Winter dusk light and clouds over the Pacific Ocean at Carmel Highlands near Yankee Point, Pacific Coast Highway, California.
This is the companion image to the black and white photograph I posted yesterday, Before I made the exposures that I used to create that black and white landscape-orientation image, I first made a quick series of bracketed exposures in portrait mode. As I photographed, I knew that the dynamic range was going to be too large for a singe exposure so I quickly made a series of four exposures, from which I selected two that have blended to produce this image.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
A Carmel Highlands cypress trees stands at the edge of a cliff above the Pacific Ocean and Yankee Point at dusk.
Oddly, this is a photograph that sort of “didn’t make the cut” the first time I went through the batch shortly after making the photographs in early 2010. I had spent the afternoon photographing further south in the Big Sur area and several other photographs from the set turned out more as I expected – and this one seemed like a sort of problem child photograph, so I didn’t take the time needed to work with it. Eventually I forgot about it as I went on to other projects.
The photo had been almost a bit of a grab shot. As I was heading north back up the coast, thinking I had finished my shooting and was now on the way home, I was stunned to catch a glimpse of some intense post-sunset light as I rounded the bend at the head of this cove in Carmel Highlands. I wasn’t certain that I could find a composition and work out a photograph in the brief interval the probably remained before the light faded, but I quickly put on the wide angle zoom, attached the camera to the tripod, and headed over to the edge of the bluff. Exposure was a terrible problem because the brilliant and very colorful sky was quite bright, while the close side of the foreground tree was nearly black. I made managed to shoot the scene a few times, shifting from landscape to portrait mode and making three bracketed exposures of each composition.
When I got home and looked at the raw files I think I decided that it was just going to be too much work for too little reward, and I instead went to work on more promising shots from earlier in the afternoon. This week I came upon the series of shots again and wondered what I could do with them. My first inclination was to go with the color, and I did come up with a portrait orientation image in color that I will probably post before long. Then, as I began to work on the landscape mode image, I started to see it as having potential as a monochrome image. I tried it. I liked it. And here it is!
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
A tree grows at the rocky edge of a cliff above Middle Young Lake and the forest receding into the late-afternoon western light, Yosemite National Park, California.
Continuing the process of milking my mid-September shoot at Young Lakes for as many photographs as possible, here’s one more. As I wandered around the “side” of the upper lake I saw a meadowy area below the outlet stream that looked interesting, so I followed it to the beginning of a steep drop off towards the middle lake. Here the combination of low-angle back light glancing off or the edges of the rocky outcropping and the distant forest-covered hills fading into the sunny haze caught my attention. It was also interesting to think about the fact that I had just walked past the lake seen at the lower left perhaps no more than 30-45 minutes earlier.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Late season evening light on a trees and a small meadow near Upper Young Lake, Yosemite National Park, California.
After hiking up from Lower Young Lake and arriving at the upper lake well before the good light I wandered off along the southwest shoreline of Upper Young Lake to scope out photographic subjects for the “good light” period that was going to start very soon. First I walked along the shoreline where I found several prospective shots of a rock outcropping with trees at the end of a peninsula that curves into the lake. I kept walking along the shoreline and found a few more interesting formations with the backdrop of the more distant hillside leading to the ridge that runs along the edge of the basin. Eventually I worked my way a bit beyond the lake to a point where small, grassy gullies began to drop toward the steeper terrain leading to the next lake down the valley, and here I found some interesting backlit trees and boulders, again with the hazy image of the more distance hillside beyond.
This photograph was made pointing almost directly toward the lowering sun – it is actually just a bit to the right and behind some rocks and trees that are out of the frame. Because it was so close to the end of the day – and because of the late time of the season – the light soon became very saturated and warm colored. To me this scene says “end of summer” in the high country – while it is still comfortable and the winters snowfall is still weeks in the future, there is a time in September when the days shorter, the grasses turn golden brown, the aspen color is only weeks away, and most of the tourists have left when the changing of the seasons can no longer be denied.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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