“Shoreline Grasses and Subalpine Pond” — Passing clouds reflected in the surface of a subalpine pond with summer meadow grass, Tioga Pass, Yosemite National Park.
I made this photograph on a special afternoon late last July. Although I had been across Tioga Pass earlier in the season when it was still very snowy, this was my first real visit to the summer high country of the season. It was a beautiful, sunny afternoon with just a few fluffy clouds floating about when I came to the meadows near Tioga Pass. The color of the meadow grasses was at just that perfect point that we think of when we imagine summer subalpine meadows – the intense green just before the wildflowers bloom and the inevitable change toward fall begins. (Yes, after some summers in the high country this cycle becomes clearer and clearer.)
A sunny spring morning along the Big Sur Coast at Soberanes Creek, with fog above the coastal mountains.
This is a spot that is probably familiar to many who have driven down this section of the Big Sur coastline south of Monterey and Carmel, California. To the right, and out of the photograph, is Soberanes Canyon which ascends steeply toward the ridges above Pacific Ocean. A creek flows down the canyon, underneath the coast highway, and then into the ocean.
The foreground bluff looks inviting with its green color and spring flowers. However, I picked up one of the worst cases of poison oak I’ve had on one occasion when I walked across this meadow to photograph the sea stacks and coastline at dusk!
White door and stucco on a building in San Francisco, California.
As I photograph the various usual subjects that appear here, I always have a few background subjects that I’m always looking out for. One of my projects might be described as “urban minimalism,” featuring subjects from the urban environment that are very simple. This is probably about as minimalist as I can get with such images. (Though, now that I’ve written that, I’m starting to think of some even “more minimalist” possibilities. Funny.)
This one gets perilously close to the infamous “Polar Bear in Snowstorm” photo that people imagine from time to time. It is a white door in a white door frame against a white wall. Believe it or not, I had to go back and forth for a while to decide whether to print it in color or black and white – and, no, I’m not joking. Much of the image changes little when I switch between the two interpretations. However, there is a slight coloration to the “white” wall (that is almost certainly not displayed accurately on your monitor) and there is some real color on the metal security cover over the lock. But still… it is almost all shades of white in the end.
The Sierra Nevada in evening light as seen from Aguereberry Point in Death Valley National Park’s Panamint Range.
I made this photograph from Aguereberry Point shortly before sunset. Aguereberry Point is a lonely prominence over 6000′ above Death Valley, high in the Panamint Mountain range, a place of astonishing panoramic views – and often some significant winds. As I drove the gravel road to the point late in the afternoon I saw three or four other vehicles heading the other direction, but when I arrived at the point a bit more than an hour before sunset no one else was there.
Having photographed here a few times previously, I am becoming more familiar with the challenges and the opportunities of shooting here. One of the challenges – as is the case in many spots in Death Valley – is that certain subjects seem to be “photographable” at very specific times and only for short intervals. One of the most interesting views from Aguereberry is southeast down into Trail Canyon and on to the lower slopes of Wildrose Peak beyond. This is wild, rugged, austere terrain. However, because it lies on the east side of this range the light changes quickly from a washed out blast of daytime sun to sudden deep shadows as the sun drops behind the higher ridges of the Panamints. (Trail Canyon is not seen in this photograph.)
Another challenge is that, impressive and overwhelming as the scale of this grand scene is, it can be difficult to pull interesting compositions out of it. I tend to work with longer lenses here, both to isolate smaller areas out of the huge landscape and to compress distance. In this photograph, the silhouetted crest of the highest part of the Sierra Nevada range is on the horizon, with the intervening ridges of the Panamint Range and others probably including the Inyo Mountains and the ridge just west of Panamint Valley.
And, since I tend towards those large and long lenses… wind is an issue! And on top of Aguereberry Point there is nothing to stop the often strong winds of Death Valley. On this evening the winds were howling, so I found a spot below some rocks where it was a bit less windy and then spent a lot time waiting for momentary lulls in the wind when I could make photographs.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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