree on a rocky ridge after early autumn snow storm dusted the upper reaches of Bishop Creek Canyon, California.

This was the first clear morning after several days of early season snow in the Sierra Nevada. Earlier that morning I had driven the still unplowed road up to North Lake and photographed there for several (very cold!) hours, starting before sunrise. As the sun rose higher and I decided to drive back down the road, possibly to some lower elevation groves that are first hit by morning sun at a later hour. The road leaves North Lake and makes a few twists as it descends toward a long traverse of the hillside above the valley holding the town of Aspendell.

As I crossed this section of the road, two things happened. First, and somewhat oddly for a semi-isolated gravel road on a snowy day, a number of vehicles came up the road at about this time. This forced me to pull out alongside the narrow road and allow them to pass – after which I watched several of them get stuck on the slippery road just above my pull-out point. This, of course, brought the traffic to a dead stop while the flat-landers figured out how to drive their fancy AWD (!) vehicle on snow. Second, as I stopped here I caught sight of this interesting tree slightly below and off to the side of the traverse, on a hill still covered with fresh snow and backed by the shaded talus slope on the other side of the valley. Being stuck for a few minutes anyway, it seemed like a fine idea to take the camera and tripod out again and photograph the tree while waiting!

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Evening Thunderstorm Above Shepherd’s Crest

Evening Thunderstorm Above Shepherd's Crest
Evening Thunderstorm Above Shepherd's Crest

Evening Thunderstorm Above Shepherd’s Crest. Yosemite National Park, California. September 19, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

Evening thunderstorms tower beyond the ridge of Shepherd’s Crest in Yosemite National Park.

There is a bit of a serendipitous story behind this photograph. We were camped at a high lake in the Yosemite backcountry for several days. On the first day the weather was that typical Sierra blue sky weather that can sometimes go on for weeks – beautiful if you live benign weather, but perhaps less appealing to photographers. On the second day, a few small clouds appeared around noon and by evening were becoming quite nice looking above the higher peaks, so we walked up to a higher lake in the evening and did some photography there. On the third day, the little precursor clouds began to show up a bit earlier – perhaps by 11:00 a.m. or even a bit earlier. This tends to get your attention if you have spent time in the Sierra, since clouds that appear that early may have time to develop into full-fledged thunderstorms.

On the second night, one member of our party had visited another little like above our base camp and reported back that it had photo potential. Others decided to visit it early in the morning on day three, though I photographed elsewhere at that time. But when I saw these clouds I thought it might be interesting to get up to this “other little lake” in the evening. Since the route is cross-country I got directions from another member of the group – basically “head up the rocky area, keeping to the right of the bunch of willows in the creek bed, and then head up to the lake. Two members of the group, Charlie and Keith, headed up before me and I followed perhaps 15-20 minutes later.

The climb was enjoyable – while it was steep, the views just got better and better. I ascended the obvious route up the “rocky area,” saw the willows ahead, passed them on my left, and continued on. I soon realized that this was a mistake since instead of a passable route up the lake I encountered a steep rocky wall. Apparently I missed something in the instructions. I probed around a bit and finally found a reasonably safe route up some ledges, carefully marking my return route with rock duck cairns as I ascended, and finally emerged at the top of the steep section… way up the canyon from the likely location of the lake. It was spectacular, but it wasn’t the lake and Charlie and Keith were nowhere to be found.

When traveling alone I tend to be rather conservative and cautious, so I had set a turn-around time that I knew would get me back to camp before complete darkness. That time now arrived, so I back down the little system of ledges, made a few photographs of beautiful high meadows right below them, and started back down toward camp, leaving enough time to stop to make photographs on the descent.

As I passed back down below the rocky wall, the view opened up in front of me and to my right, and included within this panorama was the full length of Shepherd’s crest, with a huge thunderhead and plenty of virga just beyond the ridge. This photograph was made a few minutes before actual sunset when the angle of the light was quite low and the sunset colors were just beginning to glow.

G Dan Mitchell Photography
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