Moving Rock, Racetrack Playa. Death Valley National Park, California. March 29, 2010. © Copyright G Dan Mitchell – all rights reserved.
Black and white panoramic format photograph of a moving rock at Racetrack Playa, Death Valley National Park, California.
This photograph probably belongs in the “trying to turn lemons into lemonade” file. I’ve had wonderful luck with great light on all of my previous visits to the remote Racetrack Playa in Death Valley, the site of the “moving rocks” that have left tracks in their wake across the playa surface. However, my string luck seemed to run out on this late March visit. Earlier in the day as I contemplated whether or not to head out there I noticed some budding lenticular clouds to the north and made the decision to go. My preference is to have some clouds at the Racetrack, as perfectly clear sky isn’t as interesting in my view. Plus I always have in mind a particular previous visit when I photographed the playa at dawn with beautiful lenticulars building over the mountains to the north of the playa, and I think I’m always hoping for similar conditions again.
The plan on this visit was to arrive in the mid-afternoon to shoot the Grandstand, a formation near where the road first arrives at the playa, and to then photograph the beautiful evening light, the full moon (in the evening and then again before dawn) and finally the dawn light. The conditions continued to look great as I did the long washboard drive to the playa, and I arrived and photographed the Grandstand as planned. However, as I finished up here a high band of clouds moved across the sky and flattened out the light. As evening came on I was out on the playa, but the clouds remained and the light was not remarkable. I finally wandered back off the playa after dark, hoping that the clouds would clear and allow full moon photography. This never happened, and when I returned to the playa early in the morning the overcast was still present, with only a thin area of blue sky far to the west.
But I photographed anyway. Softer, overcast light has its potential, and since I was there I was certainly not going to waste the opportunity. In the end, I wasn’t thrilled with what I brought back for the most part, though I do like the effect of the overcast and the softer light on this black and white photograph of one of the more recognizable rocks. (By the way, the rest of my Death Valley visit went much better than this one night!)
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
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Technical Data:
Canon EOS 5D Mark II
Canon EF 17-40mm f/4 L USM at 170mm
ISO 200, f/16, 1/8 second
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