Tag Archives: wave

Rocks and Fog, Point Lobos

Rocks and Fog, Point Lobos
Rocks and Fog, Point Lobos

Rocks and Fog, Point Lobos. Point Lobos State Reserve, California. July 21, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

A rocky peninsula drops into the ocean on a foggy morning at Point Lobos State Reserve.

On this morning it was foggy and drizzling at Point Lobos and there was a surprising amount of surf for a summer morning. When I arrived shortly after the park opened, there were few other people about. With the moving water and the low light conditions, I decided that this was a good time to do some work with long daytime exposures, so I got out my 9-stop neutral density filters and went about looking for compositions.

After shooting down closer to the water in the cove to the left of these rocks, I wandered up a trail along the shoreline that took me to a point that was a bit higher above the water. As I looked back I saw that the rocks that defined the cove that I had been shooting appeared to head straight out into the water towards a distant peninsula and then submerge – a rather different take on this feature.

By using this filter I was able to get an eight-second exposure in this light. Longer would have been better, but the light was beginning to come through the fog a bit and I didn’t have much choice. With an exposure this “short” I had to be a bit careful about timing the shots, trying to get the right amount of water breaking over the rocks.

G Dan Mitchell Photography
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Boulders and Spring Torrent, Cascade Creek

Boulders and Spring Torrent, Cascade Creek
“Boulders and Spring Torrent, Cascade Creek” — Runoff from spring snow melt rushes over boulders of Cascade Creek, Yosemite National Park.

I recently posted the black and white version of this photograph of Cascade Creek in full spring flow.

The color version of this photograph posed a series of post-processing questions and problems that others who have worked with a scene like this one can probably imagine. The creek descends through a narrow, rocky gorge at this point and I photographed it early in the morning before any direct sunlight was able to reach the water. Benefits of shooting at this time included the softer light, which tends to both throw some light into the shadows and to soften the brightest highlights. This also permits a longer exposure which allows the water to blur a bit and express the wild motion of the creek. However, since the primary source of light was the open sky, the camera “sees” a very blue scene. (Our visual system compensates for this, so it doesn’t look as blue as it really is when you are on the scene.)

There are several ways to deal with the color balance issues that this situation creates. You could just “go with the blue,” and I’ve seen photographs done that way. I’ve even seen some in which the photograph amped up the saturation and ended up with something very blue. In general, that’s not my thing! I’m most often looking for something that seems “believable” – it may not be objectively accurate, but I intend it to be “subjectively accurate.” With this in mind, my first instinct was simply to warm the color balance in order to move away from the blue cast and toward a warmer one.

My immediate impression was that this was an improvement, and I worked with this interpretation for several days – but something about it didn’t sit quite right with me. (This is perhaps one reason that I also worked with the black and white rendition in the meantime.) Eventually I did some comparisons between the “warmed up” version and the original… and neither seemed like what I was after. The overly blue original looked garish but the overly warm version seemed artificial. I tried some other approaches and finally discovered that because the blue was so intense that I could simply desaturate it – more than you might think – and keep the “colder” coloration without letting it overwhelm the image.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Canon EOS 5D Mark II (at B&H)
Canon EF 70-200mm f/4 L USM at 126mm (at B&H)
ISO 100, f/16, 1/8 second


 

Boulders and Spring Torrent, Cascade Creek

Boulders and Spring Torrent, Cascade Creek
Boulders and Spring Torrent, Cascade Creek

Boulders and Spring Torrent, Cascade Creek. Yosemite National Park, California. May 7, 2011. © Copyright G Dan Mitchell – all rights reserved.

Runoff from spring snow melt rushes over boulders of Cascade Creek, Yosemite National Park.

This is a subject that I return to several times each year – a particular section of creek that can be viewed from overhead and which can vary from nearly dry to a wild torrent depending upon the time of year and the character of each new year. During the past year I was inspired by Charles Cramer’s stunning photograph of this subject to look at it more closely and from some different perspectives. (A small bit of “Charlie’s scene” appears in this photograph. I wonder if you can find it? :-)

In some ways, the view of this scene is limited in that you can only see it from a particular range of positions – unless you have the skill of levitation! In another way it is hardly limiting at all since the larger view contains many possible smaller views of rocks and plants and water and light. I still have in mind a horizontal composition in this general area, but so far it hasn’t quite worked. Guess I’ll have to keep trying.

I made this photograph in the morning before any direct light had worked its way around the mountains and down into the stream bed. Beyond the stream, which drops precipitously into the Merced River far below, there was open sky and that is the light that reflects on some of the wet rocks. By playing around to find an appropriate combination of ISO values, aperture, and shutter speed, I tried to get the water to hold some detail but to also be blurred enough to reflect its wild motion as it tumbles down this rocky canyon.

As is sometimes the case, I still cannot decide for sure between this monochrome version and a color version that will appear here before long.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Rocky Creek Bridge, Big Sur Coastline

Rocky Creek Bridge, Big Sur Coastline
Rocky Creek Bridge, Big Sur Coastline

Rocky Creek Bridge, Big Sur Coastline. South of Monterey, California. May 13, 2011. © Copyright G Dan Mitchell – all rights reserved.

Bluff, cliffs, seastacks, and fog-shrouded coastal hills along the Big Sur coastline of California.

The bridge in the distance beneath the rounded, fog-topped hill is the Rocky Creek Bridge. (It is sometimes mistaken for the famous Bixby Bridge, which is a bit further south along the coast highway.) I’m very familiar with this area, having photographed from here many times. In fact, later on this morning I was up in the hills beyond the hilltop home while investigating a gravel road that heads back up into the mountains here.

I wanted to juxtapose a range of near and far bits of the bluffs above the shoreline cliffs in this scene. While the coastal meadows will turn brown very soon, on this mid-May date and in this relatively wet year they were still green. The coast highway travels along the upper part of the bluffs, often between the cliffs and the hills rising above. Beyond the bridge you can see the roadway rise to pass around another hill before descending toward the next creek to the south.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.