Tag Archives: blue

Twilight Surf

Twilight Surf
“Twilight Surf” — Long exposure of shoreline surf in twilight, Pacific Grove

Many times the most interesting late-day light comes after the sun set, and I have learned to stick around as long as I can in these situations. The colors can become more intense as the details become softer, especially when the low light allows me to use longer exposure times with moving subjects in the very low light. By the time I made this photograph my exposure time was up to four seconds. (Shortly after this it was too dark to continue shooting – I could hardly see my camera any more!)

This image falls into my “minimalist seascape” category, without any particular central subject – though there are some points in the scene that do, I think, draw a bit more attention. There is a certain element of chance in these photographs since, obviously, I cannot control the waves. However, by watching their patterns and thinking about how their sharply defined shapes might form more diffused shapes over the longer exposures, I can make some reasonable guesses about when to trip the shutter release. Besides the sky, there are three things in the water portion of this scene that “worked” for me: the single darker wave just below the horizon, the row of three parallel waves in the middle of the frame, and the blurred and reflective area closest to the shore.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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Alcatraz Island, San Francisco Bay Fog

Alcatraz Island, San Francisco Bay Fog
Alcatraz Island, San Francisco Bay Fog

Alcatraz Island, San Francisco Bay Fog. San Francisco, California. December 16, 2010. © Copyright G Dan Mitchell – all rights reserved.

Alcatraz Island is almost completely obscured by San Francisco Bay fog drifting beneath blue sky.

This is another of what I sort of think of as my “barely there” photographs, in which I work with subjects that are almost completely obscured by fog, mist, rain, or clouds. Some of my Yosemite Valley photographs from a rainy weekend near the end of this past October are in the same category.

 

You can experience an astonishing range of atmospheric conditions in and around San Francisco Bay. The patterns at this time of year (the very end of fall, and more like winter conditions) are quite different from summer. As often as not, the fog in the winter comes from inland rather than drifting in through the Golden Gate, and it is more related to the tule fog that can sit in the Central Valley during the winter, sometimes for weeks. On the other hand, after the passage of a winter storm (which brings its own impressive conditions) the winter air over the Bay can be crystal clear. And frequently the conditions can change rapidly, as was the case on this morning. When I arrived in the Marin Headlands above the north end of the Golden Gate Bridge before dawn, I was initially a bit disappointed that the conditions were too clear! Except for a bank of clouds right above San Francisco (the subject of some other recently posted photographs) the rest of the Bay was almost completely clear. But then, at first imperceptibly and then very quickly, fog began to condense out of the air above the bay. In a short period of time subjects that had been clearly visible were completely obscured. Within moments after making this photograph, Alcatraz was not longer visible.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Winter Evening, Big Sur Coastline

Winter Evening, Big Sur Coastline
Winter Evening, Big Sur Coastline

Winter Evening, Big Sur Coastline. Soberanes, Big Sur, California. January 2. 2010. © Copyright G Dan Mitchell – all rights reserved.

Last light of a winter evening shines on a shoreline bluff along the Big Sur coastline.

As the very end of 2010 approaches, here is a photograph from the very beginning of 2010, made back on January 2. It very similar to a photograph of this scene I posted back then, but it is not the same photograph, and I know like this one at least as much as the earlier selection. (And I feel justified in using two photos from the shoot after the case of poison oak rash I picked up making them!)

As I recall, this was another of those evenings that first looked very promising, then turned gray as the sun dropped behind clouds over the ocean, but held out hope for a last moment of color as the setting sun dropped to the horizon and beneath the clouds. And, as sometimes happens, it actually worked! I had seen this spot before but not stopped to photograph it quite this way. As I passed by while heading south earlier in the afternoon I had made a mental note about the possibilities for the scene, and when I turned back to the north to start my drive home I had decided to stop here. The scene is impressive, with the coast curving inward and then back out the left where a creek comes down to the sea, and with bluffs, sea stacks, and higher hills beyond. And on this evening the sky was full of pastel colors. So I stopped, unloaded the camera gear, and headed out (through the poison oak!) onto the bluff above the cove where I waited for light. And just at sunset a band of beautiful, warm, diffused light touched the bluff across the cove.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Dawn, Alkali Lake, Eastern Sierra

Dawn, Alkali Lake, Eastern Sierra
Dawn light on Alkali Lake and the peaks of the eastern Sierra Nevada near Convict Lake.

Dawn, Alkali Lake, Eastern Sierra. Owens Valley, California. October 10, 2010. © Copyright G Dan Mitchell – all rights reserved.

Dawn light on Alkali Lake and the peaks of the eastern Sierra Nevada near Convict Lake.

I posted a photograph very much like this one a month or so ago, but I like this place and the morning light so much that I’m posting this similar photograph. The location is on the shore of a small alkali lake out in Owens Valley/Long Valley, in an area that is full of hot springs. On this very cold early October morning, steam was rising from the many hot springs in the area as the sun rose, lighting the eastern face of the Sierra Nevada near Convict Lake, the sagebrush-covered hills below the Sierra, and finally the surface of the small lake.

For many years after I started visiting the east side of the Sierra Nevada I mostly ignored the high desert terrain such as the area around this lake. As time went on and I looked further east I began to venture out here, and I discovered a beautiful landscape that is affected by proximity to the Sierra but which is not really “Sierra Nevada” itself. The bulk of the eastern escarpment is a constant presence here, but the character of this place is more that of the basin and range country — dry, full of sagebrush, with playas and rocky outcroppings.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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