Tag Archives: hill

Rusted Gate and Concrete Wall, Battery 129

Rusted Gate and Concrete Wall, Battery 129
Rusted Gate and Concrete Wall, Battery 129

Rusted Gate and Concrete Wall, Battery 129. Golden Gate National Recreation Area, California. July 14, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

Rusted gate against a weathered concrete wall at the entrance to a tunnel at Battery 129, Golden Gate National Recreation Area.

At the north end of the Golden Gate Bridge, Conzelman Road leads up into the Marin Headlands along the San Francisco Bay side of the ridge. This road is a favorite place for overlooking the Golden Gate and its famous bridge along with a large expanse of San Francisco and its Bay and points east. In mid-July the road was not accessible from the usual spot near the end of the bridge, so I detoured around towards the “back entrance” via the road to Rodeo Beach. From this road I turned up into the hills and joined Conzelman near its summit. I made a few foggy photographs of the Bay, but my main interest was in trying to find photographs in the old batteries and other abandoned military facilities along the ridge running out toward Point Bonita.

At the summit of the hill, before the road becomes very narrow and many people turn back, is “Battery 129.” There are several tunnels into this facility from alongside the road and a separate route leads up the hill to the old structures on the summit. I took one of the two tunnels under the hill and as I entered the second section I saw this old metal gate against a weathered concrete wall, illuminated by light leaking in from the end of the tunnel.

G Dan Mitchell Photography
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Offshore Fog Bank, Marin Headlands

Offshore Fog Bank, Marin Headlands
Offshore Fog Bank, Marin Headlands

Offshore Fog Bank, Marin Headlands. Golden Gate National Recreation Area, California. July 14, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

Offshore fog lies beyond Point Bonita and Rodeo Beach and the Marin Headlands of the Golden Gate National Recreation Area.

I was surprised to find a clear view like this during my mid-July visit to the Marin Headlands of the Golden Gate National Recreation Area (GGNRA) across the Bay from San Francisco. I had almost decided to stay home or go elsewhere based on weather reports that had the coast completely socked in my dense fog for most of the day. Indeed, it was foggy as I passed through San Francisco and drove across the Golden Gate Bridge. The fog was high, and I could see some distance beneath it, but it was still a rather gray day.

Since the lower section of Conzelman Road, the normal quick and scenic route up into the headlands, was closed for construction, I took that alternate route that passes through a tunnel to come out near Rodeo Beach. I turned left up the hill to reach the upper section of the road. After photographing near Battery 129 for a while, the sun began to break through the fog, and I was surprised to find a fairly clear patch just outside the Golden Gate.

The photograph shows the last section of the headlands as the hills drop towards the historic fort and batteries near the Point Bonito light house, which is barely visible at the end of the peninsula on the left. The line of surf at the upper right is Rodeo Beach, a popular spot with Bay Area folks.

G Dan Mitchell Photography
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Rocky Creek Bridge, Big Sur Coastline

Rocky Creek Bridge, Big Sur Coastline
Rocky Creek Bridge, Big Sur Coastline

Rocky Creek Bridge, Big Sur Coastline. South of Monterey, California. May 13, 2011. © Copyright G Dan Mitchell – all rights reserved.

Bluff, cliffs, seastacks, and fog-shrouded coastal hills along the Big Sur coastline of California.

The bridge in the distance beneath the rounded, fog-topped hill is the Rocky Creek Bridge. (It is sometimes mistaken for the famous Bixby Bridge, which is a bit further south along the coast highway.) I’m very familiar with this area, having photographed from here many times. In fact, later on this morning I was up in the hills beyond the hilltop home while investigating a gravel road that heads back up into the mountains here.

I wanted to juxtapose a range of near and far bits of the bluffs above the shoreline cliffs in this scene. While the coastal meadows will turn brown very soon, on this mid-May date and in this relatively wet year they were still green. The coast highway travels along the upper part of the bluffs, often between the cliffs and the hills rising above. Beyond the bridge you can see the roadway rise to pass around another hill before descending toward the next creek to the south.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Two Oaks, Morning Sun

Two Oaks, Morning Sun
Two Oaks, Morning Sun

Two Oaks, Morning Sun. Calero Hills, California. April 30, 2011. © Copyright G Dan Mitchell – all rights reserved.

The springtime morning sun shines through a pair of oak trees in the Calero Hills south of San Jose, California.

On the final day of April and for the first time this season, I found to go for a hike at my favorite local park, a place where I have walked just about every available trail (and invented a few routes of my own) and photographed for a number of years. The park would not seem like anything all that special by comparison to some of the other places I visit, but it is close and I’ve gotten to know it in a way that makes it more special. The place is called the Calero County Park, part of the Santa Clara County Parks system.

The entrance to the park is in a broad valley that is largely occupied by stables. (Or, used to be – it looks like the stables must have closed since last season.) Rising from this valley are the typical grass-covered hills of central and northern California, with oaks and other trees scattered around and, in places, thicker trees and brush. At this time of year, the hills turn what I call “impossibly green” – and if you have seen them on a late-winter or early spring morning you know what I mean.

I started this hike a bit after dawn, so the golden hour light was more or less gone. I had a general idea of photographing some wildflowers (which didn’t happen – it was too windy) and some oak trees that grow alone or in small groups on the grass-covered hills. I passed a small lake – where a single egret often hangs out, but not on this morning – and topped a rise and descended into a small valley from which I have made quite a few photographs of oaks. It didn’t look too promising at first, but at the far end of this area I noticed that a pair of trees were still obscuring the sun and that I might be able to shoot straight into the sun with the trees blocking its disk, and get a photograph including the tree shadows on the hillside grasses.

This turned out to be another of those all-too-common ephemeral photographs in that the sun was starting to rise above the top branches of the tree and would soon be “out in the open,” making it much too bright for what I had in mind. So I worked quickly to set up tripod and camera and select a lens, then frame a composition, focus, and make a series of exposures that might be needed to deal with the huge dynamic range between direct sun and backlit tree trunks. By the time I had everything set up and was ready to shoot the sun had already risen above the upper branches, so I ended up looking for a slightly better shadow and putting the tripod down very low – and this gave me must enough time to make the series of exposures I figured I would need.

In the end, I got lucky. One single shot somehow managed to not blow the sun out too badly yet hold enough detail in the grass that a bit of work in post could bring it back. With all of the potential for lens flare – which I had to some extent in every shot – this one only had two small bits of it, and they were easily dealt with.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.