Tag Archives: horizon

Photographs: Central California, Photographs: Nature, Photographs: Northern California, Photographs: Wildlife

Migratory Birds, Dusk

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Migratory Birds, Dusk - Flocks of migratory birds fly over the Merced National Wildlife Refuge at dusk, San Joaquin Valley, California
Flocks of migratory birds fly over the Merced National Wildlife Refuge at dusk, San Joaquin Valley, California

Migratory Birds, Dusk. Merced National Wildlife Refuge, California. January 28, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Flocks of migratory birds fly over the Merced National Wildlife Refuge at dusk, San Joaquin Valley, California.

I think that I’m as interested in the landscape of the Central Valley of California as I am in the migratory birds that I went there to photograph during the last weekend of January. I’m still surprised to find that this landscape is more varied than I realized for many years, even though I’ve lived in California almost all of my life and I frequently drive through the Valley on my way to the Sierra and other places. I used to think of it as “that hot place between here and there,” at least in the summer. Later I found out about the very different winter climate there, where it is often foggy for days or weeks on end. The, after I learned about the amazing annual arrival of migratory birds, I realized just how much of the Valley is waterlogged at least part of the year.

The area of the Merced National Wildlife Refuge is one such area. Located more or less between the towns of Merced and Los Banos, it holds many seasonal ponds, and these ponds are the winter homes of thousands and thousands of birds. On our visit during the final weekend of January 2012, the birds were there, all right. However, they were mostly too far away to photograph them easily except when they occasionally passed over head. But the landscape was as accessible as ever. Here I wanted to accentuate the vast sky above the flat surface of the valley, so I tilted the camera up a bit so that the flooded fields and sparse trees sat at the bottom of the frame, and the gradient of color and light fills most of the frame, interrupted by passing flocks of migratory birds.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Architecture, Photographs: Central California, Photographs: Nature, Photographs: Northern California, Photographs: Ocean & Coast, Photographs: Structures and Objects

Bixby Bridge, Pacific Coast Highway

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Bixby Bridge, Pacific Coast Highway
Black and white photograph of the Pacific Coast Highway crossing Bixby Bridge above the rugged Big Sur coastline of California.

Bixby Bridge, Pacific Coast Highway. © Copyright 2022 G Dan Mitchell.

The Pacific Coast Highway crossing Bixby Bridge above the rugged Big Sur coastline of California.

Bixby Bridge is one of the iconic sights along the rugged terrain of California Coast Highway (highway one) in the Big Sur area south of Monterey. Although it is not the only bridge of its type along this route – and, in my opinion, not necessarily the most visually impressive – it is no doubt the best known. Many people drive to this spot and stop to take in the view from high above the ocean and to photograph the bridge and this scenic section of the highway.

I have photographed this bridge before, and I’ve spent a bit of time scoping out alternative points of view. These include some locations visible from “behind” the bridge, up higher in the coastal hills, and from other nearby locations along the highway. While I have photographed the bridge from the backside in the past, the idea of photographing it in black and white from this vantage point was triggered by a photograph by Chris Morrison that I saw in an online photography forum. When I saw it, I almost immediately “saw” a slightly different composition of the bridge and the steep headlands and cliffs running south along the coast.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Imaginary Landscapes, Photographs: Northern California, Photographs: Ocean & Coast

Surf, Rocks, and Horizon

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Surf, Rocks, and Horizon
Surf, Rocks, and Horizon

Surf, Rocks, and Horizon. Point Lobos State Reserve, California. April 26, 2009. © Copyright 2011 G Dan Mitchell – all rights reserved.

An imaginary landscape from surf, rocks and horizon at Point Lobos State Reserve, California.

I refer to photographs like this one as “imaginary landscapes” – though I suppose that this one is actually an imaginary seascape. The boundary between these photographs and my Regular Old Garden Variety Landscapes is a bit nebulous, but it relates to how far and how intentionally the interpretation of the scene departs from what might be regarded as its objective reality. In this case, some things were done at the time of exposure and some other things were done in post that make this image more obviously a subjective interpretation of the scene than might be the case with many of my other photographs. But you could see that by looking at it, right?

In any case, this is a single photographic “capture” made with a long exposure time that was extended by the use of a nine-stop neutral density filter – and this is what creates the majority of the soft quality of the image. Some additional work was done in post to further manipulate the original image – work with saturation and certain ways of diffusing portions of the image and so forth. In the end, little of that matters beyond the fact that these techniques were ways of producing the image that I had in mind, and which I intend to evoke something about the nature of the real scene upon which it is based.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Badwater Salt Flats, Evening

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Badwater Salt Flats, Evening
Badwater Salt Flats, Evening

Badwater Salt Flats, Evening. Death Valley National Park, California. March 31, 2009. © Copyright 2009 G Dan Mitchell – all rights reserved.

Black and white photograph of rough patterns in the dried salt desert floor at Badwater Salt Flats, Death Valley National Park.

This is another of the “rediscovered photographs” that I uncovered while reviewing many years of raw files recently. Periodically I go through all of the old archived raw files, partly to cull out a few that I know that I’ll never use, but also because I know that whenever I revisit the old files I discover some photographs that I had forgotten or had never understood at the time I made them. Revisiting the old file archives, I’m sometimes shocked that I passed over certain images.

This one is from the salt flats at Badwater in Death Valley National Park. Technically, this was not shot at precisely “Badwater,” but it is close enough. I was out on the flats in the late afternoon, shooting as the sun dropped behind the Panamint Range. In my view, the best light – with the exception of days when clouds might tower above the Panamints – comes starting right about at the time that the sun passes the line of the ridge as it descends at the end of the day. This takes the incredibly bright and harsh sun off of the playa and provides softer light in the shadow of the range. However, this also presents a problem that almost everyone who has shot here must understand, namely that the illumination by the bright blue sky turns the “white” salt a surprisingly intense blue color. I’ve seen people handle this in a variety of ways: keep the intense, almost gaudy, blue color; do a lot of color correction to get colors that more closely correspond to what we recall seeing; mostly include the sky with its more intense colors; or let the colors go and do a black and white rendition.

Although I’ve “done” this subject in color a number of times, somehow this one seemed to call out for black and white. For one thing, it allowed me to use the interesting shapes of the evening clouds as a dramatic backdrop to the rough and broken shapes of the playa salt polygons. It also allowed me to try an interpretation that focuses on the dramatic potential of the scene.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.