Tag Archives: pacific

Yankee Point and Cypress, Carmel Highlands, Dusk

Yankee Point and Cypress, Carmel Highlands, Dusk
Yankee Point and Cypress, Carmel Highlands, Dusk

Yankee Point and Cypress, Carmel Highlands, Dusk. Big Sur, California. January 2, 2010. © Copyright G Dan Mitchell – all rights reserved.

A Carmel Highlands cypress trees stands at the edge of a cliff above the Pacific Ocean and Yankee Point at dusk.

Oddly, this is a photograph that sort of “didn’t make the cut” the first time I went through the batch shortly after making the photographs in early 2010. I had spent the afternoon photographing further south in the Big Sur area and several other photographs from the set turned out more as I expected – and this one seemed like a sort of problem child photograph, so I didn’t take the time needed to work with it. Eventually I forgot about it as I went on to other projects.

The photo had been almost a bit of a grab shot. As I was heading north back up the coast, thinking I had finished my shooting and was now on the way home, I was stunned to catch a glimpse of some intense post-sunset light as I rounded the bend at the head of this cove in Carmel Highlands. I wasn’t certain that I could find a composition and work out a photograph in the brief interval the probably remained before the light faded, but I quickly put on the wide angle zoom, attached the camera to the tripod, and headed over to the edge of the bluff. Exposure was a terrible problem because the brilliant and very colorful sky was quite bright, while the close side of the foreground tree was nearly black. I made managed to shoot the scene a few times, shifting from landscape to portrait mode and making three bracketed exposures of each composition.

When I got home and looked at the raw files I think I decided that it was just going to be too much work for too little reward, and I instead went to work on more promising shots from earlier in the afternoon. This week I came upon the series of shots again and wondered what I could do with them. My first inclination was to go with the color, and I did come up with a portrait orientation image in color that I will probably post before long. Then, as I began to work on the landscape mode image, I started to see it as having potential as a monochrome image. I tried it. I liked it. And here it is!

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Cove and Beach Near Davenport, Evening

Cove and Beach Near Davenport, Evening
Cove and Beach Near Davenport, Evening

Cove and Beach Near Davenport, Evening. Davenport, California. December 12, 2010. © Copyright G Dan Mitchell – all rights reserved.

Black and white photograph of two people standing on a bluff above the Pacific Ocean and overlooking a cove and beach near Davenport California.

Although I have continued posting photographs at a rate of one per day, I have only managed to get into the field to shoot a few times since early November. Yesterday I found time to make it over to the Pacific coast late in the day. I was looking for the foggy, misty, and somewhat gray conditions that are common this time of year, at least when the air has not been cleared by a passing storm. I wasn’t disappointed. While the sky was clear overhead, the air was very moist – my equipment became damp from condensation as I worked.

Since my time was a bit limited – the sun was going down! – I went more or less straight to this spot where I have photographed in the past. (At first I considered going a bit further north to shoot from high bluffs, but I realized that the shot I had in mind from that location would be better earlier in the day.) When I arrived the sun was just dropping below the horizon, but that is what I wanted – I wasn’t looking for one of those brilliant “sun dead ahead” shots. I wanted the post-sunset soft light and enough darkness that I could work with longer exposures.

I parked and walked the short distance to this spot at the head of this cove. The composition is sort of tricky. The “right” (in my view) arrangement of the offshore rock and the surrounding bluffs can only be seen from a very small area – too far right or left and elements start to collide. In addition I wanted that little bit of more distant shoal along the right side of the frame to suggest that the coast continues, and I wanted that flat bit of bluff with a bit of post sunset light at the left. It was a bonus when the two people – probably photographers! – showed up on the top of the left bluff and thoughtfully posed for me as I made long exposures!

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Abandoned Pier, Dusk

Abandoned Pier, Dusk
“Abandoned Pier, Dusk” — The pilings of a long-abandoned pier on the Pacific coast near Davenport, California.

Besides being a matter of hours from the Sierra Nevada and less than a day’s drive from places like Death Valley, I can be at the Pacific coast between San Francisco and Santa Cruz in barely more than a half hour. Yesterday it looked like evening conditions might be interesting so I headed over there in the late afternoon. As I crossed the mountains on my way there I was pleasantly surprised to see low clouds over the ridges and some higher clouds over towards the ocean, which got my hopes up for some sort of spectacular evening light. However, when I actually got the the coast the conditions were not as interesting – mostly clear with just a bit of cloudiness on the horizon, and no interesting haze or mist over the water. Either that or I just wasn’t “seeing it” this time. So, after stopping for a cup of coffee, I headed up the coast from Santa Cruz and stopped at several of the usual locations, but didn’t make a single exposure. At the northernmost point on my drive I stopped right by the water and it looked like interesting light might be five or ten minutes away… and then the sun dropped below some low clouds near the horizon and the light died!

I think I’ve learned to go with the flow when this happens. I react in several ways. One is to look around for subjects other than those that I thought I was there for. With that in mind I thought about photographing shore birds… but there was only one forlorn seagull down near the water. I saw an interesting pool of water on the beach and thought it might play into a seascape photograph, but the flat light and cloudless sky was not working. I remembered a spot a bit further south where I had once shot some shoreline shoals from the top of a steep cliff at sunset, so I quickly drove up that way… and couldn’t find them!

I had one final thought. On the way north I had seen a group of photographers on the bluff near the northern edge of Davenport. I had stopped, leaving my camera equipment in the car, and quickly dashed out to where they were set up to see what was so interesting. Below their position were the four remaining supports from an old pier that washed away many years ago. It looked interesting and I recognized the structure from photographs that others have made from down on the beach – but I hadn’t been up for the steep descent to the beach so I had driven on after making a mental note about a position from which I thought a photograph might be made. Now I realized that if I went straight there that I might be able to make some long exposures in the dying light and perhaps frame them so that they only contained the structures and the open sea. So, off I went.

I arrived just before the moment of sunset and, sure enough, the group of photographers I had seen earlier was still there. I grabbed my gear and quickly walked out to the point I had scoped out earlier, which was some distance from where they were set up. I framed up this composition and then photographed right though sunset until there wasn’t really enough light to keep shooting. (The group at one point looked like they thought the show was over and they were going to leave, but I think they saw me continuing to shoot and decided to stick around almost as long as I did.) The light just kept getting more interesting as it faded. Although it was too dark to really see the image as it appears here, I knew that this three minute exposure (intentionally lengthened by choosing a small aperture and low ISO) would smooth out the surface of the water but still show the shadows and reflections of the old pilings.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Shoreline Plants and Sandstone, Weston Cove

Shoreline Plants and Sandstone, Weston Cove
Shoreline Plants and Sandstone, Weston Cove

Shoreline Plants and Sandstone, Weston Cove. Point Lobos State Reserve, California. October 23, 2010. © Copyright G Dan Mitchell – all rights reserved.

Plants grow in cracks in the sandstone along the shore of Weston Cove, Point Lobos State Reserve, California.

On this visit to Point Lobos, a place I photograph frequently, I wasn’t quite sure what conditions I would encounter. A Pacific weather front was approaching and I thought that I might encounter dismal, overcast conditions – but I was surprised to find it mostly sunny when I arrived. Even better, high, thin clouds were approaching the coast line and soon muted the direct sunlight, which made photographing these shoreline rock formations a more reasonable possibility during the late morning.

I’m pretty familiar with Point Lobos in general at this point, having visited the place from the time I was a child. I’m especially familiar with Weston Beach (or “cove,” as I like to think of it), with its circular shape, protective rock barrier, angled sandstone edges, and large pebbly “sand.” But as familiar as I am with this location, I almost alway find something new if I look around carefully enough, and these plants growing in the angular cracks in the sandstone were new to me.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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