Autumn storm clouds swirl around the Upper Yosemite Fall, Lost Arrow, and the cliffs of Yosemite Valley.
Shooting with a long lens, I watched as the clouds floated in and out of this scene, at times almost completely obscuring Upper Yosemite Fall and then clearing. At this instant the clouds cooperated for a few seconds, lining up so that the fall was completely visibly, parting enough to let the pinnacle of the Lost Arrow appear at upper left, and revealing just a bit of the tree covered ridge in the background. A few seconds later the clouds again thickened and this view was gone.
I posted a black and white version of the same photograph perhaps two weeks ago. I have since printed the monochrome version and I like it a great deal. Today I returned to these files and since I feel that it also works in color I decided to post it again.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Star trails above the Manifold, Zabriskie Point, Death Valley National Park, California.
One of my goals on my late-March trip to Death Valley was to do some night photography, in particular to take advantage of the nearly full moon near the end of my visit. Some of my plans did not quite work out – for example, on the night when I intended to do night photography of the moving rocks at the Racetrack Playa it was cloudy all night! However, on the final night of my visit the weather gods cooperated and I was able to make a few exposures from Zabriskie Point as the moon rose. As if to partially make up for messing up the intended Racetrack shots, the “cloud gods” were kind enough to provide me with a few high thin clouds at Zabriskie. This was one of those wonderful occasions when things actually did go as planned!
Anticipating the full moon at Zabriskie, I made a point of camping in the vicinity of Furnace Creek at the Texas Springs campground. (I expect that my habits mystified a few nearby campers. I drove in at about 2:00 p.m., grabbed a site and “marked” it by leaving a chair and a tarp, and almost immediately left – not returning until nearly 10:00 p.m. Then I was up and gone well before sunrise.) In any case, I headed down to the Badwater area in the late afternoon to photograph sunset light on the salt flats and evening clouds – following an impromptu “dinner” at the back of my car at the Badwater parking lot. It was getting fairly dark by the time I finished up at Badwater, so I headed straight up to Zabriskie. By the time I arrived the moon was just coming up over the mountain range to the east, with its light at times filtering through high clouds. During the hour I was there I made three exposures. With exposure times in the 8 to 12 minute range and followed by “dark frame exposures” of equal length, this was a slow and quiet process.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Sunset sky reflected in a Tuolumne Meadows early-summer snowmelt pond.
On a more typical Tuolumne visit than the one I experienced last week, this might have been the first photograph I would have shared. If you have followed my posts during the past few days, however, you know that I was fortunate to photograph a very atypical evening two days after I made this photograph – and I’ve been focusing on those images from this visit first.
This photograph was made two nights earlier, on the first evening of my Tuolumne Meadows visit. The location is at the edge of an extensive meltwater pool near the west end of the Meadows, a spot where I like to photograph early in the season. The distant ridge holds Ragged Peak (near Young Lakes), the distant tip of Mount Conness, and other peaks to the north of the Meadow.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Two surfers near the edge of the winter surf in central California near San Francisco. Black and white.
As I write this description a half dozen years after making the photograph it is the day of another Mavericks surf competition, and I remember distinctly the day I made the photograph and the experience of making it. The location is somewhat typical of the California Coast Highway, along with the road alternates between ascending along the edges of high coastal mountains and dropping down to small beaches where creeks and rivers enter the sea. This beach is one of those latter locations, in this case one I frequently visit when I photograph along the coast south of San Francisco.
My favorite time of year along this coast is the winter, and for a diversity of reasons. Contrary to the expectations of non-Californians, summer is not the most beautiful time on the coast. In summer the coast is frequently socked in by fog, and the clear days are so clear that there may be no clouds – a lovely thought for all but perhaps the photographers, who often wants more “interesting” conditions. In the winter the ocean can become a powerful force, with winds whipping the tops of huge waves as storms near and far stir things up. While the summer coast can seem benign, the winter coast can present us with scenes of tremendous, awe-inspiring power. But it can also be quiet and moody as it was on this day. Yes, the surf was running high (which is why the Mavericks surf competition was going on a few miles north of this spot on the day I made the photograph), but winter clouds muted the colors, the sounds of birds and water were everywhere. These two surfers walked quietly along the beach, seeming a part of this beautiful scene. (Revised description written January 24, 2014)
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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