Tag Archives: gray

Photographs: Cascades, Photographs: Nature

Roots and Rocks

September 3, 2010 G Dan Mitchell 4 Comments

Weathered tree roots stretch across boulders at Mt. Baker-Snoqualmie National Forest, Washington.

I made this photograph at our first stop after we arrived at the Mt. Baker-Snoqualmie National Forest. (Technically, that isn’t quite true, since we had earlier stopped at the “ranger station” to ask some questions, but this was the first “real” stop for photography.) The road into this area twists and turns as it ascends toward and then past a ski area, and here we couldn’t help but pull over at a hairpin curve that provided a panoramic overlook to the valley below and the ridges to the east (?) of our position. Although the original reason for stopping was this dramatic view, I soon found nearby “intimate landscapes” to also be very interesting. While I often hike and climb long distances to find my photographs… for this one the tripod was on asphalt and the subject right next to the road.

On a technical note, for this photograph I used a lens that I’m increasingly fond of for photographing subjects like this one, the Canon EF 70-200mm f/4 L USM (link to B&H). I find it useful to be able to put a bit of distance between myself and subjects in which the entire image may include only a few square feet, and the ability to fine tune the composition with the zoom is very useful. Although I didn’t do it in this photography, working with a slightly longer focal length also lets me have the option of isolating the subject against an out of focus background. I have the non-IS version of the lens – because that was the only version available back when I got mine – though I would almost certainly get the IS version if I were to replace it.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Northern California, Photographs: San Francisco, Photographs: Structures and Objects, Photographs: Urban/Street

All Stops Special – Caltrain Station

July 24, 2010 G Dan Mitchell Leave a comment

The San Francisco Caltrain station, photographed through glass lobby windows.

I frequently ride Caltrain to the City to do street photography. (Getting there by train is far better for me than taking the car, mainly because I think I can do more effective photography of this sort when I’m working completely on foot and not dealing with the whole driving/parking thing.) In this photograph I liked the nearly empty glass-enclosed lobby area, lit by very diffused light under the early morning fog, and with the trains visible on the other side. The “All Stops Special” sign seems enigmatic when seen out of context.

By the way, as much as San Francisco residents love the sunny and warmer days that occasionally come to the City this time of year, for photography I much prefer at least some fog and cloudiness, especially when I try to shoot during the daytime hours.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Photographs: Nature, Photographs: Northern California, Photographs: Structures and Objects, Photographs: Textures, Photographs: Urban/Street

Bunker Walls, Mare Island

June 3, 2010 G Dan Mitchell Leave a comment

Concrete bunker walls with painted sheet metal panels in evening light – Mare Island Naval Ship Yard.

I think I’ll go ahead and classify this as a night photograph, though it is on the margin of what qualifies. If you notice from the technical data that it is a 30 second exposure, you may be more convinced. Almost every time I do night photography at the historic Mare Island Naval Ship Yard across the water from Vallejo, California I start near this collection of concrete bunkers near the so-called “historic core” of the ship yard. I’ve long been intrigued by these mysterious looking structures and the foliage that now is beginning to grow around and top of them, but it has been difficult to figure out the right light for shooting them. On this visit we gathered at about 8:00 p.m. which happened to be a few minutes before sunset. As twilight came on it seemed like I might get an interesting combination of fading light from the dusk sky and some artificial light, so I wandered off among the bunkers and shot for a while. The painted-out grafitti was something that I hadn’t see here previously, but the paint patterns in tones of blue – augmented by the blue-ish evening light – seemed to make an interesting contrast with the rough and weathered texture of the concrete walls.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Technical Data:
Canon EOS 5D Mark II
Canon EF 24-105mm f/4 L IS USM at 65mm
ISO 200, f/16, 30 seconds

keywords: mare, island, naval, ship, yard, vallejo, california, usa, north america, historic, night, photography, minsy, bunker, wall, concrete, cement, metal, plate, sheet, paint, blue, gray, texture, weathered, dilapidated, worn, old, historic, panorama, grafitti, evening, light, stock, industrial, urban, stock

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Hiker, Natural Bridge Canyon

April 9, 2010 G Dan Mitchell Leave a comment

A hiker pauses below the bridge in Natural Bridge Canyon, Death Valley National Park, California.

I visited this canyon and its natural bridge on my late-March visit to Death Valley. The Nature Bridge canyon is located just a bit north of Badwater, and after a short drive up the alluvial fan to the trailhead it is an easy hike up an impressively narrow and deep canyon to the large, blocky bridge. I like to save the canyons for mid-morning or late-afternoon shooting, since the light here can actually improve a bit further away from the sunrise/sunset edges of the day – the direct light is block by the tall canyon walls.

This canyon is narrow, but not as narrow as some of the other popular canyons with trails such as Mosaic Canyon, in which there a spots where two people cannot pass. Compared to that this canyon is much wider in most spots, perhaps 20 feet or more in places. Nonetheless the vertical and tall walls of the lower section of the canyon block out most of the sky and give a feeling of being somewhat closed in.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.