Tag Archives: monochrome

Cove and Beach Near Davenport, Evening

Cove and Beach Near Davenport, Evening
Cove and Beach Near Davenport, Evening

Cove and Beach Near Davenport, Evening. Davenport, California. December 12, 2010. © Copyright G Dan Mitchell – all rights reserved.

Black and white photograph of two people standing on a bluff above the Pacific Ocean and overlooking a cove and beach near Davenport California.

Although I have continued posting photographs at a rate of one per day, I have only managed to get into the field to shoot a few times since early November. Yesterday I found time to make it over to the Pacific coast late in the day. I was looking for the foggy, misty, and somewhat gray conditions that are common this time of year, at least when the air has not been cleared by a passing storm. I wasn’t disappointed. While the sky was clear overhead, the air was very moist – my equipment became damp from condensation as I worked.

Since my time was a bit limited – the sun was going down! – I went more or less straight to this spot where I have photographed in the past. (At first I considered going a bit further north to shoot from high bluffs, but I realized that the shot I had in mind from that location would be better earlier in the day.) When I arrived the sun was just dropping below the horizon, but that is what I wanted – I wasn’t looking for one of those brilliant “sun dead ahead” shots. I wanted the post-sunset soft light and enough darkness that I could work with longer exposures.

I parked and walked the short distance to this spot at the head of this cove. The composition is sort of tricky. The “right” (in my view) arrangement of the offshore rock and the surrounding bluffs can only be seen from a very small area – too far right or left and elements start to collide. In addition I wanted that little bit of more distant shoal along the right side of the frame to suggest that the coast continues, and I wanted that flat bit of bluff with a bit of post sunset light at the left. It was a bonus when the two people – probably photographers! – showed up on the top of the left bluff and thoughtfully posed for me as I made long exposures!

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

G Dan Mitchell Photography
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Morning Clouds Above the Manifold, Zabriskie Point

Morning Clouds Above the Manifold, Zabriskie Point
Morning Clouds Above the Manifold, Zabriskie Point

Morning Clouds Above the Manifold, Zabriskie Point. Death Valley National Park, California. April 2, 2010. © Copyright G Dan Mitchell – all rights reserved.

Morning clouds fill the sky above the Manifold at Zabriskie Point, Death Valley National Park.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Recently I’ve been going over some of my Death Valley photographs, and as I do so I discover a few that “missed the cut” the first time around but which I kind of like now when I see them a few years later. This photograph was made in 2007, on a spring morning when beautiful clouds filled the sky above Zabriskie Point and Death Valley. I have versions of this photograph in both black and white and color – I like both, though the effect is quite different. (I’ll post the color version as soon as tomorrow.)

I’ve referred to the striking central feature of the “badlands” above Gower Wash – the hill with the curving gullies and the darker material along the top – as “the Manifold” for a few years. I know I saw this label applied to the feature somewhere, but I cannot find the source now. In any case, it seems deserving of its own name, and “the Manifold” works for me.

One more observation… I have written elsewhere about my attitude toward photographing iconic scenes – an Zabriskie Point is certainly iconic! It is a bit of a long, complicated story, but this photograph illustrates part of my philosophy. I will not always bother to stop and photograph such a site, having seen many beautiful mornings (and a few evenings) there. But I do watch for special or unusual conditions, and when they occur I may well head to an icon like Zabriskie to try to make a photograph that is unlike the usual images.

Since I am in the process of reviewing many Death Valley photographs, don’t be too surprised if a few more older photos from that location show up here soon.

G Dan Mitchell Photography
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Basin Mountain, Afternoon Light and Haze

Basin Mountain, Afternoon Light and Haze
Basin Mountain, Afternoon Light and Haze

Basin Mountain, Afternoon Light and Haze. Round Valley, California. October 9, 2010. © Copyright G Dan Mitchell – all rights reserved.

Basin Mountain and the Sierra Nevada crest rise above Round Valley on a hazy afternoon.

There is a certain kind of afternoon light in the eastern Sierra that is hard to photograph – looking up at the range from Owens Valley into the afternoon sun the haze can be bluish and decrease detail and the light can be very bright. But it is a part of the experience of the “east side” that we all know, I think. I can’t say that I’ve tried to photograph it very often, but I stopped just off of highway 395 in the Round Valley area on this early October afternoon when I saw the rugged foothills rising above the sagebrush towards the Buttermilks and Basin Mountain and the Sierra crest around Mount Humphreys beyond.

For me, this is one sort of classic eastern Sierra view. Imagine a very warm or even hot afternoon. You are driving through high desert sagebrush country – which often surprises people who are headed to the Sierra and are thinking about high mountains and cool temperatures. The mountains to the west rise precipitously from the floor of Owens Valley, with peaks that can be nearly 10,000 feet higher than the lowlands in some places. You see snow on the peaks and sometimes on the slopes of the mountains. You know that there are places up there where you can park a car and walk out in cool mountain air and head up a trail through meadows and forests and cross a ridge into the alpine world – but the terrain gives little hint of this from below. The light gleaming on snow fields and rock projected into the sky reminds you of this other world high above.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

G Dan Mitchell Photography
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Black Point and Negit Island, Mono Lake Shoreline

Black Point and Negit Island, Mono Lake Shoreline
Black Point and Negit Island, Mono Lake Shoreline

Black Point and Negit Island, Mono Lake Shoreline. Mono Lake, California. October 10, 20120. © Copyright G Dan Mitchell – all rights reserved.

The north shoreline of Mono Lake leads from foreground offshore tufa past the base of Black Point to Negit Island and beyond.

You would never know it from this black and white photograph of the austere desert landscape around Mono Lake, but I was there to photograph… fall aspen color! Earlier in the day I had photographed further south along the eastern slopes of the Sierra, gradually working my way north with a plan of heading back to the “west side” over Tioga Pass at the end of the day after doing a last bit of  fall color photography near Conway Summit and Dunderberg Road in late-afternoon light. By mid-afternoon I had made it to Lee Vining for an espresso stop at Latte Da and a break to check some email and so forth. Soon it was time to get into position for the low angle sun that would light the aspens a bit later, so I headed north out of town.

The road north from Lee Vining skirts the west shore of Mono Lake. Before leaving the lake there is a turn-off to another road that passes along the north shore of Mono Lake and can take you to places such as Black Point. I often stop at this turn-off since it provides a slightly elevated view of the larger terrain around the lake including the low hills to the east and Mono Craters and higher mountains to the south. On a typical blue sky mid-afternoon I might not make any photographs, but something about the light and the forms of the shoreline, Black Point, and Negit Island leading into the distance convinced me to make a few exposures, using a long lens to compress the distance.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

G Dan Mitchell Photography
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