RAW File Review – Rediscovering the Past

After returning from New York City last week, I took on the daunting task of reviewing about eight years worth of raw files. (Anyone who has tried probably just exclaimed, “yikes!,” or something much less polite… :-)

I’m _very_ conservative when it comes to deleting raw files, figuring that it is better to end up keeping files I don’t need than to find out that I trashed something that could have been useful. In addition, as I do an annual review of the previous year’s raw files every winter, I invariably discover a few good photographs that I had somehow passed over or failed to notice at the time I made them.

As non-fun as the process of reviewing tens of thousands of files can be, there are some worthwhile results, including:

  1. I do delete a fair number of just plain useless files that have been cluttering up my hard drive. I figure that if it wasn’t interesting a the time I took it, wasn’t interesting during my annual raw file review, and still isn’t interesting a few years later… it may be time to get rid of it.
  2. I find some (to me, anyway) real treasures that I had overlooked to misunderstood or simply forgotten at the time. At some point I’ll write more about why this happens, but it is not unusual to fail to understand how a photograph works right after making it. But when viewed with some temporal distance, some photographs turn out to surprise me by how successful they might be. So one of the pleasures of this otherwise daunting task is the discovery of such images.
  3. I relive experiences related to the making the photographs. When I view my own photographs, the visual imagery is always associated with non-visual experiences that were part of the process of making the photo. When I “rediscover” some of these older image – even some that turn out not to be photographically worthy of sharing – I also rediscover those experiences that I had forgotten and all sorts of memories return. (Among those in this batch are many of my family – especially fun during the week when our youngest son moved off to a different city of get his first job.)
  4. I learn things about my own photographic growth that might not be apparent when only considering the most current work. For example, I’m often struck by how certain themes and ways of seeing that I’ve come to recognize more recently were already present in work done quite a while ago. Understanding this is important, I think, to developing self-awareness as a photographer.

Staten Island Ferry

Staten Island Ferry
Staten Island Ferry

Staten Island Ferry. New York, New York. August 19, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

Details of the Staten Island Ferry in black and white.

This photograph may need a bit of explanation. Though it might be fun for you to try to parse out what you are seeing first. Go ahead. I’ll wait…

We did the cheap thing on this afternoon after walking around parts of south Manhattan – we wandered over to the Battery Park, saw a ferry approaching, figured we had just enough time for a scenic round trip, ran to the terminal, and did the free over-and-back on the Staten Island Ferry. The price is certainly right, and the ferry provides interesting views of the Brooklyn shoreline and the south end of Manhattan.

This is a photograph of… not much. The only in-focus element is the vertical metal bar near the left side of the frame. There are windows in the frame as well, and they provide several layers of reflections along with some other “stuff” from the glass itself. (The fence-like object at lower right is actually behind my camera position.) I shot this with a very large aperture to get a narrow depth of field, so everything beyond the metal column is out of focus – the sliding windows, the portion of a person at the right edge of the frame, the water and horizon, and the barely visible bit of the Verrazano bridge in the right window.

G Dan Mitchell Photography
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Man Sitting on Landing, Brick Wall

Man Sitting on Landing, Brick Wall
Man Sitting on Landing, Brick Wall

Man Sitting on Landing, Brick Wall. New York, New York. August 19, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

On a warm New York City evening, a man sits on the landing of a metal stairway on the exterior of a brick building.

We decided that we would visit the High Line Park in Chelsea early in our recent visit to New York City. Recalling some wonderful evening and sunset light at the park during last year’s visit, we had something like that in mind again on this visit… but that is not quite how it turned out. Although it had been sunny earlier, when we arrived at this location late in the day we could see very dark clouds building over on the New Jersey shoreline and beyond. Even though it was at least an hour and a half before sunset the light was dimming quickly, and we began to see large flashes of lightning in the sky to the west.

While the anticipated warm evening light would have been nice – and was when we returned a few days later – the softer light of these overcast conditions provided some advantages, too. Shooting toward the setting sun, as I would have been doing in this shot, can be tough on the High Line – but this soft light allowed me to more easily handle what would have otherwise been a real exposure challenge at this time of day. Just as we approached this building, the man emerged from the curtained doorway and provided a focal point to the photograph of this wall.

He is looking back over his shoulder for a very good reason. A few minutes after making this exposure – or perhaps sooner! – the lightning began to flash and the thunder began to boom directly overhead. We decided that the elevated park was no place to be in an electrical storm, and we quickly found a way back down to street level as sprinkles started. By the time had headed a block to the east, looking for a place to eat, the wind began to howl and the skies let loose a tremendous downpour, forcing us to choose a restaurant on the basis of proximity rather than reputation!

G Dan Mitchell Photography
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Owens Valley Sky

Owens Valley Sky
Owens Valley Sky

Owens Valley Sky. Owens Valley, California. August 6, 2005. © Copyright 2011 G Dan Mitchell – all rights reserved.

Dramatic thunderstorms begin to build above Owens Valley, flanked by the White Mountains and the eastern Sierra Nevada range.

If there is any good news about starting to run out of space on my hard drive, it might be that it encourages me to begin the process of reviewing my tens of thousands of archived raw image files, and that leads me to look through files that I haven’t revisited in a long time – and during this process I find photographs that I had forgotten about. Not only is it worthwhile to rediscover these photographs that ended up buried in the archive, but it is also a chance to recall some of the trips on which the photographs were made.

This photograph is yet another (of many!) that wouldn’t have happened at all if it were not for a whole unpredictable series of events and circumstances. I’ll make the story as short as I can, but it is still a bit involved. Almost every summer I share a long pack trip with a group of my friends. In 2005 we had come up with a 14-day trip along a good portion of the John Muir Trail between roughly the Ediza Lake area and Bishop Pass, which included one of the very few sections of the JMT that I had not hiked. We started at Agnew Meadow, headed up past Shadow Lake, turned south on the JMT, stopped at Reds Meadow, continued on to the Duck and Purple Lakes area… where I started to feel like I might be coming down with some sort of bug. Discretion being the better part of valor and all that, I decided that the prudent thing was to bail out of the trip and exit to Mammoth Lakes since the idea of getting sick on the fourth day of a 14-day hike with a large group was not appealing.

So I hiked out. Ironically, once I crossed the pass to head down to the Mammoth area, I recovered – but it was now too late to rejoin my group since they would be two days ahead of me on the trail at this point. Since I was back at my car now and feeling just fine I figured that I might as well do something else before heading home, so I decided to drive up into the White Mountains and visit the Bristlecone Pine forest. On the way back down from the Whites I just happened to pull out at this spot where the high desert terrain was extra green around a creek, on an afternoon when monsoon conditions were leading to a buildup of afternoon clouds above the Sierra, the Whites, and Owens Valley between the two ranges.

G Dan Mitchell Photography
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.