Tag Archives: stock

Photographs: Death Valley, Photographs: Desert, Photographs: Southern California, Photographs: Structures and Objects

Rhyolite Ghost Casino

February 28, 2012 G Dan Mitchell 2 Comments

The “Rhyollite Ghost Casino” was originally the railroad station in what is now the ghost town of Rhyolite, Nevada.

This building in the ghost town of Rhyolite was originally a (very expensive) railway station that was abandoned when the town itself was abandoned after the nearby mines ran out of profitable ore in the early 1900s. According to several sources I have read, the building was then turned into a bar and casino, and many years later was for a time a curio shop and museum. Today it is boarded up and behind cyclone fences – more off-limits than almost any other structure in the ghost town.

I would live to get beyond the fencing and photograph this building more closely. It looks, in some ways, surprisingly modern for something that was constructing in the middle of nowhere about a century ago, and there are a number of interesting elements in the architecture. (I have photographed some of them, and eventually I’ll perhaps post a few.) The green sign on the front of the building appears to be a repurposed sign from the railroad station days. Underneath the fading “Rhyolite Ghost Casino” lettering, barely readable in this photograph, is and older sign declaring in larger print, “Rhyolite.” A walk around the structure reveals other interesting details, including one area that looks like it might have been a booth for a fortune-teller.

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Eureka Valley, Twilight

February 27, 2012 G Dan Mitchell 5 Comments

Twilight on plants and sand flats near the edge of the dunes, Death Valley National Park.

Some might accuse me of being a bit of a contrarian with this photograph, I suppose. I made it at the base of the some very spectacular sand dunes, purportedly the tallest sand dunes in the USA – but I have the dunes to my back and the photograph doesn’t show them at all. This is also an area with very interesting and somewhat dramatic surrounding hills and ridges, but I intentionally cut the upper border of the photograph so as to not include these ridges or the sky. Speaking of the sky, I shot this just after sunset, when sky color is at its peak… but no sky here! And in a time when pumped up, saturated photographs are very common… this one goes with a very different palette, one that includes a lot of tones that are basically tan, along with some bluish color on the far mountains.

I hope that some who know places like this might understand. This is a very desolate place, and I wanted to just accept and try to photograph that. And in the early evening, when the sun has dropped behind the western hills, the blue-tone light comes on and the contrast lowers, and the colors drain from the landscape. In addition, it was cold! For me, the coloration of this scene suggests that aspect of the scene, which is perhaps not what first comes to mind when we see desert sand and plants.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

First Light, Base of Tucki Mountain and the Panamint Range

February 25, 2012 G Dan Mitchell Leave a comment

First morning light on the rugged landscape of the base of Tucki Mountain and the Panamint Range, Death Valley National Park, California

This photograph was made from a location a ways up from the bottom of Death Valley, from which I could look directly across at the lower slopes of gigantic Tucki Mountain as the first morning light worked its way down toward the lower ridges and the huge alluvial fan at the base of the mountain. At the moment I made the exposure the light was just beginning to fill this slanting area below the rugged mountains, and the light was softened by morning haze.

Tucki Mountain is a huge peak that almost seems to me to be large enough to count as its own minor mountain range. It rises above Stovepipe Wells, and extends a great distance east, south, and west of there. It is laced with deep canyons and its lower slopes are heavily eroded to reveal tilting and twisting strata. Another large valley lies on beyond the foreground spur ridge in this photograph, and beyond that the Panamint Range rises to its crest at 11,000+’ Telescope Peak.

Photographs: Nature, Photographs: Pacific Northwest, Photographs: Wildlife

Snow Goose Maelstrom

February 24, 2012 G Dan Mitchell 2 Comments

A swirling mass of snow geese taking flight above Skagit Valley, Washington.

(You may need to look at this one for a moment in order to understand what is going on.) I photographed these birds in what I believe Washingtonians might refer to as the “Lower Skagit River Valley” area of Washington. I visited the Seattle Area in mid-February, and managed to get one full day to drive up to Skagit Valley and look for the famous birds that are found there: snow geese, trumpeter swans, bald eagles, and more. I arrived there just before dawn on a cloudy and drizzly morning. Not really knowing the area, at first I wasn’t exactly certain where to look. I started just outside of the town of Conway, where fresh green fields occasionally held groups of trumpeter swans, though they all turned out to be a bit too far away for effective photography. Soon I decided to continue on the road out of Conway, driving in the general direction of Laconner and Anacortes. About half way between Conway and Anacortes, the road crosses a large bridge over the river through a forested area. Just before this bridge, I found my geese! As I approached I caught (thrilling) sight of airborne birds heading toward and landing in a field, so I pulled over and began photographing them. There were many thousands of snow geese, mixed in with some trumpeter swans and a few odd ducks.

As I have photographed the migratory birds this season, mostly in California’s Central Valley, one of the ideas that I got in my head was to photograph the massive flocks as they take off, using longer shutter speeds to create some motion blur and long focal lengths to compress the flocks. So, after making a few photographs at more normal and reliable shutter speeds, I switched to an unusually low shutter speed for a hand held 400mm lens and prepared for the inevitable lift off of the flock. I didn’t have to wait long. As the flock, with its edge barely more than 50 feet away from me, lifted off all at once, I used the long lens to crop closely and tracked the flock as it rose and expanded. While the initial impression of the resulting photograph might be “lots of blurry stuff!,” a closer look begins to reveal some detail and order in the madness, and individual birds can be isolated from the background blur. For the interpretation I had in mind, additional work was needed in the post-processing phase, including some work to control the blur and find edges, and some overall adjustments to dynamic range and color.

G Dan Mitchell Photography

Tag Archives: stock

Rhyolite Ghost Casino

Eureka Valley, Twilight

First Light, Base of Tucki Mountain and the Panamint Range

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.