Tag Archives: storm

Winter Seascape – Near Waddell Beach

Winter Seascape - Near Waddell Beach
Winter Seascape - Near Waddell Beach

Winter Seascape – Near Waddell Beach. Pacific Ocean Coastline, California. December 20, 2009. © Copyright G Dan Mitchell

A mininalist evening seascape photographed from high bluffs above the Pacific Ocean near Waddell Beach, California.

After photographing beautiful sunset clouds at Waddell Beach I packed up and started south on my drive back home. From Waddell the road rises to pass along the edge of a high bluff with an open view to the west and over the Pacific. I often stop here to photograph shorebirds as they pass right along the edge of the cliff. Although I didn’t have a plan to stop on this evening, I almost intuitively pulled off the road at the first stop and saw this very quiet and still image of the post-sunset Pacific Ocean minimalist seascape – the large swell was coming slowly straight towards the shoreline and everything from the water to the clouds had taken on blue tones in the subdued evening light.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Offshore Squall and Layered Clouds, Point Lobos

Offshore Squall and Layered Clouds, Point Lobos.

Offshore Squall and Layered Clouds, Point Lobos. Point Lobos State Reserve, California. November 22, 2009. © Copyright G Dan Mitchell – all rights reserved.

Black and white seascape photograph of a passing offshore squall and layered clouds at Point Lobos State Reserve, California.

This is a somewhat subjective impression of a scene that I witnessed last weekend late in the day along the California coastline as a small weather front passed Point Lobos, causing the weather to quickly switch from sun to brief showers and back to sun. Here the foreground water is in shadow, rain is falling from a luminous stratified cloud and being illuminated from behind. Conditions changed rapidly and this effect was gone in a moment.

This image belongs to a category I like to describe as “imaginary landscapes.” The scene is real and nothing has been added nor taken away, but the photograph has been post-processed in order to create a more subjective view of the scene that I had in mind – it corresponds to something I saw in the scene, but I did not restrict myself to trying to produce an objectively “real” version of the scene.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Squall, Point Lobos

Squall, Point Lobos

Squall, Point Lobos. Point Lobos State Reserve, California. November 22, 2009. © Copyright G Dan Mitchell – all rights reserved.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

An offshore squall in the wake of a frontal passage, Point Lobos State Reserve, California.

Shortly after I arrived to photograph at Point Lobos in what looked like it might become fairly photogenic weather, I was surprised by a small cold front that quickly swept across the part and left some mist in its wake. It passed quickly and after the offshore showers had passed the sun soon began to return – in fact a half hour later it was almost completely clear at sunset.

I have a long term project of photographing what I think of as minimalist seascapes and this is another in the series. Many are made during the “interesting” season along the northern and central California coastline – the season that includes late fall, winter, and early spring. During this half of the year, rather than the summer’s binary alternation between boring blue sky and dense coastal fog we seek a tremendous range of local and larger area conditions. Yes, the fog is still around, but we also see the gloom of approaching fronts, the power of Pacific storms, the mixed light and clouds and these storms clear, and the tremendously clear air after the last remnants of a front departs.

One more comment on this photograph. I think this may be one of those in which the inclusion of a very tiny object can have an effect on the perception of the image that is way our of proportion to its size. What looks like a small spot in the sky on the left side of the frame in this online jpg is a solitary bird passing across the scene. I feel that this photograph is changed in an important way by its inclusion.

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Autumn Snow and Morning Light on Wheeler Ridge

Autumn Snow and Morning Light on Wheeler Ridge

Autumn Snow and Morning Light on Wheeler Ridge. Sierra Nevada near Bishop, California. October 4, 2009. © Copyright G Dan Mitchell – all rights reserved.

Early morning light on the Buttermilks and the face of the eastern Sierra’s Wheeler Ridge as an early autumn storm brings snow flurries.

On both mornings during my early October trip to the Bishop Creek area to photograph aspens, I instead ended up spending at least some time shooting the eastern escarpment of the Sierra Nevada in the area of the “Buttermilks,” an area of very interesting rock formations (and lots of rock climbers!) off of highway 168 above Bishop. On the first morning I drove a good distance up into the region and spent an hour or more shooting a particular scene. On the second morning, when this photograph was made, I only stopped briefly on my up to higher elevation areas, aspen groves, and snow flurries.

An early season storm was coming in – it had been tremendously windy the night before and I’d picked up a dusting of snow at my campsite the night before. While the sun streamed over the White Mountains to the east and managed to light up the high desert hills in this area it was snowing lightly but steadily up in the mountains. Here the light is sweeping across the low, rocky hills in the foreground and hitting the steep lower slopes of Wheeler ridge, while above the peaks are shrouded in mist and clouds and receiving a light but steady snow fall.

This photograph is not in the public domain. It may not be used on websites, blogs, or in any other media without explicit advance permission from G Dan Mitchell.

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